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Critical Theatre Ecologies

updated: 
Wednesday, July 10, 2019 - 11:41am
German Society for Contemporary Theatre and Drama in English (CDE)
deadline for submissions: 
Friday, November 1, 2019

The German Society for Contemporary Theatre and Drama in English (CDE) is pleased to announce its 29th Annual Conference (21–24 May 2020). It is organized by the Chair of English Literature at the University of Augsburg and will be held as a residential conference at ‘Haus Sankt Ulrich’ in Augsburg.

Drawing and Performance: Creating Scenography International Conference

updated: 
Saturday, September 28, 2019 - 6:42pm
Institute of Ethnomusicology – Center for Studies in Music and Dance
deadline for submissions: 
Tuesday, October 15, 2019

Scenographers use drawing as an expressive and communication tool in rehearsal and in performance. They use it as a record of a thought process and an instrument for reflection. Drawing allows discussion and error and serves as a register of the creative process for all involved.

This conference aims at reflecting upon the artistic and pragmatic relationship scenographers, directors and choreographers have with drawing as a device for the creation of space and time of performance and as mediator between the bodies of performers on stage and the drawer’s page.

Pacific Ancient and Modern Language Association (PAMLA) Conference Extended Deadline CFP, Samuel Beckett and the Comedy of Unhappiness

updated: 
Monday, June 24, 2019 - 12:16pm
Fergal O'Doherty, Palomar College
deadline for submissions: 
Wednesday, July 10, 2019

CALL FOR PAPERS (Extended Deadline!)

Pacific Ancient and Modern Language Association (PAMLA) Conference

Thursday, November 14, 2019 to Sunday, November 17, 2019, Wyndham San Diego Bayside Hotel, San Diego, California

Conference Theme "Send in the Clowns"

Reading Surfaces in Early Modern England

updated: 
Friday, June 14, 2019 - 1:21pm
Alex MacConochie, Megan Bowman/ Northeast Modern Language Association
deadline for submissions: 
Monday, September 30, 2019

“The surface is where most of the action is.”

--James Gibson, The Ecological Approach to Visual Perception

 

Dependent Stages: Knowing in Shakespeare (NeMLA 2020)

updated: 
Monday, June 10, 2019 - 12:18pm
John F. Maune / NeMLA
deadline for submissions: 
Monday, September 30, 2019

A playwright has to build their story within their allotted two hours of stage traffic. We are taken on a guided ride from which we glimpse what the playwright chooses, forming our layers of knowledge through which we are manipulated. Often we are privy to the internal thoughts of a character which contrast with their public utterances: e.g., Rosalind/Ganymede, Angelo, or Richard III. Our prescient view makes Macduff's seemingly banal inquiry about his wife and children emotive fire. Our own knowing is challenged just by taking in a play as we know it is not real, yet we embrace the illusion.

Reality Check: Real Bodies in Performance - Conference Invitation

updated: 
Wednesday, June 5, 2019 - 10:14am
University of York
deadline for submissions: 
Thursday, June 13, 2019

Reality Check: Representing Real Bodies in Performance.

10thannual PG Conference at the Department of Theatre, Film and Television

20thJune 2019, University of York, 10.00 – 18.00

Registration free -- please register by 13th June  2019 

 

 

Representations of Irishness in the 21st Century: Boundaries Between Past & Present

updated: 
Wednesday, June 5, 2019 - 10:31am
PAMLA - Pacific Ancient and Modern Language Association
deadline for submissions: 
Monday, June 10, 2019

AbstractThis panel explores representations of Irishness in the 21st Century. From the Belfast Agreement and the “end” of the Northern Ireland Troubles to the Republic’s referenda on divorce, abortion, and marriage equality, the past 25 years present a dynamic and changing society on the island. Recalling Clare Connolly’s introduction to Ireland and Postcolonial Theory, in which she writes of instability of the “boundaries between past and present [...] memory and history, national and international,” this panel examines Irishness in relation to shifting global, political, and cultural contexts as they manifest in texts from the present and recent past in the Republic of Ireland and Northern Ireland.

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