Humour is widely regarded as the tendency to provoke laughter and provide enjoyment, yet when we are amused, laugh or smile at something we regard to be funny, the context of the object in question is often not funny at all, but rather sad and to be pitied. Although humour may be often associated with 'mere comedy' and thus, with a lower form of literature, it is striking to note the great number of great works of literature that indeed use humour. Throughout the ages, humour has always remained a popular approach of many authors who desire to provoke a reaction in their readers or audiences.
The AnaChronisT 17 (2012) invites research papers, interviews, and book reviews on literatures in English for its next issue, to be published in Winter 2012/3. Papers are to be sent to The AnaChronisT (Department of English Studies, Eötvös Loránd University, H–1088 Budapest, Rákóczi út 5.) by Thursday, 31 May 2012.
The AnaChronisT http://seas3.elte.hu/anachronist/ welcomes submissions by graduate and doctoral students as well as academics. The requirements of application are as follows:
- one hard copy of the essay sent to the above address;
There are over 120 approved session topics for this year's conference, to be held October 19-21 at Seattle University. All proposals must be submitted online through the PAMLA 2012 website by midnight, April 22, 2012. Presiding Officers will inform submitters whether their papers are accepted or declined between April 23 and May 15.
For complete guidelines and further details about the venue, please visit www.pamla.org/2012
The 2012 PAMLA Conference at Seattle University (October 19-21, 2012) has over 130 approved sessions. This year's conference special theme is "Migration, Immigration, and Movement," with many special sessions and addresses focusing on the theme (papers not focused on the theme are also welcome). Our Creative Artist Spotlight Speaker for the conference is award-winning author Sandra Cisneros. Our Plenary Speaker is José David Saldívar of Stanford University. For more information about the conference, or to submit a paper proposal, please go to: http://www.pamla.org/2012/
Feminism in Academia: An Age of Austerity?
Current Issues and Future Challenges
Friday 28th September 2012
The University of Nottingham
Professor Mary Eagleton (formerly Leeds Metropolitan University)
Professor Mary Evans (Gender Institute, London School of Economics and
The MPCA/ACA is seeking paper proposals that address any aspect of 19th century American popular culture for our annual conference. The 2012 conference will be held in Columbus, OH from October 12-14.
We are especially interested in papers that focus on literature and/or culture from a specific critical perspective; however, no particular approach is required. Possible topics include (but are not limited to):
- Book History/Print Cultures
- Dime novels
- Westward expansion
- Native Americans
- Women in popular culture
- The Gothic
Please submit proposals for the "English Literature before 1700" session of PAMLA online www.pamla.org/2012 by midnight, April 22, 2012. Presiding officers will inform submitters whether their papers are accepted or declined between April 23 and May 15th.
PAMLA 2012 will be held October 19-21 at Seattle University.
Call for Papers:
2012 Midwest Popular Culture Association Conference
Friday-Sunday, October 12-14, 2012
Renaissance Columbus Downtown Hotel
Deadline: April 30, 2012
Topics can include, but are not limited to the history of fashion, fashion designers, fashion models, fashion in literature, film, or television, fashion choices of celebrities, and fashion trends of the present or past.
Please upload 250 word abstract proposals on any aspect of Fashion to Kelli Purcell O'Brien, The University of Memphis, http://submissions.mpcaaca.org/.
French Journal of Irish Studies
Spring 2013 (non-thematic) issue
DEADLINE FOR SUBMISSION: June 30, 2012
For the 2012 conference of the American Society for Theatre Research (ASTR), we seek papers for a Working Group entitled "Eighteenth-Century Theatrical Histories, or, the Long, the Deep, and the Wide." Long, deep, and wide are three descriptive words often associated with 18th century studies, and nodding to the theme of the conference we want to explore how these words might help "cast" the theatrical history of the 18th century we construct.