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The Performative Aesthetics of 21st Century Theatre in India

updated: 
Wednesday, May 3, 2017 - 2:37pm
anitasinghh@gmail.com or shyambabueflu@gmail.com
deadline for submissions: 
Saturday, July 1, 2017

                                                                                            Call For Papers and Play Scripts

 

                                                                     The Performative Aesthetics of 21st Century Theatre in India

 

Upcoming Deadline: The Politics of Memory in Contemporary U.S. Visual Culture

updated: 
Thursday, May 4, 2017 - 7:57am
SAMLA 89: South Atlantic Modern Language Association's 2017 Conference
deadline for submissions: 
Wednesday, May 31, 2017

The Politics of Memory in Contemporary U.S. Visual Culture 

South Atlantic Modern Language Association's Annual Conference

Atlanta, GA

November 3-5, 2017

British Literature and Culture: Long 19th Century

updated: 
Wednesday, May 3, 2017 - 2:38pm
Pacific Ancient & Modern Languages Association (PAMLA)
deadline for submissions: 
Sunday, May 21, 2017

 

The 115th annual conference of the Pacific Ancient & Modern Languages Association (PAMLA) will be held at the lovely Chaminade University of Honolulu (with the official conference hotel being the Ala Moana) from Friday, November 10, to Sunday, November 12.

RSA 2018: Magical Wearables in the Medieval and Early Modern World (March 22nd-24th, 2018, New Orleans)

updated: 
Wednesday, May 3, 2017 - 2:38pm
Christina M. Squitieri, New York University
deadline for submissions: 
Monday, May 22, 2017

From Jones and Stallybrass's Renaissance Clothing and the Materials of Memory (2000) to art historian Cordelia Warr's Dressing for Heaven (2010), to Patricia Lennox and Bella Mirabella's edited collection, Shakespeare and Costume (2015), the power of clothing on medieval and early modern subjects is being more thoroughly explored. This interdisciplinary panel is interested in the ways clothing, costume, and other articles, including wigs, false beards, and jewelry, had power to shape, transform, or otherwise exert material effects on the bodies who wore them. How do such "wearables" and/or their material effects relate to issues of (mis)recognition or identity creation, successful or otherwise?

Edited Volume on Tarell Alvin McCraney - Call for Papers

updated: 
Wednesday, May 3, 2017 - 2:38pm
Sharrell D. Luckett, David Roman, and Isaiah Wooden
deadline for submissions: 
Tuesday, August 1, 2017

Call for Papers

THE EXPRESSIVE ART OF TARELL ALVIN MCCRANEY:

BETWEEN NOW AND THEN

 

Anticipated Publication Date:

Fall 2018

 

Shakespeare: Visions of Rome

updated: 
Wednesday, May 3, 2017 - 2:38pm
Shakespeare, the journal of the British Shakespeare Association
deadline for submissions: 
Friday, June 30, 2017

Shakespeare

Call for Papers

Shakespeare: Visions of Rome

 

We invite essay submissions (c. 6000 words including notes) for a special issue of Shakespeare, the journal of the British Shakespeare Association, on the topic of Shakespeare: Visions of Rome, planned for publication in 2019.

 

‘Shakespeare at Play’ -  ANZSA 2018 

updated: 
Monday, May 1, 2017 - 2:07pm
Australia and New Zealand Shakespeare Association
deadline for submissions: 
Friday, August 4, 2017

‘Shakespeare at Play’ 

ANZSA 2018 

The University of Melbourne 

8-10 February 2018 

 

http://conference.anzsa.org/ 

 

Confirmed keynotes: 

Gina Bloom, UC Davis 

Claire M. L. Bourne, Penn State U 

Roslyn L. Knutson, U Arkansas, Little Rock 

 

20 minute papers are now invited for the Australian and New Zealand Shakespeare Association (ANZSA) biennial conference. Papers might consider (but are not restricted to) these or any related topics: 

plays 

players 

swordplay 

early modern plays 

Shakespeare in plays 

Performance Review for Marx-Shakespeare Special Issue

updated: 
Wednesday, April 26, 2017 - 1:36pm
Shakespeare: A Journal
deadline for submissions: 
Wednesday, May 31, 2017

Call for Papers

For a special issue of Shakespeare: A Journal, marking the 200th anniversary of the birth of Karl Marx, we are inviting submissions of reviews, to be published in the Performance section of the journal, in which the reviewer, who is experienced in Marxist Shakespearean criticism, reviews a current Shakespeare theatrical production, film or other form of performance, broadly defined, using a lens that may include historicising, contextualising socially and economically, close-reading form, and reading dialectically. Reference to the situation in our contemporary world as part of the overall argument would be welcome as well.

Literary and Dramatic Representations of Coercion and Consent

updated: 
Friday, April 21, 2017 - 1:27pm
Kirsten Mendoza/RSA 2018
deadline for submissions: 
Monday, May 15, 2017

 This panel proposes that early modern transformations in rape law placed pressure on issues concerning female self-possession, sexual knowledge, pleasure, and consent and that these tensions were critiqued and, at times, exploited by playwrights and authors of the period. In what ways do sixteenth and seventeenth century poetry, drama, and literature explore the injustices and ambiguities arising from the elision of resistance, coercion, and consent in sexual encounters?

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