Reading Ethics in the 21 Century
Call for Papers
Since Aristotle the understanding of ethics as a branch of philosophy has been defined as a pragmatic rather than a theoretical field: ethics does not simply involve a discussion of virtues, but the practice of "virtual activities." It is concerned, as Sartre later insists, with living "in the world," where one has the individual moral responsibility for the other and for the political structure of society. The personal responsibility to act "ethically" in this case is made possible by the essential freedom of choice of each individual.
Fairy Tale Economies
An interdisciplinary, international conference
October 1—3, 2009
University of Southern Mississippi, Hattiesburg MS
Mindful of our own global economies, this colloquium addresses economies in fantastic literature and culture. We shall identify economy both as a theme within literatures and as a way of thinking about the value of fantastic literature itself.
States of Crisis
Friday, 9 October 2009
Department of English and American Literature
Seventh Annual Graduate Conference
Since its origin in the ancient Greek krisis, "decision," related to krites, a judge, the term crisis has referred to ideas of discernment, evaluation, criticism, and sifting of evidence. In literary studies, for example, one can see moments of crisis in shifting aesthetics and changing genres as well as in literary tradition(s), character representation, and ideas of narrative. Drawing on interdisciplinary approaches and scholarship, this conference will explore different responses to the idea of crisis in the humanities and social sciences.
This is a critical and creative new journal. It is created to find, edit and publish superior works of fiction, non-fiction, art, multi-media and the like. It will be primarily an online journal. Until an independent website is developed the journal will be housed at www.myspace.com/pennsylvaniajournal.
WORKING SESSION: Reassessing Theatrical Paradigms and Imagining Global Rights (San Juan, Puerto Rico, Nov. 11-15, 2009)
Deadline for Abstracts: Friday, May 15, 2009
Conveners: Brenda Werth, American University; Paola Hernández,
University of Wisconsin-Madison; Kerry Bystrom, University of
Connecticut; Florian Becker, Bard College
(firstname.lastname@example.org; email@example.com; firstname.lastname@example.org;
CFP: Mid-Atlantic Popular/American Popular Culture Association
Theatre and Performance Studies
Boston, MA - November 5-7, 2009
Paper/Panel Proposals Due JUNE 15, 2009.
The study of theatre and performance often reveals unexpected insights into a culture's historical and ideological conditions. Papers in this area will address how the institutions and practices of the performance define concepts of taste, suggest causes and solutions for social conflict, and reflect the importance of race, gender, and religion in relation to national or regional identity. We seek presentations, panels, and papers which focus on the theatre as a reflection of popular and/or American culture. Suggested topics include, but are not limited to:
Recently, Toril Moi has argued for a rehabilitation of Ibsen as a modernist dramatist and described a number of key features of his version of modernism: his embrace of theatre as an art form, his critique of theatricality, his foregrounding of a meta-theatrical skepticism, and his preoccupation with the key social issue of the position of women in society (Henrik Ibsen and the Birth of Modernism). This panel will seek to extend Moi's claims by asking if we can identify an "other," early or "original" modernism—one somewhat different from what Moi, borrowing from Frederic Jameson, calls the post-WWII "Ideology of Modernism"—in the works of various fin de siècle dramatists staging rebellious women.
Language, literature and cultural studies
Call for papers
Deadline: 30 July 2009 for LLCS no.3 and 30 November 2009 for LLCS no.4
The Department of Foreign Languages of the Military Technical Academy Bucharest-Romania- invites you to contribute to the third and fourth numbers of the Journal of Language, Literature and Cultural Studies, Postmodernism and minimalism or "the game of less is more"
Translation, Performance, and Reception of Greek Drama, 1900–1950: International Dialogues
A Special Issue of Comparative Drama
Asturias y l@s asturian@s en la historia: pasado, presente y futuro
[Asturias and the Asturians throughout History: Past, Present and Future]
Sponsored by the Center for the Study of Race, Politics and Culture (CSRPC) at the University of Chicago, the Academia de la Llingua Asturiana and the Franke Institute for the Humanities.
Recently, Toril Moi has argued for a rehabilitation of Ibsen as a modernist dramatist and described a number of key features of his version of modernism: his embrace of theatre as an art form, his critique of theatricality, his foregrounding of a meta-theatrical skepticism, and his preoccupation with the key social issue of the position of women in society (Henrik Ibsen and the Birth of Modernism). This panel will seek to extend Moi's claims by asking if we can identify an "other," early or "original" modernism – one somewhat different from what Moi, borrowing from Frederic Jameson, calls the post-WWII "Ideology of Modernism" - in the works of various fin de siècle dramatists staging rebellious/fallen/deviant women.
This conference solicits contributions to our understanding of the perennial outlaw hero, and the traditions surrounding his stories, from as wide a variety of disciplinary and interdisciplinary perspectives as possible. The conference requests proposals that expand our knowledge of medieval and early modern historical studies, literary criticism, folklore, musicology and music practice, children's literature, cultural studies, anthropology, film and media studies, performance art and oral recitations, art history, literary history and theory, and philosophy. While our historical understanding of Robin Hood inevitably depends on literary and archival records, even these cultural memories have been shaped by the media that contain them.
KEYNOTE SPEAKERS: BRACHA ETTINGER (EGS, Saas Fee) and ADRIANA CAVARERO (Verona)
"Global Citizenship for the 21st Century"
California State Polytechnic University, Pomona
November 15-16, 2009
People who know the limitations of their knowledge, even when they believe that knowledge to be revealed, are usually the very same people who are able to build bridges with others who think differently than they do.
Father James L. Heft, S.M
For attaining membership in the world community entails a willingness to doubt the goodness of one's own way and to enter into the give-and-take of critical argument about ethical and political choices.
CFP: Documenting LGBTQ Identity in Non Western Worlds (08/31/09; collection)Edited by Christopher Pullen Proposals are invited for essays forming part of a new reader focusing on LGBT and queer identity in the developing and non western world, apparent within varying documentary forms, such as film, television and new media. A central concern is to explore the social agency of media producers and performers, who offer new narratives of potential and progression, challenging Western orientated and traditional worlds. At the same time some chapters may explore the significance of Western constructions of LGBT and queer identity, which have offered archetypes of political engagement for world wide audiences. As a consequence this reader intends to foregro