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SW/TX PCA/ACA Chicana/o Literature/Film Culture Conference

updated: 
Tuesday, September 11, 2012 - 12:19am
SW/TX Popular and American Culture Association

SW/TX PCA/ACA Chicana/o Literature/Film/Culture

Southwest/Texas Popular Culture and American Culture Associations Conference
February 13-16, 2013
Albuquerque, NM
http://www.swtxpca.org
Proposal submission deadline: November 16, 2012
Conference hotel: Hyatt Regency Hotel & Conference Center
downtown Albuquerque, NM

In 2013, the Southwest/Texas Popular Culture and American Culture Associations will hold their 34th annual meeting in Albuquerque, New Mexico, February 13-16, 2013.

Festivals and Faires, March 27-30, Washington, DC

updated: 
Monday, September 10, 2012 - 9:32pm
Popular Culture Association

The Festivals & Faires Area of the Popular Culture Association welcomes submissions for the 2013 PCA/ACA conference in Washington, D.C. on any festival or faire—modern or historical. Scholars of theatre / theater, drama, performance studies, American studies, popular culture, religion, history, anthropology, folklore, English, theory, and non-western traditions are encouraged to apply. Since the conference is in Boston, MA, any papers relating to festivals and faires in the city or state are greatly appreciated. Other specific areas of interest for this year's panels include, but are not limited to:

Borders and Beyond: Considering Communities (Oct. 11-13, 2012) --- Abstracts Due Sept. 15th

updated: 
Monday, September 10, 2012 - 7:20pm
University of Florida English Graduate Organization

2012 University of Florida English Graduate Organization Conference
Borders and Beyond: Considering Communities
October 11-13, 2012 at the University of Florida

Keynote Speaker: Kristina Busse (University of South Alabama)
Guest Speaker: Catherine Tosenberger (University of Winnipeg)

Call for Papers

"Literature and Dance: Interactions and Reactions"

updated: 
Monday, September 10, 2012 - 2:02pm
Brandon Shaw/NEMLA

"Literature and Dance: Interactions and Reactions"

44th Annual Convention, Northeast Modern Language Association (NeMLA)
March 21-24, 2013
Boston, Massachusetts
Host Institution: Tufts University

Session Description and Submission Information

[UPDATE] Chican@ Studies ¡Ahora! NACCS Tejas Foco at UTPA, Edinburg-Texas February 21-23, 2013

updated: 
Monday, September 10, 2012 - 1:39pm
National Association for Chicana and Chicano Studies (NACCS) Tejas Foco

Call for Proposals
Recent attacks on Chican@ and Ethnic Studies programs are reminders of the need for spaces to produce knowledge in, about, and for our communities. This conference provides an environment to encounter and engage recent work by those who situate their teaching, research, writing, creative activities, and advocacy on and beyond an academic campus. This call for proposals centers on the ways in which academic research, creative activities, pedagogy, and activism can directly affect and become embedded in these communities.

Shakespeare and the Myth of the Feminine - June 26-29, 2013 Montpellier France

updated: 
Monday, September 10, 2012 - 12:09pm
European Shakespeare Research Association

Convenors:
Yan Brailowsky, Université Paris Ouest Nanterre La Défense, France
Victoria Bladen, University of Queensland, Australia

Call for papers
Iconic Shakespearean actresses such as Peggy Ashcroft (1988) have marvelled at the versatility and depth of Shakespeare's feminine roles. Lady Macbeth, Beatrice, Ophelia, Queen Margaret, Juliet, Paulina, Desdemona, Volumnia, Lavinia… all are characters which have been variously represented, or objectified in Western culture, and whose names have now become easily recognizable emblems or concepts—even myths.

UPDATE:'The Road Not Taken': Explorations in Narrative Refusals, Disnarration, and Counterfactual Histories

updated: 
Monday, September 10, 2012 - 11:57am
Indian Institute of Technology [IIT] Bombay

Plenary speakers:
------------------
Professor Jasbir Jain,
Hon Director, Institute for Research in Interdisciplinary Studies (IRIS), Sahitya Akademi Writer-in-Residence, 2009

Professor Supriya Chaudhuri
Professor and Coordinator, Centre of Advanced Study, Department of English, Jadavpur University

Papers are invited for a two-day refereed conference on Disnarration from 1st to 2nd March 2013, at IIT Bombay, Mumbai, India.

Gerald Prince's introduction of the 'disnarrated' in 1988 marks an interesting milestone in the evolution of narrative theory. The notion of what could have, but does not happen in a narrative, opens up new ways of looking at texts and at their visibility, overt and implicit.

Filming this Insubstantial Pageant: Medieval and Renaissance Drama on Film (Abstracts due Sept. 30)

updated: 
Monday, September 10, 2012 - 7:47am
Northeast Modern Language Association (conference Mar. 2013)

This panel seeks papers about film adaptations of medieval and Renaissance English drama, both in English-speaking countries and around the world. The NeMLA conference will be held in Boston in March, 2013. Papers might compare different adaptations of the same play, discuss problems associated with the notion of fidelity to text or of relocating a play in a different historical or cultural milieu, or consider the effectiveness for use in scholarly work or in the classroom. We seek investigation of continuities across disciplines: medieval/Renaissance, cinema studies/literature. What is at stake in these adaptations? What do these directors, writers, performers, and audiences bring to the table?

Symposium - Creativity and Authorship: Law and Changing Practice, 17-18 December

updated: 
Sunday, September 9, 2012 - 7:41pm
University of Canberra

Symposium - Creativity and Authorship: Law and Changing Practice
Call for Proposals
17 and 18 December 2012
Inspire Centre, University of Canberra

Hosted by the Law and Culture research group, Faculty of Business, Government and Law and Faculty of Arts and Design

This Symposium will explore practices of authorship, creativity and cultural innovation, and how they intersect with law. Do law and policy effectively protect and meet the changing needs of authors and other creative practitioners? How does law itself frame authorship and cultural practice? How has this changed over time, and what lessons are there for the future?

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