NTU Studies in Language and Literature is a refereed journal of literature and culture published biannually (in June and December) by the National Taiwan University Press for the Department of Foreign Languages and Literatures, National Taiwan University. Devoted to generating intellectual and trans-cultural dialogues, NTU Studies in Language and Literature welcomes original submissions from all over the world dealing with literary and related texts and informed by theoretical, interdisciplinary, or comparative perspectives or approaches. Reviews, review essays, and commentaries on recent debates and controversies are also welcome.
Call For Papers
"FOUR-FOOTED ACTORS: LIVE ANIMALS ON THE STAGE"
University of Valencia, Spain
12-14 December 2012
You learned the concept 'pain' when you learned language
The Journal of Literature and Trauma Studies is pleased to announce its second call for submissions for the Autumn issue (JLTS issue 2). The Journal is a bi-annual peer reviewed academic publication, accessible on JSTOR and MUSE and available in both electronic and hardcopy formats. The first issue on 'tragedy and trauma' is about to appear and the Editorial Board is now seeking quality submissions from interested researchers, scholars and writers working in the interrelated fields of literature, trauma and memory studies.
Undead in the West II: They Just Keep Coming (publication)
The frontier has long been framed as a landscape of life and death, but few scholarly works have ventured into the realm where the two become one, to explore portrayals of the Undead in the West – the zombies, vampires, mummies, and others that have lumbered, crept, shambled, and swooped into the Western from other genres. This sub-genre, while largely a post-1990 phenomenon, traces it roots to much deeper hybrid traditions of Westerns and horror or science fiction, and yet, also shows ties to the recent Western renaissance.
Everyday objects are increasingly being animated by performers in contemporary theatre, community arts and puppet shows but very little has been written about object theatre as a separate discipline. This issue of the Puppet Notebook will provide a platform for discussion about what object theatre is, its relationship to puppetry and its history.
We welcome submissions for presentations and panels relating to theatre, dance, and performance in popular culture, including theatrical productions; dramatic text and playwriting; modes of performance; actors and acting; theatre and dance history; non-traditional performance; political theatre; and performance as seen in ritual and everyday life.
The Mid-Atlantic Popular/American Culture Association (MAPACA) is an inclusive professional organization dedicated to the study of popular and American culture in all their multidisciplinary manifestations. We welcome proposals for presentations and panel discussions from established academics and scholars, graduate students in the field, or independent scholars.
** Apologies for cross-posting **
Expressions of interest are invited from scholars across the humanities interested in philosophy, theatre and performance to contribute to an edited volume on:
Žižek and Performance
The Department of Italian Studies at the University of Bologna (Italy) is now accepting submissions for its next issue (n. 6/2012) of Scritture migranti, an international journal dedicated to writing on migration.
Interested scholars should send a complete essay or an abstract of approx. 20 lines by June 20, 2012 to the editorial committee: firstname.lastname@example.org .
For some time now, philosophers, sociologists and neuroscientists have started to look once again at the world of emotions and passions to try and understand the mechanisms behind them. The development of this field of inquiry bears witness to a renewed fascination for human behaviour. Many disciplines seem to be characterised these days by this 'affective turn', which has led to fresh attention to the nature of artistic and literary expression, and for its capacity to illustrate the physical and ethical dimensions of feeling.