Subscribe to RSS - theatre

theatre

CFP: Shakespeare's Roman and Classical Plays (PAMLA, Deadline 3/31/12)

updated: 
Friday, January 13, 2012 - 11:58am
Alfred J. Drake / PAMLA: Pacific Ancient and Modern Language Association

Papers sought for an approved PAMLA special session panel on Shakespeare's Roman plays Julius Caesar, Antony and Cleopatra, Coriolanus, Titus Andronicus, and Cymbeline. The playwright's representation of Roman history and characteristics is of particular interest, but other classical concentrations may work well. Since the conference theme is "Migration, Immigration, and Movement," papers that address this broad topic would be appreciated.

The conference will take place at Seattle University, Washington from October 19-21, 2012.

Submission Deadline: Saturday March 31, 2012.

Call for Contributions to the special issue of _Anglistica_ on "Writing Exile: Women, the Arts, and Technologies"

updated: 
Thursday, January 12, 2012 - 4:51pm
_Anglistica A.I.O.N._, An Interdisciplinary Journal issued by the University of Naples, "L'Orientale"

Submissions are invited for publication in "Writing Exile: Women, The Arts, and Technologies" edited by Wanda Balzano (balzanow@wfu.edu) and Silvana Carotenuto (silcarot@tiscali.it). The issue will explore 'exile' as experienced by contemporary female artists working in different media. The critical focus of this special issue is placed on the practices of creative writing, photography, video art, and on the recent web 2-0 platforms on internet.

The London-Irish in the Long Eighteenth Century (1680-1830)

updated: 
Thursday, January 12, 2012 - 11:40am
David O'Shaughnessy / University of Warwick

The Irish became an intrinsic part of the London population through the course of the eighteenth century. Whether Catholic and Protestant, professional or plebeian, London provided opportunities for waves of Irish migrants. Irish migrants can of course be found throughout Britain (and Europe) at this time but London offered a burgeoning world capital that embraced all tiers of Irish society. The Irish, from both sides of the religious divide, could be found almost anywhere in London: in its kitchens, drawing rooms, legal chambers, banking houses, theatres, newspaper offices, and courts.

PAMLA Special Topics Session "The Orient in the Hispanic Wor(l)d" (19-21 Oct 2012, Seattle)

updated: 
Thursday, January 12, 2012 - 8:56am
Alejandro Lee / Central Washington University

This panel seeks to explore the cultural intersections of the Orient in
the Hispanic world in literary, historical and/or visual texts. We
welcome papers that examine these cultural crossroads in a variety of forms including, but not limited to, Asian Hispanic identities,
(mis)representations, art, film, and theater.

Please submit your proposal online at http://www.pamla.org by 31 March 2012.

[EXTENDED DEADLINE] General Call for papers Popular Culture - Niagara Falls May 10-12, 2012

updated: 
Wednesday, January 11, 2012 - 9:36pm
Popular Culture Association of Canada

The 2nd Annual Conference of the Popular Culture Association of Canada will be held at the Sheraton on the Falls Hotel, Niagara Falls, Ontario, Canada.

We invite proposals for papers and/or panels on theories of popular culture, research methods in popular culture, the teaching of popular culture, and any epiphenomena of popular culture, past or present.

Our broad definition of popular culture encompasses communicative texts, practices and experiences, mediated and unmediated, contemporary and historical, Canadian and non-Canadian (including the local and the global).

[UPDATE] CFP | Emerging Scholars in Performance Studies

updated: 
Wednesday, January 11, 2012 - 2:11pm
ATHE Performance Studies Focus Group

Call for Papers: PSFG/ATHE 2012 Emerging Scholars Panel

The Performance Studies Focus Group (PSFG) at the Association of Theater in Higher Education (ATHE) conference invites submissions of papers for its Emerging Scholars' Panel. The theme of the conference is Performance as/is Civic Engagement: Advocate, Collaborate, Educate, and it will take place at the Hyatt Regency Capitol Hill in Washington, D.C., August 2-5, 2012.

Laugh so you don't cry? Contemporary Encounters of the Tragic and the Comic

updated: 
Wednesday, January 11, 2012 - 8:25am
Department of Germanic and Romance Studies University of Delhi

Tragedy and Comedy, the two classical literary forms, on the one hand continue to capture the imagination of readers and audiences across the world even today, and on the other, have generated a lot of critical debates around them. From Aristotle's classical distinction between tragedy as a higher form and comedy as an ugly, distorted, and lowly one, not to be taken seriously, to Nietzsche's notion of tragedy, and call for its rebirth, as a joyous affirmation of life against the terror and absurdity of existence and then to Milan Kundera's assertion that "the art of the novel came into the world as an echo of God's laughter," our notions of the tragic and the comic have certainly undergone a dramatic shift.

Shakespeare and Performance [Update: January 31, 2012]

updated: 
Wednesday, January 11, 2012 - 12:59am
Early Modern Studies Journal (EMSJ) formally Early English Studies (EES)

The 2012 volume will focus on "Shakespeare and Performance." We are interested in articles that consider any aspect of performance in historical or contemporary productions of Shakespeare and his contemporary playwrights. The following list is of possible topics, but should not be considered exhaustive:



Asian American Theatre, ALA, May 24-27, 2012 (1/18/12)

updated: 
Tuesday, January 10, 2012 - 11:35pm
American Literature Association / Circle for Asian American Literary Studies

Asian American Theatre: "Hitherto Unheard and Unsung World"
American Literature Association, May 24-27, 2012
Abstracts and CVs due 1/18/12

[UPDATE] Enunciating the End: The Apocalypse, Textual Futures, and What Comes Next

updated: 
Tuesday, January 10, 2012 - 11:24pm
Concordia English Graduate Colloquium

Apocalyptic prophecies and futurist narratives have always had a special place in culture, from Y2K fervor to the periodically updated Rapture to the upcoming end of the Mayan calendar in December of 2012. In addition to the "real" end-of-the-world predictions, and perhaps in response to them, our literature and pop culture has spawned innumerable fictions of a future unaccounted for. This unknown future folds back upon our past through historical representations of colonialism's reconfiguration of territory, ownership, and identity. In the present, our cultural climate seems to speak to the end of the material world as we have come to understand it, as we transcend print-based media and move up into the digital media cloud.

Pages