In keeping with the theme of "Debt" for the 2012 Midwestern MLA conference, this panel is interested in the class implications that contemporary African American literature offers its readership. Since the first letters written in African American literature, money has had a central place in claims for independence, subjectivity, and resistance. How has this understanding of subjectivity and resistance changed in a late twentieth/ twenty-first century context? To what extent is contemporary African American literature invested in the American dream of financial well being that characterized earlier writing?
[UPDATE]JOURNAL ISSUE - Acting Out - Trauma and the Ethics of Remembrance (full submission March 15th 2012)
full name / name of organization:
Performing Ethos: Interntation Journal of Ethics in Theatre and Performance
email@example.com and firstname.lastname@example.org
CALL FOR PAPERS for SPECIAL GUEST EDITED JOURNAL ISSUE
Performing Ethos: International Journal of Ethics in Theatre and Performance
'Acting Out – Trauma and the Ethics of Remembrance',
Volume 3, Issue 2 (November/December 2012)
"But between the past which no longer is and the future which is not yet, this moment when [we] exist is nothing" –from de Beauvoir's _The Ethics of Ambiguity_
Seeking essay proposals for a book on The Erotics of 'Post': Reparation, Practice, Theory. At the recent MLA 2012 conference (Seattle), I sought essays engaged with poetics, subjectivities, especially feminisms, and the eroticism of post—its implicit delays, lingering temporal modalities, and totalizing narratives—for my panel "Re-Fashioning the Poetics of 'Post'; Or, How to Imagine Beyond Postmodernism." Successful proposals will grapple with the current interdisciplinary manifestations of "post" while positing a working practice or approach for contemporary theory in the present.
Disjointed Perspectives on Motherhood/ Pedagogies of the Reversed Maternal Image (Collection)
Editor: Catalina Florina Florescu, PhD
Special Topics panel for the Rocky Mountain MLA conference in Boulder, Colorado. Ocotober 4-6, 2012.
This session explores ways that the Empire has been represented, valorized, and critiqued. How has the Empire informed culture production and how have literature and film influenced popular opinions about the Empire?
250-word abstract and bio to:email@example.com by March 1.
Conference website: http://rmmla.wsu.edu/default.asp
Journal Announcement and Call for Submissions
Monsters and the Monstrous
Volume 2, Number 1, Special Issue on Monstrous Memory
The Editors welcome contributions to the journal in the form of
articles, reviews, reports, art and/or visual pieces and other forms
of submission on the following or related themes:
Thought, engagement and communication of meanings depend upon perception. Synæsthesia is an international, multi-media refereed journal that aims to unravel issues of communication and considers the extra dimensions of meaning that layer communication practices and contemporary theoretical frameworks. From the subjective-embodied to the objective, interpersonal to mass-marketed, regional to global, and academic to corporate, among genders and across time, Synæsthesia strives to traverse disciplinary boundaries, seeking to advance new perspectives of understanding within and across cultures.
With the advent of new media technologies and social networking sites making communication faster and easier than ever, there exists a dearth of opportunity to see how fan cultures have evolved as a result. For example, fans can now have a direct impact on how some of their favorite TV shows are made and have influenced the storylines taking place. This type of "participatory" fandom has reached new heights in the 21st century as fans and creators become better connected. With this in mind, Dr. Kristin M. Barton and Dr. Jonathan M. Lampley are seeking proposals for an edited volume under consideration at McFarland titled Fan CULTure: An Examination of Participatory Fandom in the 21st Century.
This Special Session focuses on Israeli and Palestinian relations and seeks to provide a forum for examining notions of "conflict," identity, war, peace, and protest in art, literature, cinema, music, and the theater. Papers can focus on social, psychological, historical, philosophical, traumatic, geographic, and/or peace-bridging aspects, to state a few. Interdisciplinary work is welcome.
Broad messages, complicated political positions, and blurred generational and class lines characterize and problematize the Occupy Wall Street movement. As if its connection to the Canadian magazine Adbusters were not enough, this "U.S." movement's clearest and most original position may be its denial of position. Beyond "We are the 99%"—a general position against greed and inequality—the "movement" remains difficult to categorize in terms of the red/blue politics of the United States. The picture becomes even more complicated at the regional level where clear, defining symbols of nationalist power and capital are absent.