category: theatre

[UPDATE] Derrida and Queer Theory? (MLA, 6-9 Jan 2011 in Los Angeles - DEADLINE EXTENDED 20 March 2010)

full name / name of organization: 
MLA 2011
contact email: 
christianhite@gmail.com

Seeking papers that address some aspect of this (im)possible articulation in celebration (anticipation) of Michael O'Rourke's upcoming book, DERRIDA AND QUEER THEORY.

Multicultural Voices in Literature and the Arts of the 1920s

full name / name of organization: 
The McCleary Interdisplinary Symposium
contact email: 
Saldivar_rx@tsu.edu

The Department of English at Texas Southern University will host the 12th Annual Interdisciplinary McCleary Symposium, March 25-26, 2010, in Houston, Texas.

Harold Pinter Society Panels

full name / name of organization: 
Midwest Modern Language Association
contact email: 
roof12@comcast.net

The Harold Pinter Society invites 250-word abstracts for consideration for inclusion in the Pinter panels of the 2010 Midwest Modern Language Association (M/MLA) annual conference (November 4-7, Chica

"[UPDATE]“RE-IMAGINING AFRICA: CREATIVE CROSSINGS” special issue ANGLISTICA A.I.O.N. AN INTERDISCIPLINARY JOURNAL 15 June 2010

full name / name of organization: 
University of Naples L'Orientale
contact email: 
sgikandi@Princeton.edu, fjwilkinson@alice.it, anglistica@unior.it

Submissions are invited for publication in “Re-imagining Africa: Creative Crossings” edited by Simon Gikandi (sgikandi@Princeton.EDU) and Jane Wilkinson (fjwilkinson@alice.it).

"Unity in Diversity" International Conference on the niche Areas in Commonwealth Linguistics, Literature 21-24 October 2010

full name / name of organization: 
English Department, University of Szczecin, Poland
contact email: 
info@uidconference.com

International Conference "Unity in Diversity" on the Niche Areas in Commonwealth Linguistics, Literature and Culture

“RE-IMAGINING AFRICA: CREATIVE CROSSINGS”, a special issue of ANGLISTICA AION An Interdisciplary Journal deadline: 15 June 2010

full name / name of organization: 
University of Naples L'Orientale
contact email: 
sgikandi@Princeton.edu, fjwilkinson@alice.it, anglistica@unior.it

Submissions are invited for publication in “Re-imagining Africa: Creative Crossings” edited by Simon Gikandi (sgikandi@Princeton.EDU) and Jane Wilkinson (fjwilkinson@alice.it).

Deadline Extended: Autopsia CFP: Vox Redux // Ventriloquism

full name / name of organization: 
Autopsia Online Journal
contact email: 
rhizomatic@myway.com

New call for Submissions for the inaugural issue of Autopsia:

Vox Redux: Ventriloquism

THE EVERYDAY

full name / name of organization: 
Hellenic Semiotic Society and Department of French Studies and Modern Languages of the University of Cyprus
contact email: 
bettyk@freemail.gr; aplampro@ucy.ac.cy

THE EVERYDAY
INTERNATIONAL CONFERENCE
________________________________________

African Studies at Midwest Popular Culture Association Conference 1-3 October 2010

full name / name of organization: 
Midwest Popular Culture Association/American Culture Association
contact email: 
brownvelez@wisc.edu

Call for Proposals
African Studies
at
Midwest Popular Culture Association/American Culture Association 2010
Minneapolis, MN!
Panel and paper proposal deadline: 30 APRIL 2010

Spectacle! The Seduction of Illusion

full name / name of organization: 
Crisis Carnival 2010
contact email: 
sdsu.grad.conference@gmail.com

Crisis Carnival 2010: Spectacle! The Seduction of Illusion

What do the Olympic opening ceremony, drag queens, and Shakespeare have in common?

Linguistic theorists such as Judith Butler, Jean Baudrillard, and Guy Debord have all conjectured that we engage daily in performances that obscure the line between illusion and reality. These performances both re-affirm and challenge society’s values, boundaries, and taboos. By analyzing these spectacles, we can question the relationship between performance and the “real,” with the hopes of discovering the motivations behind these seductive visions.

In a society dominated by media constructions of our cultural values, it is more important than ever to evaluate the role that spectacle plays. What is the social significance of illusions – to inspire change, to help us distinguish the values most important to us, or to help us escape?

The goal of this conference will be to bring the conversation into a contemporary context. How are social anxieties personified in the spectacle of monstrosity? What role do today’s avatars, clones, and digital doppelgangers play in our conceptions of our “real” selves? How has the relationship between performance and the real changed since Shakespeare?

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