This is a critical and creative new online journal. It is created to find, edit and publish superior works of fiction, non-fiction, art, multi-media and the like. The Pennsylvania Literary Journal is created to make a positive contribution to literary criticism and to the arts around the world. There are no geographic boundaries or genre boundaries in the first, summer issue – only the restraints of a website template.
Shechem Ministries' Matter '09: A Creative Theology Event is now accepting submissions of papers and artwork for the conference September 17-19, 2009, at the Seminary of the Southwest in Austin, Texas.
Selected papers and artwork will be presented at the conference and will be published in the anthology of the conference, Matter, published by Shechem Press.
All abstracts and digital image samples are due by noon CST on June 15, 2009, with completed artwork and papers due by August 31, 2009 at noon CST.
Panel: "NOW SEE THIS!: the Visual Language of Modernist Aesthetics"
Conference: MSA 11, Montreal, Canada, Nov 5-8 2009
In his 2007 Shakespeare Survey article, John Jowett commented that "the extent to which scholarly electronic editions will transform Shakespeare study remains to be seen," and that "at the end of the twentieth century" the role of the electronic edition "remained, at most, supplementary to the print edition" (4). This panel seeks to assess Jowett's claim in light of a growing number of projects to produce electronic editions of early modern drama, and to ask whether the electronic edition is still (or indeed, if it ever was) supplementary to the print edition.
From the fin de siècle to the Second World War, the construction of alternative social and private spaces exerted a peculiar fascination for many British writers. The cataclysmic historical events of the period stimulated Utopian thinking and feeling even as they seemed to make them problematic or impossible. At the same time radical demands for new spaces, whether political, religious or aesthetic, also generated new ways of reading and writing the familiar urban and domestic spaces of everyday life.
Self-described "student of science" Bruno Latour defines an actor as "any thing that leaves a trace." In keeping with this year's theme of footprints, this panel welcomes papers that consider the traces left by any thing on the world (whether of humans or non-humans). What buried narratives might we excavate by reading residue? What stories are told by echoes? All approaches are welcome, though eco-critical and material readings may be particularly appropriate. Relevant topics might include:
"Performing Love / Loving Performance: Broadway Musical Motifs in Cinema and Television"
2010 Film & History Conference: Representations of Love in Film and Television
November 10-14, 2010
Hyatt Regency Milwaukee
First Round Deadline: August 1, 2009
AREA: Performing Love / Loving Performance: Broadway Musical Motifs in Cinema and Television
Reading Ethics in the 21 Century
Call for Papers
Since Aristotle the understanding of ethics as a branch of philosophy has been defined as a pragmatic rather than a theoretical field: ethics does not simply involve a discussion of virtues, but the practice of "virtual activities." It is concerned, as Sartre later insists, with living "in the world," where one has the individual moral responsibility for the other and for the political structure of society. The personal responsibility to act "ethically" in this case is made possible by the essential freedom of choice of each individual.
Fairy Tale Economies
An interdisciplinary, international conference
October 1—3, 2009
University of Southern Mississippi, Hattiesburg MS
Mindful of our own global economies, this colloquium addresses economies in fantastic literature and culture. We shall identify economy both as a theme within literatures and as a way of thinking about the value of fantastic literature itself.
States of Crisis
Friday, 9 October 2009
Department of English and American Literature
Seventh Annual Graduate Conference
Since its origin in the ancient Greek krisis, "decision," related to krites, a judge, the term crisis has referred to ideas of discernment, evaluation, criticism, and sifting of evidence. In literary studies, for example, one can see moments of crisis in shifting aesthetics and changing genres as well as in literary tradition(s), character representation, and ideas of narrative. Drawing on interdisciplinary approaches and scholarship, this conference will explore different responses to the idea of crisis in the humanities and social sciences.
This is a critical and creative new journal. It is created to find, edit and publish superior works of fiction, non-fiction, art, multi-media and the like. It will be primarily an online journal. Until an independent website is developed the journal will be housed at www.myspace.com/pennsylvaniajournal.
WORKING SESSION: Reassessing Theatrical Paradigms and Imagining Global Rights (San Juan, Puerto Rico, Nov. 11-15, 2009)
Deadline for Abstracts: Friday, May 15, 2009
Conveners: Brenda Werth, American University; Paola Hernández,
University of Wisconsin-Madison; Kerry Bystrom, University of
Connecticut; Florian Becker, Bard College
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CFP: Mid-Atlantic Popular/American Popular Culture Association
Theatre and Performance Studies
Boston, MA - November 5-7, 2009
Paper/Panel Proposals Due JUNE 15, 2009.
The study of theatre and performance often reveals unexpected insights into a culture's historical and ideological conditions. Papers in this area will address how the institutions and practices of the performance define concepts of taste, suggest causes and solutions for social conflict, and reflect the importance of race, gender, and religion in relation to national or regional identity. We seek presentations, panels, and papers which focus on the theatre as a reflection of popular and/or American culture. Suggested topics include, but are not limited to:
Recently, Toril Moi has argued for a rehabilitation of Ibsen as a modernist dramatist and described a number of key features of his version of modernism: his embrace of theatre as an art form, his critique of theatricality, his foregrounding of a meta-theatrical skepticism, and his preoccupation with the key social issue of the position of women in society (Henrik Ibsen and the Birth of Modernism). This panel will seek to extend Moi's claims by asking if we can identify an "other," early or "original" modernism—one somewhat different from what Moi, borrowing from Frederic Jameson, calls the post-WWII "Ideology of Modernism"—in the works of various fin de siècle dramatists staging rebellious women.
Language, literature and cultural studies
Call for papers
Deadline: 30 July 2009 for LLCS no.3 and 30 November 2009 for LLCS no.4
The Department of Foreign Languages of the Military Technical Academy Bucharest-Romania- invites you to contribute to the third and fourth numbers of the Journal of Language, Literature and Cultural Studies, Postmodernism and minimalism or "the game of less is more"