Recently, Toril Moi has argued for a rehabilitation of Ibsen as a modernist dramatist and described a number of key features of his version of modernism: his embrace of theatre as an art form, his critique of theatricality, his foregrounding of a meta-theatrical skepticism, and his preoccupation with the key social issue of the position of women in society (Henrik Ibsen and the Birth of Modernism). This panel will seek to extend Moi's claims by asking if we can identify an "other," early or "original" modernism – one somewhat different from what Moi, borrowing from Frederic Jameson, calls the post-WWII "Ideology of Modernism" - in the works of various fin de siècle dramatists staging rebellious/fallen/deviant women.
This conference solicits contributions to our understanding of the perennial outlaw hero, and the traditions surrounding his stories, from as wide a variety of disciplinary and interdisciplinary perspectives as possible. The conference requests proposals that expand our knowledge of medieval and early modern historical studies, literary criticism, folklore, musicology and music practice, children's literature, cultural studies, anthropology, film and media studies, performance art and oral recitations, art history, literary history and theory, and philosophy. While our historical understanding of Robin Hood inevitably depends on literary and archival records, even these cultural memories have been shaped by the media that contain them.
KEYNOTE SPEAKERS: BRACHA ETTINGER (EGS, Saas Fee) and ADRIANA CAVARERO (Verona)
"Global Citizenship for the 21st Century"
California State Polytechnic University, Pomona
November 15-16, 2009
People who know the limitations of their knowledge, even when they believe that knowledge to be revealed, are usually the very same people who are able to build bridges with others who think differently than they do.
Father James L. Heft, S.M
For attaining membership in the world community entails a willingness to doubt the goodness of one's own way and to enter into the give-and-take of critical argument about ethical and political choices.
CFP: Documenting LGBTQ Identity in Non Western Worlds (08/31/09; collection)Edited by Christopher Pullen Proposals are invited for essays forming part of a new reader focusing on LGBT and queer identity in the developing and non western world, apparent within varying documentary forms, such as film, television and new media. A central concern is to explore the social agency of media producers and performers, who offer new narratives of potential and progression, challenging Western orientated and traditional worlds. At the same time some chapters may explore the significance of Western constructions of LGBT and queer identity, which have offered archetypes of political engagement for world wide audiences. As a consequence this reader intends to foregro
ACIS Mid-Atlantic Regional Conference
Sept. 18 and 19, 2009
West Long Branch, New Jersey
Ireland by Sea
H.G. Wells once wrote that Oscar Wilde's 'The Soul of Man Under Socialism' offers "an artist's view of socialism, but not a socialist's." George Orwell, reviewing the essay in 1948, called Wilde's vision of socialism "Utopian and anarchistic." So was Oscar Wilde a socialist? an anarchist? an "individualist"? or politically unquantifiable? He was acquainted with the leading socialists of the time, from William Morris to G. B. Shaw, his sympathy for socialist and anarchist ideas was well known, and 'The Soul of Man' attained great popularity with the radical movements of Central and Eastern Europe and the USA.
Translating the Middle Ages.
Submission Deadline: 29 May
'Medievalism Transformed' is an interdisciplinary postgraduate conference for researchers in a variety of disciplines. The one-day event, which is supported by the Centre for Medieval Studies, will be held at Bangor University on the 20th of June. The theme for this year's conference will be Translating the Middle Ages: we will be convening to explore the practice of translating in the Middle Ages, but also to discuss the various ways in which medieval culture has been translated or adapted to the modern era. Topics within the general scope of the conference will be considered, including (but not limited to):
– CALL FOR PAPERS –
ANTI/SLAVERY, COLONIALISM, AND AESTHETICS
submission deadline June 20, 2009
We are pleased the announce the launch of an open-access online video archive and research project on Asian performances of Shakespeare.
This site offers an extensive collection of videos of Shakespeare performances for scholars, students, and any one interested in Shakespeare or Asian cultures. Here you will also find interactive maps and timelines, interviews, biographies of directors and actors, for understanding intercultural theatre from Asia.
3rd Call for Papers and Panels - Regulated Liberties. Negotiating Freedom in Art, Culture and Media
1st Rethinking Art Studies (REARS) conference in Turku, August 20-22 2009, University of Turku, Finland.
CALL FOR SUBMISSIONS
The 2009 Creative Writing Issue of the South Asian Review
Short Stories and Creative Nonfiction—Writing from the Margins
SOUTH ASIAN REVIEW invites submissions for the 2009 Creative Writing issue, Volume 30, Number 3. The issue will showcase South Asian writing that either focuses on or emerges from the "margins," which creative writers may interpret broadly in terms of class, caste, gender, sexuality, or geographical location (for example, the North East Indian states, Afghanistan, Nepal, Bhutan, Union of Myanmar, and Sri Lanka, among other such heretofore under-represented locales).
Modernist Languages of Feeling
Shechem Ministries' Matter '09: A Creative Theology Event is now accepting submissions of papers and artwork for the conference September 17-19, 2009, at the Seminary of the Southwest in Austin, Texas. Selected papers and artwork will be presented at the conference and will be published in the anthology of the conference, Matter, published by Shechem Press. All abstracts and digital image samples are due by noon CST on May 15, 2009, with completed artwork and papers due by August 31, 2009 at noon CST. Abstracts (250-500 words), panel proposals, and inquiries should be submitted via email to MatterCon@gmail.com.
Though the activity of editing the plays of Shakespeare and his contemporaries was for over two hundred years the principle scholarly method for investigating these works, many younger scholars today confront an academic establishment that relegates editing, bibliography, and text studies to secondary or peripheral positions in graduate, doctoral, and junior faculty programs. This is particularly unfortunate given the exponential increase in innovative technologies, methodologies, and theories that encourage fresh approaches to essential questions about these plays.