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CFP: Renaissance Drama in Performance (5/31/04; journal)

updated: 
Thursday, March 4, 2004 - 6:59am
full name / name of organization: 
sbeditor
contact email: 

Shakespeare Bulletin, the newly refashioned journal of performance criticism
and scholarship, is seeking articles of 3,000-7,500 words on all aspects of
Renaissance drama on stage. Essays should show awareness of current
theoretical debate on matters of performance and should not, ideally, be
simply readings of productions, except in so far as the arguments presented
point beyond the given production. Articles may be historicist or
contemporary. Please send queries to Andrew Hartley at sbeditor_at_westga.edu, to
whom papers should also be sent as WORD attachments.

end

Editor
Shakespeare Bulletin
English Dept.
University of West Georgia
Carrollton, GA 30118

CFP: Postcolonial Theatre in Britain (3/15/04; collection)

updated: 
Wednesday, March 3, 2004 - 1:37am
full name / name of organization: 
DimpleGodiwala_at_aol.com
contact email: 

 POSTCOLONIAL THEATRE/ DRAMA IN BRITAIN(Call for chapters; book; 15 March
2004)

Breaking the Bounds II: Postcolonial British Stages
Post war it was class which broke the bounds of the British stage; in the 60s
and after it was gender. Increasingly it is the theatre of the Other which is
seen as interesting. This critical anthology aims to publish essays on
postcolonial theatre in Britain. Essays are invited which critically analyze and
evaluate twentieth century British Black and Asian drama. Abstracts of 500 words
and a short biography of the author are invited by 15 March 2004. Abstracts by
email only. Please do not send attachments.

CFP: Orson Welles and the Filming of Shakespeare (8/30/04; journal issue)

updated: 
Monday, February 23, 2004 - 3:18am
full name / name of organization: 
Melnikoff, Kirk
contact email: 

Shakespeare Bulletin
A Journal of Performance Criticism and Scholarship
University of West Georgia

CALL FOR PAPERS

"Orson Welles and the Filming of Shakespeare"

Shakespeare Bulletin is seeking essays for a special edition of the
Shakespeare on Film Newsletter (which is published as part of SB) dedicated
to Orson Welles and Shakespeare. Essays can be on any aspect of Welles'
filmic work with Shakespeare.

CFP: Performance in the Long 18th Century: Theatre, Music, Dance (book series)

updated: 
Monday, February 23, 2004 - 3:18am
full name / name of organization: 
Erika Gaffney
contact email: 

Announcing a new series from Ashgate Publishing Company

Studies in Performance in the Long Eighteenth Century: Theatre, Music, Dance

Series Editors: Jane Milling, University of Exeter and Kathryn Lowerre,
Michigan State University

Focusing on performance culture during the long eighteenth century, this
series offers studies in all types of cultural performance including
theatre, opera, dance, musical performance, and popular entertainments. It
is a forum for interdisciplinary work, drawing the debates of historians and
musicologists as well as literary, dance, theatre and opera scholars into a
creative symbiosis.

CFP: Samuel Beckett's Endgame (12/1/04; collection)

updated: 
Wednesday, January 21, 2004 - 6:46am
full name / name of organization: 
Mark Byron
contact email: 

_Samuel Beckett's Endgame_, ed. Mark S. Byron, Dialogue 1 (Amsterdam and
Atlanta: Rodopi Press). This book of essays is the first volume in a new
series announced by Rodopi Press under the general editorship of Michael
J. Meyer. This volume will offer new and experienced scholars the
opportunity to present alternative readings and approaches to Samuel
Beckett's _Endgame_. The goal of the collection is to establish a
dialogue between essays by younger scholars (MA, ABD, six years or less
from the PhD, Lecturer, Assistant Professor or equivalent) and by
established or expert scholars (Associate Professor, Professor or
equivalent, and who have published monographs and articles in leading

CFP: Performing Culture (3/1/04; journal issue)

updated: 
Friday, November 21, 2003 - 2:52am
full name / name of organization: 
mmunson
contact email: 

Florida Atlantic Comparative Studies is currently accepting submissions for
its upcoming issue focused on the topic of "Performing Culture." Although
papers using comparative methodologies are of particular interest, all
methodologies and approaches are welcomed. Possible topics and/or approaches
might include: semiotics, film theory, drama theory and performativity, dance,
visuality, fashion, anthropology and the artifact, queer and gender theory,
psychoanalysis, ethnomusicology, architecture, and body art. All submissions
(two copies of the manuscript and a cover letter with contact information)
must be mailed by March 1, 2004; since FACS follows a "blind reading" policy,

CFP: Companion to 19th and 20th C. British Drama (no deadline; book)

updated: 
Thursday, November 20, 2003 - 6:03am
full name / name of organization: 
Jeff Soloway
contact email: 

> CFP: Companion to 19th and 20th C. British Drama (no dealine; book)
>
> Facts On File, a New York publisher of reference books for high school and
> college students, is seeking a scholar to write or edit a one-volume
> encyclopedia of 19th and 20th century British drama. This volume will be
> marketed with our Companion to American Drama, to be published this month.
> The ideal author will have a Ph.D., broad knowledge of the subject, and an

CFP: Image (a) Narrative: Performance Issue (12/1/03; e-journal issue)

updated: 
Sunday, November 16, 2003 - 12:46am
full name / name of organization: 
Karel Vanhaesebrouck

Image and Narrative is a peer-reviewed e-journal on visual narratology=20=

in the broadest sense of the term. Beside tackling theoretical issues,=20=

it is a platform for reviews of real world examples.

Call for Papers
Guest editor: Karel Vanhaesebrouck
karel.vanhaesebrouck_at_docent.ehb.be, RITS, Brussel
December 1st, 2003: proposals
April 15th, 2004: texts
Summer 2004: publication
Performance
Towards a theatrical narratology?
As Patrice Pavis indicated in his status questionis =91The state of=20
current theatre research=92 (published in Applied semiotics, may 1997)=20=

CFP: Hanif Kureishi (11/10/03; collection)

updated: 
Friday, October 17, 2003 - 5:02pm
full name / name of organization: 
Yousaf, Nahem
contact email: 

CALL FOR PAPERS

COLLECTION OF ESSAYS ON HANIF KUREISHI

Contributors are sought for a collection of original essays on Hanif
Kureishi's writing and filmmaking. The deadline for 500-word abstracts is
10th November 2003. It is intended that the volume should explore each of
the genres within which Kureishi works (novels, plays, screenplays, films,
short stories, essays and music criticism). I am particularly interested
in receiving contributions that take new approaches to his best-known
works and that explore facets of his oeuvre that have, as yet, received
little critical scrutiny.

CFP: Theatre Arts Journal: Studies in Scenography and Performance (2/29/04; journal)

updated: 
Thursday, October 2, 2003 - 6:00am
full name / name of organization: 
Irene Eynat-Confino
contact email: 

Call for Papers

Theatre Arts Journal: Studies in Scenography and Performance, published by
the Gordon Craig Society for Theatre Research and Tel-Aviv University, is a
semi-annual scholarly peer-reviewed journal, devoted to exploring current
issues in scenography in performing arts. The journal encourages original
scholarly research that examines the visual and audial aspects of
performance – stage, costume, lighting and sound design, theatre
architecture, masks, puppets, and movement as a sensorial element -- and
their contribution to the construction of meaning.

Theatre Arts Journal is pleased to announce the first call for papers in
the following subject areas:

CFP: Theatre and Globalization (10/31/03; journal issue)

updated: 
Friday, September 19, 2003 - 5:17pm
full name / name of organization: 
Jen Harvie

CALL FOR PAPERS:

Contemporary Theatre Review: Theatre and Globalization We are inviting
submission proposals for a special issue of Contemporary Theatre Review
(February 2005) on 'Theatre and Globalization'.

Globalization is transforming our world: compressing time and space,
challenging the power of the nation-state, juxtaposing and erasing
cultural differences, replacing geographical boundaries with the
weightless flows of global capital, giving new life to ancient forms of
cultural rivalry, bringing all areas of personal, social, and cultural
life within its awesome reach.

CFP: Sarah Kane (12/15/03; collection)

updated: 
Sunday, September 14, 2003 - 9:42pm
full name / name of organization: 
Laurens De Vos
contact email: 

CALL FOR PAPERS

=20

=20

VOLUME TITLE:=20

Pariahs of reason. Sarah Kane's torture chambers (provisional)

=20

VOLUME OUTLINE:

=20

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