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Call for Submissions - Refereed Journal - Caribbean Vistas: Critiques of Caribbean Arts and Cultures

updated: 
Sunday, April 28, 2013 - 9:32pm
Caribbean Vistas: Critiques of Caribbean Arts and Cultures

CARIBBEAN VISTAS
CRITIQUES OF CARIBBEAN ARTS AND CULTURES
A Refereed Journal
Call for Submissions for Volume 1/Issue 2: Publication date - August/September 2013
Deadline for Submissions: June 30, 2013

Caribbean Vistas: Critiques of Caribbean Arts and Cultures invites contributions including critical essays, poetry, literary nonfiction, book reviews, theater reviews, visual art images, bibliographies, notices, letters and other materials to the editor by electronic mail at akilahw@msn.com.

Writing Ireland: Identity, Memory, and Place

updated: 
Friday, April 26, 2013 - 3:00pm
SAMLA (South Atlantic Modern Language Association)

IRISH STUDIES at SAMLA- Nov. 8-10, 2013

Writing Ireland: Identity, Memory, and Place

In keeping with the special focus of SAMLA 85, we welcome papers that focus on the ways Irish identity, space, and memory are shaped through conventionally understood literary genres (poetry, fiction, drama, memoir) as well as work from related fields, including but not limited to art, critical theory, folklore, and film studies. This panel seeks to address recent trends in scholarship and the ways Irish identity (systemic or individual) and space are constructed and defined.

By June 1, 2013, please send abstracts of no more than 300 words to Sarah Dyne, Georgia State University, at sdyne1@gsu.edu

Playing in Time: Temporality in Performance and Performing Arts. June 22, 2013

updated: 
Friday, April 26, 2013 - 10:34am
International Vocal Arts Workshop, Jeunesses Musicales Croatia


International Vocal Arts Workshop, Jeunesses Musicales Croatia
Symposium: Grožnjan, Croatia, 22 June 2013

Papers: submit abstracts of up to 300 words to ivaw.groznjan@gmail.com by 20 May 2013.

Reflections: submit discussion topics to ivaw.groznjan@gmail.com by 10 June 2013
(including Workshop participants)

Playing in Time: Temporality in Performance and Performing Arts

Circling Our Wagons: Reflections on Hip-Hop Landscape(s) Conference April 11-13 2014

updated: 
Friday, April 26, 2013 - 10:02am
Albany State University Department of English, Modern Languages, and Mass Communication.

In Hip Hop Wars, Tricia Rose argues that, "Hip Hop has become a primary means by which we talk about race in the United States." Rose's insight delves into the historical evolution of the genre and the sociological progression of the movement called Hip Hop. More importantly, Rose's inquiry of Hip Hop admits that Hip Hop has become an important apparatus by which critics, scholars, and artists can engage and examine the American social, personal, public, and private landscapes.

[UPDATE] National Seminar on "Modernity and Indian Theatre", September 27 & 28, 2013

updated: 
Thursday, April 25, 2013 - 2:16am
Department of English, Gauhati University

'Modern' Indian theatre is fashioned by western as well as indigenous theatrical traditions. This theatre as we know it is also urban, having evolved from its early avatars in 19th century Bombay and Kolkata, to the multifaceted, national and postcolonial construct that it is today. Current ideas of the 'modern' and 'modernity' become more complex and throw up remarkably challenging questions when looked at through the prism of Indian theatre and theatre criticism. It is difficult to define 'modern' Indian theatre as a discipline with specific inbuilt notions of modernity that renders it significantly different from its earlier phases.

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