Call for papers "Circulations of/in Cinema"
Université de Toulouse II - Le Mirail, France
June 17-19, 2013 UPDATE / DATE MODIFIED
In 1958, André Bazin asked: "What is cinema"? One of his objectives was to define the ontological specificity of the cinematographic art. In the following decades, this fundamental question was taken up and amplified. There were many answers to that initial question: most of them focused on the relation between screen and spectator. Today, in an era of digital images, with the democratization of cinematographic practices, in terms both of production and reception, it seems important to return to a definition of cinema in its technical specificity. One could approach the subject from three angles: