Akda: The Asian Journal of Literature, Culture, Performance is an international peer-reviewed journal that seeks to publish cutting-edge articles in the areas and intersections of Literary, Cultural, and Performance Studies. We especially welcome articles that will inaugurate new and dynamic directions for scholarly inquiry on the literary and cultural production of the Asian region. Further, in our commitment to diversity and to multicultural dialogue, we welcome contributions that may potentially be relevant to the concerns of the region from various national and cultural backgrounds. The journal is supported by a distinguished editorial board that represents the journal's scholarly depth and geographic scope.
This permanent MMLA panel invites abstracts that engage with collectives, communities, and print culture, widely conceived. In line with the conference theme, "border states," how does print culture give us a sense of community boundaries? How are collective identities formed, altered, or dismantled? What role does print culture play in shaping collectives or communities? How can we (re)conceive solidarity or community through the literary? This panel can engage with but is not limited to the following topics: literary criticism, critical theory (including theories of affect), aesthetics, propaganda, literary texts, and print culture more broadly.
The 9/11 and Popular Culture area is looking for abstract proposals for the MPCA conference in Chicago, IL, at the Hilton Rosemont/Chicago O'Hare from Thursday-Sunday, October 6-9.
The 9/11 Popular Culture area seeks essays that explore the convergence of post-9/11 themes in contemporary television, film, fiction, poetry, comics, and other artistic expression. I am especially interested in essays that approach issues of trauma theory and Islamophobia, as well as critiques of American exceptionalism and politics across artistic expression.
I welcome papers that analyze
the immediate American literary responses and considerations of the 9/11 terrorist attack (Extremely Loud and Incredibly Close, The Writing on the Wall);
THE SOCIAL is the International Association for Visual Culture biennial conference that will take place at Boston University. IAVC2016@Boston invites papers, presentations, interventions, collaborations, and events from researchers, artists, academics, curators, and activists on post- democracy, post-society, anger, violence, future visions, crisis, zombie democracies, social media, neo-slavery, post-capitalism, post-data, social evolution, revolution, actionism, post-state, interventionism, cannibalizing corporativism, post- colonialism, economic vampirism, neo-serfs, globalized thievery, art activism, red art, insurrectional art and social exploitation.
CULTURAL INTERTEXTS, academic journal of Literature and Cultural Studies, ISSN 2393-0624, E-ISSN 2393-1078, edited by the Department of English, Faculty of Letters, "Dunarea de Jos" University of Galati, Romania, with the support of the Doctoral School of Socio-Humanities and the Research Centre Interface Research of the Original and Translated Text – Cognitive and Communicative Dimensions of the Message, invites proposals of original articles, related to the general theme of the journal.
This year's issue focuses on Textual Representations of Cultural Politics
The editors will consider for publication papers which tackle, among others:
- (literary) text, pretext and context;
- history and his story;
- women's voices;
Performing Precarity: Refugee Representation, Determination
An interdisciplinary conference hosted by The Performance of the Real Research Theme,
The University of Otago, Dunedin, New Zealand, 21-23 November 2016
Professor Suvendrini Perera (Curtin University, Perth, Australia)
Professor Nikos Papastergiadis (University of Melbourne, Australia)
CFP: Performance of the Real Postgraduate and Early Career Researcher Symposium
An international symposium hosted by the 'Performance of the Real Research Theme' at the University of Otago, Dunedin, New Zealand
June 8th – 10th 2016
Keynote speaker: Dr Bree Hadley (Queensland University of Technology)
Layman Poupard Publishing seeks peer reviewers for forthcoming entries in volumes of the Literature Criticism Series published by Gale Cengage. Reviewers will be asked to vet an 1800-word background essay and a primary works checklist. They will also be asked to recommend published critical essays to be reprinted in the entry. Reviewers will be credited in print and paid an honorarium. Academic affiliation is required.
To apply, please send a short vita with cover letter describing your research interests to firstname.lastname@example.org.
Current needs are:
CONTEMPORARY LITERATURE CRITICISM
Saul A. Kripke
Early Modern Women Writers (approx. 1550-1700)
at Othello's Island CVAR, Nicosia, Cyprus
5 to 9 April 2017
Early Modern Women Writers is a semi-autonomous conference strand within the annual interdisciplinary conference on medieval, renaissance and early modern studies, held annually since 2013, in Cyprus, called Othello's Island.
As a whole, Othello's Island attracts approximately 100 delegates, whose topics include archaeology, art history, history, and literary studies, to name but a few. Since its inception a significant section of the conference has covered early modern women writers, such as Mary Wroth, Aphra Behn and Margaret Cavendish.
The Gothic Association of New Zealand and Australia (GANZA) welcomes papers for its third biennial conference, to be held at Auckland University of Technology, New Zealand, on 23-24 January 2017.
The conference will be organised in the spirit of the Association.
GANZA is interdisciplinary in nature, bringing together scholars, students, teachers and professionals from a number of Gothic disciplines, including literature, film, music, television, fashion, architecture, and other popular culture forms. It is the aim of the Association to not only place a focus on Australasian Gothic scholarship, but also to build international links with the wider Gothic community as a whole.