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CFP: Participations: Audience and Reception Studies (journal)

updated: 
Monday, June 14, 2004 - 2:44am
full name / name of organization: 
J.Rosenbaum
contact email: 

Participations: new issue and call for submissions

Announcement & Call for submissions

The second issue of Participations: Journal of Audience and Reception
studies, a new journal which aims to provide an on-line, interdisciplinary
forum for the fields of audience and reception studies has just come out.

UPDATE: Encyclopedia of Modern Drama: England, Scotland, Wales, 1940-2004 (8/31/04; book)

updated: 
Monday, June 14, 2004 - 2:44am
full name / name of organization: 
Kerry Moore
contact email: 

UPDATE:

An Invitation to Students and Scholars of the British
Theatre from Kerry Moore, Editorial Advisor

Grolier is in the midst of producing the publication
of the Encyclopedia of Modern Drama, edited by
Gabrielle H. Cody and Evert Sprinchorn of Vassar
College. This four-volume set will offer a total of
one million words on a variety of topics ranging from
Ibsen to the present, and the target audience consists
of college students, high school students and general
readers. Following is an elaboration from the general
editors:

CFP: Twelfth Night (8/15/04; essay collection)

updated: 
Monday, June 14, 2004 - 2:44am
full name / name of organization: 
james Schiffer
contact email: 

This is a call for brief proposals or abstracts (200 to 300 words maximum)
for a collection of new essays on Twelfth Night, now under contract with
Routledge.

All approaches are welcome (New Critical to New Historicist, feminist to
materialist, queer theory to psychoanalytic, performance to reception
history, etc.), as are proposals from scholars in Germany, China, Japan,
and elsewhere who might wish to write about the reception of the play in
these or other non-English speaking countries. Ideas for including black
and white illustrations are also desirable.

The deadline for proposals is August 15, 2004. If your proposal is
accepted, the deadline for the completed essay will be June 2006.

CFP: Oratory and Performance in 19th Century America (7/1/04 & 9/1/04; collection)

updated: 
Monday, June 7, 2004 - 4:37am
full name / name of organization: 
Rhyne, Jeffrey Miller
contact email: 

Call For Papers: Collection of Essays on Oratory and Performance in 19th
Century America

=20

"Performing America: Essays on 19th Century American Oratory"

=20

I am currently soliciting contributions for a collection of essays on
performance in nineteenth-century American oratorical cultures.
Specifically, I am seeking approaches from a variety of disciplines,
including American Studies, Classics, Communications, English, History,
Performance Studies, Rhetoric, or interdisciplinary approaches to the
relation of performance of performativity to theories, practices, or
individuals involved in nineteenth-century American oratory.

=20

UPDATE: Encyclopedia of Modern Drama (8/28/04; book)

updated: 
Friday, May 21, 2004 - 3:54am
full name / name of organization: 
Kerry Moore
contact email: 

An Invitation to Students and Scholars of the British
Theatre from Kerry Moore, Editorial Advisor

Grolier is in the midst of producing the publication
of the ENCYCLOPEDIA OF MODERN DRAMA, edited by
Gabrielle H. Cody and Evert Sprinchorn of Vassar
College. This four-volume set will offer a total of
one million words on a variety of topics ranging from
Ibsen to the present, and the target audience consists
of college students, high school students and general
readers. Following is an elaboration from the general
editors:

CFP: All's Well that Ends Well (6/30/04; collection)

updated: 
Thursday, May 20, 2004 - 4:52am
full name / name of organization: 
Waller, Gary
contact email: 

CFP: All's Well that ends Well (June 30/04; abstracts or proposals for a
volume of essays in major series)

May 14 2004

I am looking for proposals and abstracts (not full papers at this stage) for
consideration for an edited volume on Shakespeare's All's Well that Ends
Well. A session at the 2006 SAA meeting in Philadelphia will also be
proposed. Proposals and Abstracts can be fairly informal but preferable
should be about 500 words and should be sent by June 30, 2004. Deadline for
accepted proposals will be Summer 2005.

CFP: Macbeth (5/23/04; essay collection)

updated: 
Friday, May 14, 2004 - 5:23am
full name / name of organization: 
Nicholas R. Moschovakis
contact email: 

CFP: *Macbeth* (5/23; abstracts for proposed volume of essays in est. series)

11 May 2004

I am seeking abstracts to include in an initial proposal for an edited volume on *Macbeth.* Should my proposal be accepted, the book will constitute part of an established series of critical essays on individual works by Shakespeare, several of which have already been published and enjoy wide distribution. I have the backing of the general editor of the series for this proposal. The deadline for submission of abstracts is 23 May.

CFP: New England Theatre Journal 2004: Book Reviewers (no deadline noted; journal)

updated: 
Monday, March 29, 2004 - 6:27am
full name / name of organization: 
Netjbookreviews_at_aol.com
contact email: 

CALL FOR BOOK REVIEWERS=20
         =20
for the=20

NEW ENGLAND THEATRE JOURNAL=20

The New England Theatre Journal seeks book reviewers for its 2004 issue. NETJ=20
prints two types of reviews: Full reviews (1000 words) and Briefly Noted=20
(175-200 words each). Following are listed books available for either type of=20
review and, a few that are offered only for Brief Notice.=20

If you are interested in reviewing one of these titles, please e-mail cover=20
and brief resume/bio and your snail-mail address to Alycia Smith-Howard, Book=20
Reviews Editor or Greta Heintzelman, Assistant Book Reviews Editor at:=20
netjbookreviews_at_aol.com

CFP: Renaissance Drama in Performance (5/31/04; journal)

updated: 
Thursday, March 4, 2004 - 6:59am
full name / name of organization: 
sbeditor
contact email: 

Shakespeare Bulletin, the newly refashioned journal of performance criticism
and scholarship, is seeking articles of 3,000-7,500 words on all aspects of
Renaissance drama on stage. Essays should show awareness of current
theoretical debate on matters of performance and should not, ideally, be
simply readings of productions, except in so far as the arguments presented
point beyond the given production. Articles may be historicist or
contemporary. Please send queries to Andrew Hartley at sbeditor_at_westga.edu, to
whom papers should also be sent as WORD attachments.

end

Editor
Shakespeare Bulletin
English Dept.
University of West Georgia
Carrollton, GA 30118

CFP: Postcolonial Theatre in Britain (3/15/04; collection)

updated: 
Wednesday, March 3, 2004 - 1:37am
full name / name of organization: 
DimpleGodiwala_at_aol.com
contact email: 

 POSTCOLONIAL THEATRE/ DRAMA IN BRITAIN(Call for chapters; book; 15 March
2004)

Breaking the Bounds II: Postcolonial British Stages
Post war it was class which broke the bounds of the British stage; in the 60s
and after it was gender. Increasingly it is the theatre of the Other which is
seen as interesting. This critical anthology aims to publish essays on
postcolonial theatre in Britain. Essays are invited which critically analyze and
evaluate twentieth century British Black and Asian drama. Abstracts of 500 words
and a short biography of the author are invited by 15 March 2004. Abstracts by
email only. Please do not send attachments.

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