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Memory and Collective Identity in Comparative Literature and Others

updated: 
Monday, August 9, 2010 - 5:06am
full name / name of organization: 
452ºF Journal of Comparative Literature
contact email: 

On July 31st 2010, we start the CFP for the fourth issue of 452ºF Journal
of Literary Theory and Comparative Literature.This CFP is open and
addressed to anyone that wishes to and that holds at least a BA degree.

The bidding terms, which are exposed below and that regulate the reception
and publication of the different articles are subject to the content of
the Peer review System, the Style-sheet and the Legal Notice. These can be
consulted in the Procedures area of the web page.

CFP: From Here to There and Back Again: Allusion, Adaptation and Appropriation

updated: 
Saturday, August 7, 2010 - 8:27pm
full name / name of organization: 
EGO - The English Graduate Organization
contact email: 

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From Here to There and Back Again: Allusion, Adaptation and Appropriation
2010 University of Florida Graduate Conference
October 21-22
Gainesville, FL

Keynote Speaker: Douglas Lanier, University of New Hampshire. Author of Shakespeare and Modern Popular Culture (2002)

Proposals solicited for the Seminar: "Complex Chronos. The Place and Pace of Time in Eighteenth-century Writing."

updated: 
Friday, August 6, 2010 - 11:23am
full name / name of organization: 
Prof. Francesca Saggini (Universita' della Tuscia / University of Glasgow)
contact email: 

Call For Papers

Proposal are solicited for the Seminar: "Complex Chronos. The Place and Pace of Time in Eighteenth-century Writing." XIII International Congress for Eighteenth-Century Studies (ISECS). July 25-29 Graz (AUSTRIA)

From Here to There and Back Again: Allusion, Adaptation and Appropriation (Oct. 21-22 2010)

updated: 
Wednesday, August 4, 2010 - 4:52pm
full name / name of organization: 
EGO - The English Graduate Organization of the University of Florida
contact email: 

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2010 University of Florida Graduate Conference

October 21-22

Keynote Speaker: Douglas Lanier, University of New Hampshire. Author of _Shakespeare and Modern Popular Culture_ (2002)

The English Graduate Organization of the University of Florida invites papers from across the discipline(s) concerning textual adaptation or appropriation. Adaptation and appropriation, regarding questions of performance, translation, and occasionally plagiarism, concern both new and old media. The process of becoming or the process of naming a text are formulated on sometimes vague thresholds or border lines when one text becomes another.

eSharp Issue 16 - Politics and Aesthetics

updated: 
Wednesday, August 4, 2010 - 6:09am
full name / name of organization: 
eSharp, University of Glasgow

The University of Glasgow's journal eSharp invites papers for the forthcoming themed issue. For Issue 16, Politics & Aesthetics , we will welcome articles which engage with issues of the politics of (re)presentation, as well as those investigating the (re)presentation of politics. We encourage submissions from postgraduate students at any stage of their research and early career authors within one year of graduation.

Picturing Women's Health 1750-1910

updated: 
Wednesday, August 4, 2010 - 6:05am
full name / name of organization: 
University of Warwick



Picturing Women's Health 1750-1910
A One-Day Postgraduate Interdisciplinary Conference

University of Warwick, Saturday 22nd January, 2011

CFP: antiTHESIS Volume 21 – "Futures"

updated: 
Wednesday, August 4, 2010 - 1:57am
full name / name of organization: 
School of Culture & Communications, University of Melbourne

It has become increasingly difficult to conceive of our culture as following a dialectical progression from a shared past into a collective future, whether utopian or dystopian. We find ourselves instead at a point at which "The Future," a key concept in all branches of Western thought, creativity and experience, is replaced by myriad "Futures" of immediate relevance and consequence. How is our relationship to the future changing, and how do we actualise these potential futures?

The editors of antiTHESIS are seeking papers exploring the concept of futures to be published in Volume 21 of the journal. Graduate students and researchers from all disciplines within the arts, humanities and social sciences are invited to submit.

[UPDATE] Kalamazoo, 2011--"Materiality of Performance in Early Drama: Objects, Props, Costumes, Bodies, Space, and More"

updated: 
Tuesday, August 3, 2010 - 4:07pm
full name / name of organization: 
Comparative Drama, Western Michigan University
contact email: 

Kalamazoo, 2011--special session "Materiality of Performance in Early Drama: Objects, Props, Costumes, Bodies, Space, and More"
full name / name of organization:
Comparative Drama, Western Michigan University
contact email:
eve.salisbury@wmich.edu
cfp categories:
medieval
theatre
theory
Call for papers, International Congress on Medieval Studies, Kalamazoo, MI, May 12-15, 2011.

Panel Title: "Materiality of Performance in Early Drama: Objects, Props, Costumes, Bodies, Space, and More"

SPEAKING NATURE: INCS 2011 CONFERENCE, PITZER COLLEGE (MAR 31-APR 3 2011)

updated: 
Tuesday, August 3, 2010 - 2:37pm
full name / name of organization: 
INTERDISCIPLINARY NINETEENTH-CENTURY STUDIES


SPEAKING NATURE

How did the nineteenth century conceive, construct, and represent the physical world? In what ways did nature as an ideology and/or material reality shape the nineteenth century? How did the nineteenth century understand the relation of human beings to nature?

The 2011 Interdisciplinary Nineteenth-Century Studies (INCS) Conference invites proposals that investigate any aspect of this topic from multiple interdisciplinary perspectives, including and/or integrating Literature, History, Science, Art History, Environmental Studies, Law, Philosophy, Sociology, Anthropology, Music, Economics, and Theology.

Topics may include (but are not limited to):

Postcolonial Theatre - Call for Papers and Performances, Feb.4-6, 2011: University of Toronto

updated: 
Tuesday, August 3, 2010 - 11:42am
full name / name of organization: 
Graduate Drama Centre, University of Toronto, Canada

The 2011 Festival of Original Theatre conference sponsored by the Graduate Centre for the Study of Drama at the University of Toronto will focus its discussion and praxis entirely on the field of Post-Colonial theatre. The 2011 F.O.O.T. festival is designed to reflect the multi-cultural diversity of the city we inhabit, and to encourage an integrative approach between the theoretical and practical. The festival intends to promote and discuss contemporary trends in the emerging field of post-colonial performance studies as it relates to contentious issues ever-present in various cultural/multi-racial communities (such as race, marginality, migration, agency and hegemony).

Theatricality and Performance in Victorian Literature and Culture

updated: 
Tuesday, August 3, 2010 - 6:34am
full name / name of organization: 
The Victorian Network

The fourth issue of Victorian Network, guest edited by Dr. Beth Palmer (University of Surrey), will explore the various ways in which the Victorians related to concepts of performance and theatricality. The theatre held a central place in the Victorian imagination. Nineteenth-century investments in theatrical culture, as well as in theatrical modes of marketing and consuming literature, reflect in particularly interesting ways on the diverse performances – of class, gender, racial and national identities etc. – which shaped Victorian everyday life. We are therefore inviting submissions of no more than 7000 words investigating any aspect of this theme. A prize of £50, which we reserve the right to withhold, will be awarded for the best paper submitted.

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