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The Future of Literary Studies, 1500-1800 (March 11-12, 2011)

updated: 
Tuesday, October 19, 2010 - 2:22pm
full name / name of organization: 
Early Modern Center, UC Santa Barbara
contact email: 

DEADLINE December 10, 2010

The Early Modern Center of the University of California at Santa Barbara invites paper proposals for our tenth annual Conference, "The Future of Literary Studies, 1500-1800." The conference will take place on March 11-12, 2011 at UCSB.

Decomposing Fictions: A Special Issue of Horror Studies

updated: 
Tuesday, October 19, 2010 - 2:01pm
full name / name of organization: 
Steven Bruhm
contact email: 

Julia Kristeva's work on abjection reminds us that horror is often keyed to things that decompose, rot, or lose their form. This formal concern is a literary one as well: fictions of horror also revel in de-composition, that is, in significations that lose their composure, in letters that refuse to convey, or in utterances that seem to be without subject or object. Horror Studies is seeking essays for a special issue devoted to horror and textuality that will address problems of textual decomposition. In the twentieth century's turn to the film image as arguably the primary vehicle for horror, "Decomposing Fictions" will address how theories and practices of textuality resonate with or operate differently from the visual horror image.

[UPDATE]

updated: 
Tuesday, October 19, 2010 - 11:14am
full name / name of organization: 
Festivals and Faires Area/ Popular Culture Association
contact email: 

The Festivals & Faires Area of the Popular Culture Association welcomes submissions for the 2011 PCA/ACA conference in San Antonio, TX (April 20-23, 2011) on any festival or faire—modern or historical. Scholars of theatre / theater, drama, performance studies, American studies, popular culture, religion, history, and non-western traditions are encouraged to apply. Since the conference is in San Antonio, TX, any papers relating to festivals and faires in the city or state are greatly appreciated. Other specific areas of interest for this year's panels include, but are not limited to:

Stage Mothers: Women, Work and the Theatre, 1660-1830 Feb 15 2011

updated: 
Tuesday, October 19, 2010 - 8:59am
full name / name of organization: 
Elaine McGirr / Royal Holloway and Laura Engel / Duquesne University

This collection of essays seeks to explore the connection(s) between working mothers and the theater both on and off stage throughout the long eighteenth century. Although the realities of eighteenth-century motherhood and representations of maternity have been investigated in relation to the novel, the idea of motherhood and its connection to the theatre as a professional, material, literary, and cultural site has received little critical attention. We would welcome essays on the following topics:

UPDATE: Reading Benjamin Reading, ACLA Vancouver (Deadline: 11/12/10; Conference: 3/31/11-4/3/11)

updated: 
Monday, October 18, 2010 - 2:41pm
full name / name of organization: 
Brooks E. Hefner
contact email: 

In 1927, exactly one hundred years after Goethe first used the term "Weltliteratur," Walter Benjamin returned to Berlin from Moscow. He had spent his time there reporting on developments in Russian literature and film, and he arrived to find that his German translation of Marcel Proust's Within a Budding Grove had been published to strong reviews. Such multi-lingual and multi-national literary undertakings are central to Benjamin's entire corpus. While not a major figure in most narratives of world literature, Benjamin's involvement and theoretical interest in questions of translation, media, and cultural history suggest ways of placing him in these important contexts. But how do we read Benjamin's own reading?

ATHE's Music Theatre/Dance Focus Group: Bruce Kirle Memorial Emerging Scholarship Panel

updated: 
Monday, October 18, 2010 - 1:25am
full name / name of organization: 
ATHE’s Music Theatre/Dance Focus Group
contact email: 

The Music Theatre/Dance (MT/D) Focus Group of the Association for Theatre in Higher Education (ATHE) announces its call for papers for the "Bruce Kirle Memorial Emerging Scholarship Panel in Music Theatre/Dance" for the 2011 ATHE conference in Chicago, IL (August 11-14, 2011). This annual panel is held in memory of Dr. Bruce Kirle, a longtime member of the Music Theatre/Dance focus group. Dr. David Savran will serve as the respondent. Dr. Savran is the Vera Mowry Roberts Chair in American Theatre at the CUNY Graduate Center as well as the editor of The Journal of American Theatre and Drama. His most recent book, Highbrow/Lowdown: Theater, Jazz, and the Making of The New Middle Class, was published in 2009 by the University of Michigan Press.

CFP: Adaptation as Process (2011 ACA/PCA Conference-San Antonio): 4/20/11-4/23/11

updated: 
Sunday, October 17, 2010 - 4:37pm
full name / name of organization: 
Southwest/Texas Popular Culture Association/American Culture Association Joint Conference
contact email: 

CALL FOR PAPERS in ADAPTATION

The Adaptation Section of the 2011 National Popular Culture & American Culture Associations Conference

Wednesday, April 20, through Saturday, April 23
Marriot Rivercenter San Antonio, and Marriot-San Antonio Riverwalk

Proposal deadline—December 8th, 2010

Adaptation as Process

Collective Identities: Policies and Poetics Feb. 18 2011

updated: 
Sunday, October 17, 2010 - 11:35am
full name / name of organization: 
CUNY Graduate Center PhD Program in French
contact email: 

"[A] mode of writing is an act of historical solidarity…it is the relationship between creation and society, the literary language transformed by its social finality, form considered as human intention and thus linked to the great crises of History." - Roland Barthes

CFP: Margaret Garner: The Libretto

updated: 
Saturday, October 16, 2010 - 6:46pm
full name / name of organization: 
La Vinia Delois Jennings
contact email: 

CFP: Margaret Garner: The Libretto. Critical articles are sought for an edited volume on Toni Morrison's libretto,_Margaret Garner_. Because the volume will serve as a historical commemoration as well as a critical study, scholars who experienced the libretto as a performed text by attending the opera at its premiere in Detroit, Cincinnati, and/or Philadelphia with the original cast members, stage designer, and director are especially encouraged to contribute to this project. Interested contributors should submit an abstract of 200 words before January 15, 2011. Essays are due August 1, 2011 and must be more than 6,000 words and fewer than 9,000 words.

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