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"Performing the Fantastic" - special issue (submission deadline 1 August 2012)

updated: 
Monday, December 5, 2011 - 1:25pm
Journal of the Fantastic in the Arts

The Journal of the Fantastic in the Arts (JFA) is inviting contributions for a special issue on "Performing the Fantastic." Performance in this context encompasses any of the performing arts, broadly defined, such as theatre, music, dance, magic, and/or ritual. Articles between 5,000–9,000 words might address, but are by no means limited to, the following:

[UPDATE] - CFP – So What?: Exploring the Implications of Humanities Studies in the 21st Century (DEADLINE EXTENDED - 12/15)

updated: 
Monday, December 5, 2011 - 9:21am
North Carolina State University (NCSU) Association of English Graduate Students

Call For Papers – "So What?: Exploring the Importance and Implications of Humanities Studies in the 21st Century"

Third Annual Graduate Student Conference

The Association of English Graduate Students at North Carolina State University is pleased to announce the call for papers for our third annual graduate student conference, which will be held February 24-25, 2012 in Raleigh, NC.

In this conference, we wish presenters and participants to examine and explore the continued need for humanities studies, and the place of humanities studies in societies that increasingly value technological advances in communication.

CFP: Emerging Scholars in Performance Studies

updated: 
Monday, December 5, 2011 - 9:09am
Association of Theater in Higher Education

Call for Papers: PSFG/ATHE 2012 Emerging Scholars Panel

The Performance Studies Focus Group (PSFG) at the Association of Theater in Higher Education (ATHE) conference invites submissions of papers for its Emerging Scholars' Panel. The theme of the conference is "Performance as/is Civic Engagement: Advocate, Collaborate, Educate," and it will take place at the Hyatt Regency Capitol Hill in Washington, D.C., August 2-5, 2012.

CFP - Celebrity Studies Journal Inaugural Conference

updated: 
Monday, December 5, 2011 - 3:54am
James Bennett and Sean Redmon

Inaugural Celebrity Studies Conference – CFP

When: December 12-14th, 2012

Where: Deakin University, Melbourne, Australia

Deadline for abstracts and panels: March 5th 2012 (individual papers: 500words, +50 word bio; and for 3x person panels: panel title, lead/contact person; 3x 500 word abstracts, plus 3x individual 50 word biographies)

Successful abstracts notified by: 6th April

Enquiries/abstractsto: celebritystudies@gmail.com

Conference Website: www.deakin.edu.au/arts-ed/scca/events/celebrity/

Violence in Theory and Practice (March 16-18th, 2012)

updated: 
Sunday, December 4, 2011 - 7:42pm
University of Ottawa English Dept. - Graduate Students' Association

VIOLENCE
In Theory and Practice
March 16-18, 2012

The Seventh Annual University of Ottawa English Graduate Conference

"Violence commands both literature and life, and violence is often crude and distorted."
– Ellen Glasgow

Violence is an ever-present phenomenon in literary texts. From Homer's graphic descriptions of infantry combat in the Iliad, to Wilfred Owen's haunting portrayal of the war-torn fields of Europe, to Edith Wharton's subtle critique of Old New York as a place of ruthless social warfare, representations of violence powerfully call our attention to questions of authority, agency and power.

Religion and Theatre Emerging Scholars Panel 2012

updated: 
Saturday, December 3, 2011 - 11:08am
Association of Theatre in Higher Education - Religion and Theatre Focus Group

Call ForPapers
Emerging Scholars Panel 2012 - Religion and Theatre Focus Group
The Association for Theatre in Higher Education (ATHE) 2012 Conference
Washington, DC, August 2-5, 2012
Hyatt Regency Capitol Hill
"Performance as/is Civic Engagement: Advocate, Collaborate, Educate"

The Religion and Theatre Focus Group is invested in assisting scholars who work with the intersection of theatre/performance practice with religion/spirituality. How have theatre and performance coincided with religiously motivated innovation? What are the religious or spiritual components of theatrical, artistic, cultural, political, linguistic, or economical innovation, and what are their performative counterparts?

[UPDATE] Extended Submission Deadline - 2012 CATR Conference

updated: 
Friday, December 2, 2011 - 4:16pm
Canadian Association for Theatre Research

CATR Conference 2012, Wilfrid Laurier University and the University of Waterloo, Waterloo, Ontario
(La version française suit la version anglaise.)

CATR/ACRT has extended the closing date for 2012 Open Paper Proposals
until Dec. 15, 2011.

Please remember that applying to present an open research paper does
not limit your application to and participation in other seminars
and/or roundtables. You are encouraged to apply to as many sessions as
you'd like to participate in.

European Cinema - ECRF Annual Conference (07/16-12 - 07/18/12; 02/28/12)

updated: 
Friday, December 2, 2011 - 1:29pm
European Cinema Research Forum (ECRF)

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* * * CALL FOR PAPERS * * *

Adaptation, Authorship & Ownership

2012 ECRF ANNUAL CONFERENCE

Edge Hill University, UK
16 July – 18 July 2012

The European Cinema Research Forum (ECRF)** invites proposals for its 12th annual international conference.

This focus of this year's ECRF conference is 'Adaptation, Authorship and Ownership'. Presenters are invited to explore any aspect of these areas, in relation to European film and European film cultures. Contributions from the realms of practice and theory are equally welcome!

Each year the ECRF publishes a Special Issue of the peer reviewed journal Studies in European Cinema (Intellect), drawn from the ECRF annual conference.

"'The Plains' as a Unique Place in Literature"; MAASA Conference; Tulsa, OK; April 1-3, 2012

updated: 
Friday, December 2, 2011 - 12:31pm
Brian Brooks / Northeastern State University, Broken Arrow

Tracy Letts' Pulitzer Prize-winning play August: Osage County depicts an Oklahoma family dealing with the hardships of death, discord, substance abuse, and other problems while confined by "the Plains." Letts sets the play in a claustrophobic space, a house with the windows covered, to make a statement about life on the plains. His study about family requires the audience to evaluate whether or not the Plains is a distinct place, or if the concerns are of larger import.

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