category: theatre

REMINDER: Media Fields Journal Issue 3: Documentary & Space

full name / name of organization: 
Media Fields Journal [Department of Film and Media Studies, UCSB]
contact email: 
submissions@mediafieldsjournal.org

Apologies for Cross-Posting

REMINDER: Call for Submissions:

MEDIA FIELDS JOURNAL ISSUE 3
DOCUMENTARY AND SPACE

Submission Deadline: February 15, 2011.

Refuse and Reuse: The Challenges of Repurposing and Re-imagining in the Ancient World

full name / name of organization: 
The Department of Classical Studies at Duke University and the Department of Classics at UNC-Chapel Hill
contact email: 
clifford.robinson@duke.edu

The Department of Classical Studies at Duke University and the Department of Classics at UNC-Chapel Hill are proud to announce this Call for Papers for the 22nd Annual Duke-UNC Graduate Student Colloq

[UPDATE] Working Through Psychoanalysis: Freud’s Legacy in Art, Cinema, Literature and Popular Culture

full name / name of organization: 
University of Leeds
contact email: 
workingthroughpsychoanalysis@gmail.com

An interdisciplinary conference at the University of Leeds, UK
15–17 April, 2011

Guest speakers
DM Thomas,author of The White Hotel
Professor David Lomas, University of Manchester

[UPDATE] Watermark Journal Submission Deadline 2/11/2011

full name / name of organization: 
California State University, Long Beach, Graduate English Department
contact email: 
editor@watermarkjournal.com

WATERMARK JOURNAL
CALL FOR PAPERS

Call for contributors [ UPDATE Due July 2011] African-American Leaders and Foreign Languages Literacy

full name / name of organization: 
Beatrice Russell / California State University, Sacramento Department of Foreign Languages
contact email: 
beatrice.russell@csus.edu
  • Second Call for contributors (Due July 2011)
  • African-American Leaders and Foreign Languages Literacy
  • Full name/ Name of Institution
  • Beatrice Russell
  • [UPDATE] Craft Critique Culture--TRANSPOSITION--April 16 and 17, U. Iowa--Deadline Extended to Feb. 11

    full name / name of organization: 
    Craft Critique Culture
    contact email: 
    katherine-f-montgomery@uiowa.edu

    What does it mean to transpose? What might it mean to shift, adapt, migrate, translate, or even steal across the boundaries of genre, medium, discipline, culture or nation?

    Women and Work: Claremont Colleges, CA, Nov. 5-6, 2011

    full name / name of organization: 
    Susanne Weil / Pacific Ancient and Modern Language Association
    contact email: 
    sweil@centralia.edu

    UPDATE: PAMLA requests that proposals be submitted via their website:
    http://www.pamla.org/2011/proposals
    If you encounter problems, please email your proposal to sweil@centralia.edu.

    "The Power of Stories: Authority and Narrative in Early America" (MCEAS, September 29 - October 1, 2011)

    full name / name of organization: 
    McNeil Center for Early American Studies
    contact email: 
    Please direct conference-related questions to Whitney Martinko at mceas.stories.2011@gmail.com

    *Call for Papers* -- Deadline 3/15/2011

    "The Power of Stories: Authority and Narrative in Early America"
    An Interdisciplinary Graduate Student Conference

    [UPDATE] The Outlaw: Trespass, Disfigurement, Domestication [DEADLINE EXTENDED]; SUNY Albany; Wai Chee Dimock +

    full name / name of organization: 
    University at Albany, SUNY; English Graduate Student Organization
    contact email: 
    egsoalbany@gmail.com

    The Outlaw: Trespass, Disfigurement, Domestication

    April 1-2, 2011

    ***SUBMISSION DEADLINE EXTENDED: FEBRUARY 14***

    Keynote Speaker: Wai Chee Dimock
    Creative Keynote Speaker: Doug Rice

    Sixth Blackfriars Conference, Staunton, VA (October 25-30, 2011)

    full name / name of organization: 
    The American Shakespeare Center
    contact email: 
    sarahe@americanshakespearecenter.com

    In 2011, the American Shakespeare Center’s Education and Research Department will once again host Shakespeareans, scholars and practitioners alike, to explore Shakespeare in the study and Shakespeare on the stage and to find ways that these two worlds – sometime in collision – can collaborate.

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