Subscribe to theatre

theatre

NEMLA 2011 : The female performer in European fiction (1780-1914): gender issues. deadline Sept 30, 2010.

updated: 
Monday, September 6, 2010 - 3:27pm
full name / name of organization: 
Corinne François-Denève

Call for Papers

The female performer in European fiction (1780-1914): gender issues

42nd Annual Convention, Northeast Modern Language Association (NeMLA)
SESSION ID : 11267
Areas: Women's and Gender Studies; Comparative Languages
April 7-10, 2011
New Brunswick, NJ – Hyatt New Brunswick
Host Institution: Rutgers University

These 370 sessions cover the full spectrum of scholarly and teaching interests in the modern languages, and are now accepting abstracts:
http://www.nemla.org/convention/2011/cfp.html

NEMLA 2011 : The female performer in European fiction (1780-1914): gender issues. deadline Sept 30, 2010.

updated: 
Monday, September 6, 2010 - 3:26pm
full name / name of organization: 
Corinne François-Denève

Call for Papers

The female performer in European fiction (1780-1914): gender issues

42nd Annual Convention, Northeast Modern Language Association (NeMLA)
SESSION ID : 11267
Areas: Women's and Gender Studies; Comparative Languages
April 7-10, 2011
New Brunswick, NJ – Hyatt New Brunswick
Host Institution: Rutgers University

These 370 sessions cover the full spectrum of scholarly and teaching interests in the modern languages, and are now accepting abstracts:
http://www.nemla.org/convention/2011/cfp.html

[UPDATE] Politics and Aesthetics

updated: 
Monday, September 6, 2010 - 9:36am
full name / name of organization: 
eSharp, University of Glasgow

The University of Glasgow's journal eSharp invites papers for the forthcoming themed issue. For Issue 16, Politics & Aesthetics , we will welcome articles which engage with issues of the politics of (re)presentation, as well as those investigating the (re)presentation of politics. We encourage submissions from postgraduate students at any stage of their research and early career authors within one year of graduation.

[UPDATE Extended Deadline] Echoes: Across Disciplines, Texts, and Times March 18-19, 2011

updated: 
Sunday, September 5, 2010 - 9:54pm
full name / name of organization: 
English Graduate Organization, Duquesne University
contact email: 

Echoes: Across Disciplines, Texts and Times
March 18-19, 2011

When an echo sounds, be it spoken, written, or acted, the repeated content takes on a new character. The Echoes Graduate Student Conference at Duquesne University seeks to engage academic communities in polyvocal dialogues, exploring echoes as they appear across disciplines, texts, and times.

A study of the Role of language use in Generating Absurdity in Tom Stoppard Major Plays: Rosencrantz and Guildenstern are Dead a

updated: 
Saturday, September 4, 2010 - 7:11pm
full name / name of organization: 
fatemeh sadat basirizadeh, mohamad mahdi momen , fari parvaneh
contact email: 

A study of the Role of language use in Generating Absurdity in Tom Stoppard Major Plays: Rosencrantz and Guildenstern are Dead and the Real Thing

Fatemeh Sadat Basirizadeh ,professor of English Literature from Islamic Azad University ,Qom Branch, Iran. Email:
nbasiri2002@yahoo.com
Farid Parvaneh, PhD, Faculty Member of Islamic Azad University, Qom Branch ,Iran
Mohammad Mahdi Momen, BA in Industrial Management from state university, Qom, Iran. Email:
mahdi.momen@gmail.com

Abstract

Game Studies Area: : 2011 PCA/ACA National Conference

updated: 
Friday, September 3, 2010 - 3:10pm
full name / name of organization: 
Popular Culture Association/American Culture Association National Conference

The Game Studies area of the National Popular Culture Association and the American Culture Association Conference invites proposals for papers and panels on games and game studies for the joint meeting of the National Popular Culture Association/American Culture Association and the Southwest/Texas Popular Culture and American Culture Associations Conference to be held Wednesday, April 20, through Saturday, April 23, 2010, at the Marriott Rivercenter San Antonio and the Marriott-San Antonio Riverwalk in San Antonio, TX

[UPDATE] The Vicious Circle: The Days, Dames, and (K)nights of the Algonquin Round Table (9/30 deadline; April 7-10 conference)

updated: 
Thursday, September 2, 2010 - 9:18am
full name / name of organization: 
Northeast Modern Language Association
contact email: 

In 1919, several New York wits 'roasted' drama critic Alexander Woollcott at the Algonquin hotel. They enjoyed the afternoon so much that they met again as the Algonquin Round Table for the next ten years. This panel will consider the wit and artistry of the Algonquin Round Table. Panelists are invited to submit papers addressing the group or any members: Adams, Benchley, Broun, Connelly, Kaufman, Parker, Ross, Sherwood, Toohey, Woollcott. Our goal: remove some dust from this exciting 20th-century group. Please submit abstracts to cathy.fagan@ncc.edu by 9/30.

The Vicious Circle: The Days, Dames, and (K)nights of the Algonquin Round Table

updated: 
Wednesday, September 1, 2010 - 1:44pm
full name / name of organization: 
Northeast Modern Language Association
contact email: 

In 1919, several New York wits 'roasted' drama critic Alexander Woollcott at the Algonquin hotel. They enjoyed the afternoon so much that they met again as the Algonquin Round Table for the next ten years. This panel will consider the wit and artistry of the Algonquin Round Table. Panelists are invited to submit papers addressing the group or any members: Adams, Benchley, Broun, Connelly, Kaufman, Parker, Ross, Sherwood, Toohey, Woollcott. Our goal: remove some dust from this exciting 20th-century group.

Anthology of Poems

updated: 
Wednesday, September 1, 2010 - 4:56am
full name / name of organization: 
Editor
contact email: 

Original Poems, maximum five, ranging between 25 to 40 lines, from poets across the globe, are invited for an Anthology of Poems to be published by a Literary Foundation from India. The poems must be on the theme of Nature, Environment, Ecology and Earth. The poems must accompany an undertaking that they are original and unpublished. Detailed biodata along with passport size photograph and postal / correspondence address of the poets must also be submitted. For further details, please contact the editor of the anthology: hyphenworld@ymail.com

Deadline for submission of poems: 31 October 2010.

On Diaspora Writing; Journal and Anthology of Essays; 31 October 2010

updated: 
Wednesday, September 1, 2010 - 4:47am
full name / name of organization: 
Journal

Scholarly papers are invited for a special number of An International Journal of Interdisciplinary Studies in Literature, Art and Culture (ISSN 0975 2897) published from India. The proposed special number will focus on various dimensons / aspcts / issues of DIASPORA WRITING across the world. The selected papers will be published in the January number of the journal. And these papers may also be included in an anthology of essays to be brought out separately by a reputed publisher from Delhi.
The word limit is 2500 to 4000 words.

For more details please contact the Editor: editorial.2008@indiatimes.com

(Trans)literation: Exploring Borders and Boundaries through Literature and Film (March 18-19, 2011/deadline: November 1, 2010)

updated: 
Tuesday, August 31, 2010 - 11:28pm
full name / name of organization: 
German Graduate Student Association, Vanderbilt University

(Trans)literation: Exploring Borders and Boundaries through Literature and Film

Department of Germanic and Slavic Languages, Vanderbilt University
Graduate Conference
March 18-19, 2011

Keynote speaker: Barbara Wahlster, author and journalist
Visiting Professor in the Department of Germanic and Slavic Languages, Vanderbilt University

[UPDATE] Digital Adaptation(s) DEADLINE EXTENDED until OCT. 1

updated: 
Tuesday, August 31, 2010 - 4:50pm
full name / name of organization: 
English Graduate Organization at Western Illinois University
contact email: 

Papers for a panel on digital adaptation during the EGO Conference Humanities in the Digital Age
October 22-23, 2010, Macomb, Illinois
EGO site: http://www.wiu.edu/ego/conference/2010/

Adaptations have long taken advantage of emergent forms to extend, re-tell, and appropriate previous literary works. The very nature of adaptations is to re-interpret previous texts into new iterations, often in the guise of these emergent forms, whether the printed book, the novel, films, or the internet. This panel seeks to consider the manifestation of adaptations in digital forms and to pose questions such as:

Pages