Following the success of the previous nine international Irish Studies conferences, this year the University of Sunderland, in association with NEICN, invites papers for an interdisciplinary conference, which will run from 9th to 11th November 2012.
The aim of this conference is to explore the role of live animals on the stage, from the early modern era to the present time. Papers dealing with visual or textual representations of performing animals, typologies of animals in the theatre, the hybridisation of the drama with the circus, the zoo and the cinema, as well as the semiotic transfer of animal roles from the text to the stage are particularly welcome. Corollary topics may also include, but are not limited to:
After a long hiatus, the journal of GACCEA will return in May as an online journal. "Notes" will offer pedagogically directed scholarship on all topics relevant to teaching college-level English, in a fresh multimodal online format. We invite you to participate in shaping this exciting publication by contributing your scholarship. The journal will come online in early May of this year. We welcome submissions for possible publication in this journal—both scholarly and reflective.
We are looking for four types of contributions:
World Picture Conference
University of Sussex
2-3 November 2012
Felix Ensslin, Staatlichen Akademie der Bildenden Künste, Stuttgart
Alberto Toscano, Goldsmiths College, London
The annual World Picture Conference gathers scholars from a range of different disciplines to address the relation between critical theory, philosophy, and aesthetics. For this year's meeting we welcome papers on questions of action. Such considerations might include (but are in no sense limited to):
"Popular art is the dream of society; it does not examine itself."
The Students of English Studies Association (SESA) of California State University, Fresno, in collaboration with Rasquache, and the Chicano Writers and Artists Association (CWAA), announces its call for papers for the 2011-2012 publication of Motley.
We welcome papers related to the theme:
Diversity/Redefining the Dominant Discourse of Popular Culture
Margins, an international peer-reviewed journal, is published annually in summer by the Department of English, Gauhati University. It offers a space for the exploration of the marginal in its theoretical implications and in literature and culture. It welcomes examination of the historical and the contemporary through interdisciplinary perspectives – looking at texts in both their wider conceptual and immediate situational significance. It has a special interest in the retrieval of texts and authors who have been invisible in mainstream disciplinary concerns but are considered significant in their respective locations and are presented convincingly.
Royal Holloway University of London & the University of Birmingham announce a one-day symposium
Dealing with Martin Crimp
Royal Court Theatre, London, 12 January 2013
To coincide with his new play In the Republic of Happiness, this event will bring together theatre makers and academics to discuss the work of Martin Crimp, one of the most important, original and challenging playwrights of our time.
FINAL DEADLINE FOR ABSTRACTS--July 16, 2012
KEYNOTE SPEAKER: Dr. Russell Berman (Stanford University)
How do various systems of authority (e.g. literary, political, sexual, cultural, economic, linguistic) seek to control individuals, groups, or cultural movements? How do individuals, groups, or cultural movements engage in resistance to subjection?
This panel seeks papers about film adaptations of medieval and Renaissance English drama, both in English-speaking countries and around the world. Papers might compare different adaptations of the same play, discuss problems associated with the notion of fidelity to text or of relocating a play in a different historical or cultural milieu, or consider the effectiveness for use in scholarly work or in the classroom. We seek investigation of continuities across disciplines: medieval/Renaissance, cinema studies/literature. What is at stake in these adaptations? What do these directors, writers, performers, and audiences bring to the table?
Chairs of the pre-approved panels and roundtables of the NeMLA Women's and Gender Studies Caucus seek proposals. Unless otherwise stated, proposals are due by September 30th.
For panel / roundtable descriptions, and submission information, please see: http://nemla.org/convention/2013/cfp_womensstudies.html