CFP: Affect and Identity in Early Modern Performance
This panel seeks to explore the potential performative and affective power of early modern drama on group identities. The theater, as locus of communal and social performativity, is a fruitful site to investigate the shaping force of affective response on collective identities and their historical narratives. How does the drama model and orchestrate response, reaction, and construction of identity categories based on age, race, class, gender, religion, nationalism, bodies, or other criteria? Please submit 250-word abstracts to email@example.com.