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CFP: Shakespeare and Accentism

updated: 
Thursday, August 18, 2016 - 11:09am
ESRA 2017 Congress
deadline for submissions: 
Tuesday, January 31, 2017

CFP: Shakespeare and “Accentism”

As part of the ESRA 2017 Congress, “Shakespeare and European Theatrical Cultures: AnAtomizing Text and Stage” (Gdansk, 27-30 July), Dr Carla Della Gatta (University of Southern California, USA) and Dr Adele Lee (University of Greenwich, UK) invite contributions to the following seminar:

The accent of his tongue affecteth him:” “Accentism” and/in Shakespeare.

Call for Original Creative Work - Deadline November 15, 2016

updated: 
Thursday, August 18, 2016 - 11:12am
Mayo Review Creative Publication Journal- Texas A&M University-Commerce
deadline for submissions: 
Tuesday, November 15, 2016

We are interested in the best unpublished work in a variety of genres. Please submit no more than five pieces total for consideration. This must be work that has not been published in print or online, including blog posts. Submit your work electronically, following the specific guidelines for the genre. 

Please submit the following: 

Cover sheet: e-mail document with this information: 

Subject line of e-mail: Mayo Review Submission 

Your name (as you wish to see it printed in the journal) 

Hamilton: A Special Issue of Studies in Musical Theatre

updated: 
Thursday, August 18, 2016 - 11:12am
Pete Kunze (University of Texas at Austin)
deadline for submissions: 
Saturday, October 1, 2016

While introducing a performance from Hamilton at the recent Tony Awards ceremony, hip hop artist Common described the show as a “gamechanger,” a “cultural phenomenon,” and “simply put... one of the greatest pieces of art ever made.” Indeed it has become hard to talk about Lin-Manuel Miranda’s Hamilton without resorting to hyperbole, as it appears to be a watershed moment in Broadway theatre and in American cultural history at large.

Panel “Now Let Us Anatomize Shakespeare: Shakespeare-Inspired Ballets in European Ballet Companies”

updated: 
Tuesday, August 16, 2016 - 9:51am
European Shakespeare Research Association (ESRA) Conference, Gdansk - 27-30 July 2017, Shakespeare and European Theatrical Cultures: AnAtomizing Text and Stage
deadline for submissions: 
Sunday, November 20, 2016

“Now Let Us Anatomize Shakespeare: Shakespeare-Inspired Ballets in European Ballet Companies”

Convenor: Adeline Chevrier-Bosseau, University of Paris-Est Créteil

 

5th Multi-Disciplinary Conference on Medieval, Renaissance and Early Modern Studies

updated: 
Tuesday, August 9, 2016 - 3:30pm
Othello's Island
deadline for submissions: 
Saturday, December 31, 2016

OTHELLO'S ISLAND 2017


 

The 5th Annual Multidisciplinary Conference of Medieval and Renaissance Studies held at CVAR, Nicosia, Cyprus, April 2017


 

Convenors:

Professor James Fitzmaurice, (Northern Arizona University)
Professor Lisa Hopkins, (Sheffield Hallam University)
Dr Sarah James, (University of Kent)
Dr Michael Paraskos, (SOAS University of London)
​Benedict Read FSA, (University of Leeds)


 

About the Conference: 

Theatre Arts Journal

updated: 
Wednesday, August 10, 2016 - 12:20am
Theatre Arts Journal: Studies in Scenography and Performance
deadline for submissions: 
Friday, September 30, 2016

 

Call for Papers

 

Theatre Arts Journal: Studies in Scenography and Performance (TAJ) , an open access scholarly and peer-reviewed journal at www.taj.tau.ac.il , invites submissions on the following topics:

- Edward Gordon Craig’s legacy: a reassessment 

- representation in scenography, within the larger political, social, and aesthetic context, in the past as in the present

Restoration Drama and Ecocriticism

updated: 
Friday, August 5, 2016 - 4:36pm
Denys Van Renen / University of Nebraska at Kearney
deadline for submissions: 
Thursday, September 15, 2016

CFP for ASECS Panel (Minneapolis –  30 March-2 April 2017)

Restoration Drama and Ecocriticism

CFP: Shakespeare's Hamlet in an Era of Textual Exhaustion

updated: 
Wednesday, August 3, 2016 - 1:54pm
Allison Kellar Lenhardt; Sonya Loftis
deadline for submissions: 
Thursday, September 15, 2016

Shakespeare’s Hamlet in an Era of Textual Exhaustion

The editors of Shakespeare’s Hamlet in an Era of Textual Exhaustion are reposting the CFP for the edited collection, which is now under contract with Routledge as a part of the Studies in Shakespeare series. We are particularly interested in rounding out our collection with an essay that focuses on multimedia, cognition, ecocriticism, digital humanities, and/or global performance. Please see the original CFP below and submit a CV and abstract by September 15 to a.lenhardt@wingate.edu.

Theater and Law across Cultures and Frontiers

updated: 
Monday, August 1, 2016 - 2:27pm
Samantha M. McDermitt The Law Theater Project
deadline for submissions: 
Thursday, September 15, 2016

Since the times of Ancient Greece, when “society” and “the State” were subsumed into and joined in the term, “polis,” Theater and Law/Ethics have interacted and relied on each other. 

 In Greece, drama tended to serve socio-political, cultural,religious, and other functions. It was a device for presenting and addressing serious and important public ethical, religious, and political issues, thereby building citizenship and engagement of the artists with public leaders and members of the public, in works by Aristophanes, Euripides, Sophocles, and Aeschylus. 

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