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Quests: Magical Journeys and Wayside Attractions

updated: 
Friday, August 30, 2019 - 8:32am
Coreopsis Journal Of Myth & Theatre
deadline for submissions: 
Tuesday, December 24, 2019

 

 

Call for papers Spring 2020

 

Publication date: February 29, 2020

 

Query/Abstract Deadline: December 20th, 2019

Full paper due upon acceptance of abstract.

 

Announcements Deadline: February 1, 2020

Coreopsis Journal of Myth & Theatre

Theme:

Quests: Magical Journeys and Wayside Attractions 

 

“The road goes ever, ever on…” JRR Tolkien.

 

CALL FOR ESSAYS AND INTERVIEWS - book series: "PERFORM: Succeeding as a Creative Professional"

updated: 
Wednesday, August 28, 2019 - 2:20pm
Jason Dorwart, PhD, Oberlin College
deadline for submissions: 
Monday, September 30, 2019

This is a call for essays and interviews for a book titled “Alternative Careers for the Stage,” a new book in the "PERFORM: Succeeding as a Creative Professional" series, which will explore possibilities for making use of a theatre education.

To be published by Focal Press, an imprint of Taylor & Francis

Contributors to this book will share their perspectives on professions and theatrical work available to individuals educated in theatre, closely examining career paths that fall outside of the traditional acting, directing, designing, and stage-managing paths. I am particularly interested in inclusion & diversity and the book will have an international perspective.

Stage The Future III: International Conference on Science Fiction Theatre

updated: 
Monday, August 26, 2019 - 2:36pm
Dr Christos Callow Jr / Cyborphic
deadline for submissions: 
Monday, September 30, 2019

Keynote Speaker: Dr. Louise LePage, Lecturer in Theatre (University of York)

Following two successful conferences in the UK, at Royal Holloway, University of London and in Arizona, at Arizona State University, in 2014 and 2015 respectively, Stage the Future returns to the UK for its third conference on science fiction theatre on 6-7 December 2019. We welcome papers, panels, and performances that examine and explore the unique attributes live performance offers to science fiction and those that science fiction offers to live performance.

Abstract Call for Disability Studies Panel at Comparative Drama Conference

updated: 
Wednesday, October 9, 2019 - 8:35pm
Comparative Drama Conference
deadline for submissions: 
Friday, November 1, 2019

44th Annual Comparative Drama Conference

April 2-4, 2020

Orlando, Florida

Deadline: November 1, 2019

 

Disability in Dramatic Texts and Performance

Papers are sought for a special panel series on the subject of disability in dramatic texts and performance. We invite research utilizing Disability Studies in any dramatic period. Panels will showcase discussions on representation, image, symbolism, societal regulation or construction of disability, casting, and depictions of the disabled in playtexts and dramatic performance.

LAST REMINDER: Il Parlaggio - new issue January 2020

updated: 
Tuesday, November 19, 2019 - 12:25pm
Edizioni Sinestesie (Italy)
deadline for submissions: 
Sunday, December 1, 2019

This section of the academic journal “Sinestesieonline” is open to contributions about theatre and performing arts in all historical ages, forms and variations, in English, Italian and foreign languages. We use double blind peer review.

“Il Parlaggio” is the name created by Gabriele d’Annunzio for the amphitheatre in Vittoriale – a place of empathy, a cradle of emotions, a crossroads of cultures, a connection between antiquity and contemporaneity, an emblem of the “neverending show”.

Circus, Dance, and Sacred Literature

updated: 
Monday, August 26, 2019 - 10:01am
Dr. Ora Horn Prouser
deadline for submissions: 
Friday, November 15, 2019

Humans have always moved or danced as a way of ritualizing their relationship to the Divine. These dances expressed an understanding of God(s), the relationship of human beings to the divine world, and were an expression of thanksgiving for the life cycle events that move history forward: birth, death, and all that is between. Some circus arts, find their earliest documentation as religious practices. This book begins the investigation of what it means for these practices to meet their holy origins once more, not as a form of expression but as a mode of study.

Ethical Dramaturgies

updated: 
Monday, August 26, 2019 - 10:09am
Performing Ethos: an International Journal of Ethics in Theatre & Performance
deadline for submissions: 
Friday, December 20, 2019

“Ethical Dramaturgies”: a special issue of Performing Ethos: An International Journal of Ethics in Theatre & Performance 

The history of the relationship between theatre and ethics laid out by Nicholas Ridout in the eponymous 2009 book from Palgrave’s Theatre &Series describes the relationship of ethics to theatre in the Western tradition as a shift in focus from ethical dramatic content to ethical theatre practice. Following Ridout’s argument, this special issue of Performing Ethos, “Ethical Dramaturgies,” engages ways of writing, working, and presenting performance as they show up in historical and contemporary theatre, performance, and production practice. 

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