Keynote Speaker :
Prof. Diarmuid Ó Giolláin (University of Notre-Dame)
Keynote Speaker :
In a Higher Education context where originality in research is increasingly valorised, what place is there for explicitly re-presentational practices such as scholarly editing and curating? At first glance, the REF2014 landscape would seem favourable. The panel guidelines recognise "scholarly editions", "databases" and "electronic resources" as outputs, and promote "the creation of archival or specialist collections to support the research infrastructure". Edition and curation also produce tangible results—including printed and digital texts, catalogues and exhibitions—that can impact beyond the academy, preserving and presenting materials for a general audience. But what is the value of these activities and how can it be measured?
Modernism, Bodies, and…
CALL FOR CREATIVE WRITING & INTERVIEWS
Tenemos la palabra/Temos a palavra/We have the word:
Afrodescendant Creative Writing and Cultural Production
A special issue of Afro-Hispanic Review
Guest Editors: Professors Lesley G. Feracho, Dorothy E. Mosby, and Ifeoma Kiddoe Nwankwo
In Bodies We Trust: Performance, Affect, & Political Economy
an interdisciplinary graduate student conference
Department of Performance Studies at Northwestern University, Evanston, IL
Proposals Due: April 5, 2013
Conference Dates: October 11-13, 2013
Keynote Speaker: Judith Hamera
Faculty Discussants: Joshua Chambers-Letson, Nick Davis, Tracy Davis, Hannah Feldman, Marcela Fuentes, Barnor Hesse, Richard Iton, Chloe Johnston, D. Soyini Madison, Susan Manning, Kaley Mason, Coya Paz, Janice Radway, Ramón H. Rivera-Servera, C. Riley Snorton, Elizabeth Son, and Harvey Young
Call for Papers & Performances
The Human (www.humanjournal.org) is an international and interdisciplinary new journal that publishes articles written in the fields of literatures in English (British, American, postcolonial, etc.), classical and modern Turkish literature, sociology, drama, comparative literature, and cultural studies, as well as creative works of art such as poems, short stories, and plays. To learn more about the journal and its principles, please visit this page: http://www.humanjournal.org/index.php/about-the-human-manifesto
"In any period," M.H. Abrams writes, "the theory of mind and the theory of art tend to turn on similar analogues, explicit or submerged." How has the literature of the long twentieth century responded to philosophical and cultural transformations brought about by the rise of mind science? What thematic and formal means have literary artists used to explore the ontological, epistemological, and ethical implications of cognitive materialism? How has the explanatory power of cognitive science eclipsed the explanatory power of psychoanalysis in recent fiction and poetry? Possible topics include the neuronovel, drug use, the resistance to science, mental illness, correspondences between biological and textual form.
PURITY: A Call For Papers
Update: Due to circumstances beyond our control, Excursions has had to amend the dates to 11th and 12th July. We have therefore decided to extend our submission deadline until 15th March and still welcome proposals for individual papers, panels, works in progress, and creative performances or displays.
"Purity is the power to contemplate defilement." – Simone Weil
"Purity is a negative state and therefore contrary to nature." – William Faulkner
"Throughout human history, the apostles of purity, those who have claimed to possess a total explanation, have wrought havoc among mere mixed-up human beings." – Salman Rushdie
"Problems with Authority: The II International Flann O'Brien Conference" (Università Roma Tre, 19-21 June, 2013).
Second Call for Papers Updated Deadline: 1 March 2013
Jed Esty (University of Pennsylvania)
Carol Taaffe (Author of "Ireland Through the Looking-Glass: Flann O'Brien, Myles na gCopaleen & Irish Cultural Debate")
Dirk Van Hulle (University of Antwerp)
Mikel Murfi (Director of "John Duffy's Brother")
Mark O'Halloran (Award-winning screenwriter of "Adam and Paul" and "Garage")
Should violence be considered as one of the experiences the body undergoes in literature or as an ordeal which elicits the very question of what this body is – a body which is mapped in language and speech. As a result of the violence that it undergoes, inflicts or self-inflicts, the body grapples with something which is not simply outside itself: it discovers its own foreignness, its own discordance. It rebelliously slips through the categories in which one attempts to contain it, but it also defies the biological body to which it cannot be reduced. What does a body do when, for no apparent reason, it breaks, splits, is pulled asunder, petrified? What happens when the part usurps the whole or the whole body is reduced to nothing, mere refuse?