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CFP: Shakespeare Bulletin (no deadline; journal)

updated: 
Saturday, October 29, 2005 - 6:49pm
full name / name of organization: 
Shakespeare Bulletin
contact email: 

CALL FOR SUBMISSIONS
Shakespeare Bulletin, a peer-reviewed journal for the study of
Shakespeare in performance, is pleased to announce that as of Spring
2006 it will be published by the Johns Hopkins University Press. The
editors invite submissions on a wide variety of performance-related
topics. Theatre and book reviews are assigned; articles may be submitted
electronically to the general editor. Inquiries may be made to any one
of the editors: Andrew Hartley (General Editor) sbeditor_at_email.uncc.edu;
Jeremy Lopez (Theatre Review Editor) jeremy.lopez_at_utoronto.ca; Kirk
Melnikoff (Film Editor) kbmelnik_at_email.uncc.edu; Genevieve Love (Book
Review Editor) glove_at_coloradocollege.edu.

CFP: Technology, Performance and Identity (UK) (1/30/06; 4/28/06)

updated: 
Saturday, October 29, 2005 - 6:49pm
full name / name of organization: 
Greg Singh
contact email: 

Technology, Performance & Identity:
Mediation, Remediation and the Politics of Self
A multidisciplinary conference

Buckinghamshire Chilterns University College, UK
Department of Arts and Media 8th annual conference
Friday 28th April 2006

Keynote Speaker: Tanya Krzywinska
co-editor of ScreenPlay: cinema/videogames/interfaces
& co-author of Tomb Raiders and Space Invaders

UPDATE: Emerging Scholarship Panel from the Music Theatre/Dance Focus Group (12/1/05; ATHE, 8/3/06-8/6/06)

updated: 
Monday, October 24, 2005 - 4:12am
full name / name of organization: 
Korey Rothman
contact email: 

PLEASE NOTE THE EXTENDED DEADLINE!

The Music Theatre/Dance Focus Group of The Association for Theatre in =
Higher Education (ATHE) announces its call for papers for the Third =
Annual Emerging Scholarship Panel for the 2006 ATHE conference in =
Chicago. Papers can address any area in the purview of the Music =
Theatre/Dance Focus group, which includes opera, operettas, musicals, =
dance theatre, performance art with music or dance elements, and =
pedagogy in music theatre and dance. Submissions are open to graduate =
students and scholars who have not presented at a national conference, =
as well as established scholars who have not presented or published in =
the areas of Music Theatre or Dance.=20

CFP: Intersections: Literature, Rhetoric, Theory and Creative Writing (grad) (12/1/05; 3/3/06-3/4/06)

updated: 
Monday, October 24, 2005 - 3:09am
full name / name of organization: 
John Miles
contact email: 

=93Intersections: Literature, Rhetoric, Theory and Creative Writing=94=20

The Southwest Symposium: A Graduate Student Conference at the =
University of New Mexico March 3 and 4

=20

Featuring Keynote Speaker Gerald Vizenor (UNM professor and acclaimed =
author of such works as Manifest Manners, Trickster of Liberty, and =
Griever: An American Monkey King in China) on Friday, March 3rd.

With Special Guest Jack Loeffler (author of Adventures With Ed: A =
Portrait of Abbey) on Saturday, March 4th.

                                                                         =
                          =20

CFP: Women and Performance in the 18th C. (11/15/05; 3/3/06)

updated: 
Wednesday, October 5, 2005 - 3:02pm
full name / name of organization: 
engell784_at_duq.edu
contact email: 

We invite proposals for papers related to the theme of women and
performance in the Eighteenth Century (1660-1830) for a one-day conference
sponsored by the English Department/Theatre Arts Program at Duquesne
University, Pittsburgh, Pennsylvania. Some suggested topics include: women
in the eighteenth-century theatre (female playwrights, actresses, singers,
dancers, musicians, women in theatre management, female theatre critics),
"performing" women in Restoration and/or eighteenth-century plays, novels,
novellas, poetry, diaries, letters, essays, and/or theoretical issues
related to women and performance, performance and the female body, female

CFP: Theatre History Focus Group (11/1/05; ATHE, 8/3/06-8/6/06)

updated: 
Friday, September 30, 2005 - 4:32pm
full name / name of organization: 
Bruce Kirle
contact email: 

The Theatre History Focus Group (THFG) invites proposals for panels, roundtable discussions, papers, and alternative session formats for the annual meeting of the Association for Theatre in Higher Education (ATHE), which will be held at the Palmer House Hilton in Chicago from August 3-6, 2006. The conference theme is "ATHE at 20: Theatrical Milestones, Past Legacies, Present Possibilities, and Future Strategies." The deadline for submissions is November 1, 2005.
 

CFP: Emerging Scholarship Panel from the Music Theatre/Dance Focus Group (10/15/05; ATHE, 8/3/06/-8/6/06)

updated: 
Monday, September 26, 2005 - 9:35pm
full name / name of organization: 
Korey Rothman
contact email: 

The Music Theatre/Dance Focus Group of The Association for Theatre in =
Higher Education (ATHE) announces its call for papers for the Third =
Annual Emerging Scholarship Panel for the 2006 ATHE conference in =
Chicago. Papers can address any area in the purview of the Music =
Theatre/Dance Focus group, which includes opera, operettas, musicals, =
dance theatre, performance art with music or dance elements, and =
pedagogy in music theatre and dance. Submissions are open to graduate =
students and scholars who have not presented at a national conference, =
as well as established scholars who have not presented or published in =
the areas of Music Theatre or Dance.=20

UPDATE: Medieval Drama and Vernacular Theology at Kalamazoo (9/26/05; Kalamazoo, 5/4/06-5/7/06)

updated: 
Wednesday, September 21, 2005 - 3:42pm
full name / name of organization: 
David Lavinsky
contact email: 

CFP: Two Sponsored Sessions for the 41st International
Congress in Medieval Studies at Kalamazoo, 4-7 May
2006.

DEADLINE EXTENDED!

The Medieval and Early Modern Studies Program at the
University of Michigan, Ann Arbor, invites
interdisciplinary, comparative, and global
perspectives on English drama and vernacular theology
in the Middle Ages.

1. New Approaches to Medieval English Drama:
Performing the Religious Other

Possible topics might include but are not limited to:

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