This panel seeks papers about film adaptations of medieval and Renaissance English drama, both in English-speaking countries and around the world. The NeMLA conference will be held in Boston in March, 2013. Papers might compare different adaptations of the same play, discuss problems associated with the notion of fidelity to text or of relocating a play in a different historical or cultural milieu, or consider the effectiveness for use in scholarly work or in the classroom. We seek investigation of continuities across disciplines: medieval/Renaissance, cinema studies/literature. What is at stake in these adaptations? What do these directors, writers, performers, and audiences bring to the table?
Symposium - Creativity and Authorship: Law and Changing Practice
Call for Proposals
17 and 18 December 2012
Inspire Centre, University of Canberra
Hosted by the Law and Culture research group, Faculty of Business, Government and Law and Faculty of Arts and Design
This Symposium will explore practices of authorship, creativity and cultural innovation, and how they intersect with law. Do law and policy effectively protect and meet the changing needs of authors and other creative practitioners? How does law itself frame authorship and cultural practice? How has this changed over time, and what lessons are there for the future?
44th Annual Convention, Northeast Modern Language Association (NeMLA)
March 21-24, 2013
Host Institution: Tufts University
2012 Emerging Scholars Award
FIRST CALL FOR PAPERS
GENRE CROSSINGS: EXPLOITING THE GENERIC FLUIDITY OF THE FANTASTIC
FIFTH-ANNIVERSARY SESSIONS OF THE SCIENCE FICTION, FANTASY, AND LEGEND AREA
Online at NEPCA Fantastic: http://sf-fantasy-legend.blogspot.com/
2013 Conference of The Northeast Popular Culture/American Culture Association (NEPCA)
St. Michael's College in Winooski, Vermont
25-26 October 2013
Proposals by 1 June 2013
EARTH PERFECT? Nature, Utopia, and the Garden:
symposium and exhibitions
EVENT INFORMATION AND CALL FOR PAPERS
Since time immemorial, gardens have been key in humanity's quest to define an ideal relation to nature. Gardens have been sources of nourishment for the body and the soul, they have been symbols of wealth and power, they have served as barriers against the wild, and much more. EARTH PERFECT? Nature, Utopia, and the Garden is a four-day symposium designed for an academic audience, garden professionals, and a general public interested in the importance and meaning of gardens.
In his 2012 article "Dramaturgies of Exile", Freddie Rokem writes about Walter Benjamin and Bertolt Brecht's exile in Denmark in the 1930s: together they wrote, dined, discussed theatre and philosophy, and played board games including Go and Chess. Rokem argues that their game-playing echoed their own personal trajectories of travel and exile, as well as embodied game board mappings of their philosophical and artistic theories.
Studies in Popular Culture, a journal of the Popular Culture Association of the South, publishes articles on popular culture however mediated: through film, literature, radio, television, music, graphics, print, practices, associations, events—any of the material or conceptual conditions of life. Its contributors from the United States, Australia, Canada, China, England, Finland, France, Israel, Scotland, Spain, and the Turkish Republic of North Cyprus include distinguished anthropologists, sociologists, psychologists, cultural geographers, ethnomusicologists, historians, and scholars in comics, communications, film, games, graphics, literature, philosophy, religion, and television.
Proposals are invited for an essay collection on Modernism and Affect, commissioned by Edinburgh University Press. The collection will comprise 10-12 original 7,000 word essays, and aims to present new scholarship in the fields of modernist literature, film, and visual arts emerging in the light of theory's 'affective turn'. The volume will consider the manifold ways in which theories of affect and theories of modernism might speak to one another. How might the reading practices suggested by recent work on the affects inform our critical engagement with modernist texts? How might a focus on affect might allow us to expand our definition of modernism?
Call for Contributors: Encyclopedia of Asian American Culture