Subscribe to theatre

theatre

CFP: Josephine Preston Peabody and Amy Lowell (1/12/06; SSAWW, 11/8/06-11/11/06)

updated: 
Wednesday, April 27, 2005 - 3:00pm
Susan M. Stone

Turning the Century: Josephine Preston Peabody and Amy Lowell

Papers are invited for a panel at the 2006 Society for the Study of
American Women Writers Meeting. These essays should explore the plays,
criticism, or poetry of either or both authors, focusing on anti-war
sentiment, women's rights, social activism, lesbianism, imagism,
environmentalism, "Boston Marriages," etc. Submissions might also
examine their friendship, letters, and/or mutual mentoring. Please send
abstracts to Susan Stone, Loras College, (Susan.Stone_at_loras.edu), by
January 12th, 2006.

UPDATE: _Hedwig and the Angry Inch_ (5/9/05; collection)

updated: 
Wednesday, April 27, 2005 - 2:58pm
cozment_at_uark.edu

UPDATE: Deadline for abstracts extended to May 9, 2005.

We invite contributions for a projected essay collection on John Cameron Mitchell and Stephen Trask's rock opera _Hedwig and the Angry Inch_ (Hedwig). We welcome scholarly essays from different fields (literature, film, cultural studies, religious studies, classics, anthropology, biology, educational psychology, speech communication/rhetoric, and others) engaging with _Hedwig_ in a variety of cultural contexts. Topics might include but are not limited to:

UPDATE: Macbeth: New Critical Essays (5/31/05; collection)

updated: 
Wednesday, April 20, 2005 - 1:19pm
Nicholas Moschovakis

Up to five complete essays are currently sought by the editor of *Macbeth: New
Critical Essays,* an essay collection that is now under contract as a
forthcoming installment in Routledge's widely distributed Shakespeare Criticism
Series. Only previously unpublished essays are eligible for inclusion.
(However, essays that are included will be available for later republication.)

CFP: Queer Theatre in Britain (no deadline noted; collection)

updated: 
Thursday, April 14, 2005 - 9:26pm
DimpleGodiwala_at_aol.com

Alternatives Within the Mainstream II: Queer Theatre in Britain

Critics are invited to write chapters for a critical study of contemporary
British post-war queer theatre. The focus is on bi, trans, gay, lesbian
identities as represented on the British stage. Keeping in mind that queer
identities are fluid and always in a state of flux, defying definitions and
binary oppositions, articles are invited which examine these identities
as represented in British drama since 1950.

CFP: Music, Dance, and Drama in 18th C. London (4/4/05; collection)

updated: 
Tuesday, March 29, 2005 - 5:21pm
Kathryn Lowerre

Stages "Adorn'd with ev'ry Grace": Music, Dance, & Drama in London at
the beginning of the long eighteenth century

Scholars and performers working on topics related to the London theatre
world around the turn of the eighteenth century are invited to submit
essays for publication in an interdisciplinary essay collection, which
will engage and develop many of the same themes as the Florida State
University conference "John Eccles and His Contemporaries: Theatre &
Music in London, circa 1700" held in Tallahassee from February 24-27,
2005.

CFP: British Black & Asian Theatre (no deadline noted; collection)

updated: 
Wednesday, March 16, 2005 - 2:47am
DimpleGodiwala_at_aol.com

Call for Articles: British Black and Asian Theatre (book)
Critics are invited to write articles on any of the following topics in the
field of British Black and Asian Theatre. (By Asian is meant broadly the
Indian subcontinent).

Close textual and performative readings of:
=B7 The plays of Sol B River
=B7 Dona Daley
=B7 Debbie Tucker Green
=B7 Or any British Black dramatist
=B7 Any British-Asian male dramatist (women writers have been covered)

CFP: Shakespeare and the Reformation (3/15/05; MLA '05 and journal issue)

updated: 
Sunday, February 20, 2005 - 7:12pm
Douglas Brooks

In conjunction with the theme of a future issue of the Shakespeare
Yearbook, "Shakespeare and the Reformation" (co-edited with Glyn
Parry), the journal will sponsor a special session at the upcoming
Annual Meeting of the MLA (Washington, D.C., December 27-30, 2004).

For both the MLA Session and the concomitant issue of the Shakespeare
Yearbook we welcome proposals for papers that explore the ways in
which Shakespeare's plays and poems engage with the spiritual and
temporal consequences of religious change in Elizabethan and Jacobean
England.

Pages