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CFP: Drama Across the Curriculum and Beyond (3/15/07; 4/27/07-4/29/07)

updated: 
Saturday, January 20, 2007 - 1:25am
full name / name of organization: 
Desiree P Hamburger
contact email: 

Drama Across the Curriculum and Beyond
April 27-29, 2007

Call for Proposal
Deadline March 15, 2007

The forum seeks proposals investigation the relationship between drama
and learning across all curricular areas. The forum aims to address
the following questions:

• What research supports the potential of drama as a learning
medium?
• How does drama make connections across curricular content
areas?
• How does drama contribute to life long learning?
• What role does drama play in community agencies?

CFP: Hungarian Studies––Open Topic (3/1/07; RMMLA, 10/4/07–10/6/07)

updated: 
Saturday, January 20, 2007 - 1:24am
full name / name of organization: 
Susan Nyikos
contact email: 

Call for submissions to a special topics panel devoted to Hungarian Studies
at the Rocky Mountain MLA in Calgary, Alberta, Canada, October 4-6, 2007.
The topic for this panel is open and all and any critical approaches to
Hungarian themes are encouraged for 15-20 minutes long presentations. Some
possible themes but not restricted to:

-Hungarian film studies

-race and identity in Hungary before and after WWII

-the Hungarian Medieval thought in the European context

-Shakespeare on the Hungarian stage

-gender studies: history and context in post-Communism

-new directions in the Hungarian literary scene

-Hungarian studies and culture beyond the border

CFP: Romantic Shakespeare (3/1/07; MLA '07)

updated: 
Saturday, January 20, 2007 - 1:24am
full name / name of organization: 
dbrooks
contact email: 

CFP: Romantic Shakespeare. (3/1/07; MLA '07)

In conjunction with the theme of a future issue of the Shakespeare
Yearbook, "Romantic Shakespeare" the journal seeks abstracts for a
proposed Special Session at the 2007 Annual meeting of the MLA in
Chicago. Proposals are welcome that explore the editing or
interpretation of Shakespeare and early modern literature in the
Romantic period, as well as the impact of early modern literature on
the literary production of writers associated with the English
Romantic Movement.

UPDATE: British Queer Theatres (3/15/07; collection)

updated: 
Tuesday, January 16, 2007 - 10:19pm
full name / name of organization: 
DimpleGodiwala_at_aol.com
contact email: 

Alternatives Within the Mainstream II: Queer Theatre in Postwar Britain=20
Critics had been invited to write chapters for a critical study of=20
contemporary British post-war queer theatre. The focus is on bi, trans, gay=
, lesbian=20
identities as represented on the British stage. Keeping in mind that queer=20
identities are fluid and always in a state of flux, defying definitions and=
=20
binary oppositions, articles were invited which examine these identities as=
=20
represented in British drama since 1950.=20
A few of the topics which have been covered:=20
Lesbian theatre=20
Black lesbian theatre [Black in this anthology includes Asian]=20
Gay theatre=20

CFP: Harold Pinter (3/1/07; MLA '07)

updated: 
Tuesday, January 16, 2007 - 10:19pm
full name / name of organization: 
Hall, Ann C.
contact email: 

The Harold Pinter Society is seeking papers for its panel at the Modern
Language Association in 2007. The topic is an open one. Papers on any
aspect of Harold Pinter's diverse body of work, as well as his influence
and influences are welcome. Send a 100-word abstract with title,
preferred address, phone, and email to Ann C. Hall,
halla_at_ohiodominican.edu, by 3/1/07.

=20

Thank you.

=20

Ann C. Hall

Ohio Dominican University

1216 Sunbury Rd.

Columbus, OH 43219

614.251.4673

halla_at_ohiodominican.edu

CFP: Critical Essays on African American Pulitzer Prize Winning Literature (4/30/07; collection)

updated: 
Saturday, January 6, 2007 - 10:59pm
full name / name of organization: 
Yolanda W. Page
contact email: 

Papers are solicited for a collection of critical essays tentatively titled: Crowned with Laurel: Critical Essays on African American Pulitzer Prize Wining Literature . This collection of essays will examine eleven works by African Americans that have won the country's most prestigious award. Those works are:
   
  1950: Poetry—Annie Allen by Gwendolyn Brooks
  1970: Drama—No Place to Be Somebody by Charles Gordone
  1978: Fiction—Elbow Room by James Alan McPherson
  1982: Drama—A Soldier's Play by Charles Fuller
  1983: Fiction—The Color Purple by Alice Walker
  1987: Fiction—Fences by August Wilson
  1987: Poetry—Thomas and Beulah by Rita Dove
  1988: Fiction—Beloved by Toni Morrison

CFP: Embodying Shakespeare (New Zealand) (9/1/07; 2/7/08-2/10/08)

updated: 
Saturday, January 6, 2007 - 10:58pm
full name / name of organization: 
Brett D. Hirsch

"EMBODYING SHAKESPEARE."
        Australian and New Zealand Shakespeare Association Conference
        7-10 February 2008
        University of Otago, Dunedin, New Zealand

Confirmed Speakers:
        Bruce Smith, University of Southern California
        Gail Kern Paster, Folger Shakespeare Library
        Dympna Callaghan, Syracuse University

CALL FOR PAPERS AND PANEL SESSIONS

CFP: Participations: Journal of Audience and Reception Studies New Issue and Call for Submissions (ongoing; journal)

updated: 
Saturday, December 16, 2006 - 1:16am
full name / name of organization: 
Judith Rosenbaum
contact email: 

Announcement & Call for submissions

A new, special issue of Participations: Journal of Audience and Reception
studies, a new journal which aims to provide an on-line, interdisciplinary forum
for the fields of audience and reception studies, is now available.

CFP: Drama Section (4/16/07; MMLA, 11/8/07-11/11/07)

updated: 
Saturday, December 16, 2006 - 1:15am
full name / name of organization: 
Hall, Ann C.
contact email: 

The Drama section of the Midwest Modern Language Association (MMLA) is
accepting papers on the following topic: =20

Displacing the Stage

This section welcomes essays on the Protean nature of theatre, the
definition of theatre, theatrical events outside of the traditional
theatre space, the use of history, current events, popular culture, and
technology in plays both now and in the past, theatre and political
activism, politics as theatre, theatre's future, and theatre's effects
on "the real" world. Send 50-word abstracts, contact information
(preferred email, address, and phone) to Ann C. Hall,
halla_at_ohiodominican by April 16, 2007. =20

CFP: Journeys Across Media 2007: 'See - Hear - Feel' (grad) (UK) (1/26/07; 4/20/07)

updated: 
Saturday, December 16, 2006 - 1:15am
full name / name of organization: 
e.nedelkopoulou_at_reading.ac.uk

Plain text version below:

 

APOLOGIES FOR CROSS POSTING

 

Journeys Across Media 2007

 

See - Hear - Feel:

Perception & Engagement in Visual Media & Performance

 

20 April 2007

Department of Film, Theatre & Television - University of Reading Supported
by the Standing Conference of University Drama Departments (SCUDD) and the
Graduate School in Arts and Humanities, University of Reading.

 

 

 

CFP: Bodies in Motion, Languages in Motion: An Interdisciplinary Forum (1/31/07; 3/30/07-3/31/07)

updated: 
Saturday, December 16, 2006 - 1:15am
full name / name of organization: 
Sylvie Ndome Ngilla
contact email: 

CFP: Bodies in Motion, Languages in Motion: An Interdisciplinary Forum
(03/30/07-03/31/07)

Call For Papers
11th Annual Graduate Symposium in Romance Studies
Friday, March 30 & Saturday, March 31, 2007

Bodies in Motion, Languages in Motion:
An Interdisciplinary Forum

A graduate symposium co-sponsored by the Department of French & Italian and
the Department of Spanish & Portuguese at the University of Minnesota-Twin
Cities.

CFP: The Upstart Crow: Shakespeare and the American South (2/1/07; journal issue)

updated: 
Tuesday, December 12, 2006 - 12:53am
full name / name of organization: 
rivlin_at_CLEMSON.EDU
contact email: 

THE UPSTART CROW: A SHAKESPEARE JOURNAL

Call for Papers: "SHAKESPEARE AND THE AMERICAN SOUTH"

The Upstart Crow is currently accepting submissions for a theme-based
issue on "Shakespeare and the American South." We are also interested in
receiving manuscripts that consider the reception, representation, or
adaptation of Shakespeare in any part of the United States from the
seventeenth century to the present.

Submissions that address any aspect of Shakespeare's work, and performance
reviews of Shakespeare theater productions and festivals, will also be
considered.

Deadline for priority reading of submissions: February 1, 2007.

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