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5th CISM Biennial Interdisciplinary Graduate Conference: Music and Crisis, April 14-15, 2012

updated: 
Friday, September 23, 2011 - 12:22am
Shari Sanders / Center for the Interdisciplinary Study of Music at the University of California, Santa Barbara

The UCSB Center for the Interdisciplinary Study of Music (CISM) seeks submissions for the 2012 Music and Crisis Graduate Conference to be held at the University of California, Santa Barbara.

As the concept of crisis lends itself to many definitions, this conference invites papers and presentations that explore crisis from perspectives that expand the boundaries of traditional music research. Accordingly, CISM welcomes participants from all disciplines to engage in a discussion that is not restricted to music specialists. In doing so, the Music and Crisis Conference seeks to aid the academic study of music by legitimizing its position as an important cultural practice in which all people participate.

Festivals and Faires

updated: 
Thursday, September 22, 2011 - 1:35pm
Popular Culture Association

The Festivals & Faires Area of the Popular Culture Association welcomes submissions for the 2012 PCA/ACA conference in Boston, MA (April 11-14, 2011) on any festival or faire—modern or historical. Scholars of theatre / theater, drama, performance studies, American studies, popular culture, religion, history, anthropology, folklore, English, theory, and non-western traditions are encouraged to apply. Since the conference is in Boston, MA, any papers relating to festivals and faires in the city or state are greatly appreciated. Other specific areas of interest for this year's panels include, but are not limited to:

[Update]: CFP - The Apocalypse in Literature and Film (October 1, 2011)

updated: 
Thursday, September 22, 2011 - 1:34pm
The journal _LIT: Literature Interpretation Theory_

Alien invasion, viral outbreak, nuclear holocaust, the rise of the machines, the flood, the second coming, the second ice age—these are just a few of the ways human beings have imagined their "end of days." And someone's Armageddon clock is always ticking—we just dodged Harold Camping's rapture on May 21st of this year, and the Mayan-predicted doomsday of 2012 is just around the corner. In the end, what do we reveal about ourselves when we dream of the apocalypse? What are the social and political functions of these narratives in any given historical period? How do different cultures imagine the apocalypse, and what do these differences reveal? What is particular to the narratological design and content of apocalyptic texts?

Minor Moderns in American Literature (Mardi Gras Conf. at LSU)

updated: 
Thursday, September 22, 2011 - 2:46am
EGSA Mardi Gras Conference at LSU

Even though critics have worked hard to expand and democratize the canon of modernist American literature, it is the major authors, major texts, and major characters who, predictably, continue to hog the scholarly attention. But their minor counterparts are important not only because they are significant cultural products of their era but also because they speak to us about the formation of the American literary canon in the twentieth century. This panel, which will meet as a special topics session at the 22nd annual English Graduate Student Association Mardi Gras Conference at Louisiana State University, interrogates the relation of the minor to the major in pre-WWII American literature.

[UPDATE] CFP Deadline Extension (New Date: September 30, 2011): Postgraduate Conference June 2012, Vienna

updated: 
Tuesday, September 20, 2011 - 5:41am
Pursuing the Trivial / University of Vienna/Austria

CFP: Deadline Extension – September 30, 2011.
The final date for the submission of abstracts has been extended to September 30, 2011.

Pursuing the Trivial - Investigations into Popular Culture.
A Postgraduate Conference with Invited Guest Speakers, University of Vienna, June 1-2 2012
"The everyday is what we cannot but aspire to, since it appears to us as lost to us."
Stanley Cavell, In Quest of the Ordinary

[UPDATE] The Third Asian Conference on Arts and Humanities in 2012

updated: 
Tuesday, September 20, 2011 - 2:30am
The International Academic Forum

The Third Asian Conference on Arts and Humanities in 2012 aims to build on the strengths and successes of the 2011 conference by offering a true celebration of interdisciplinary study in a stimulating scholarly environment, and in the wonderfully rich physical and cultural environment of Japan. This international conference will again bring together a number of university scholars working throughout Japan, Asia, and beyond to share ideas and forge working relationships with each other.

This year's conference's new theme is "Encounters and Exchanges", and the organizers hope for these topics to inspire and drive next year's event.

The deadline for abstracts/proposals is 01
December 2011.

AMERICAN LITERATURE: A proposed panel for the American
 Literature Association Conference, May 24-27, 2012 in San Francisco.

updated: 
Monday, September 19, 2011 - 2:50pm
Andy Dorsey

This panel will explore "experience" as a constructed form of knowledge in American literature. Papers
 may focus on one text, on works by one author, or on multiple writers. I am also interested in essays centering on experience in connection with American literary historiography. Of particular interest are analyses of scholarly traditions that privilege experience as an epistemological category—often in the service of arguments that foreground the distinctiveness and/or the exceptional quality of American culture. Essays may address any American literary period(s), genre(s), and/or themes. Papers may also compare constructions of experience in American literature with the literatures of other linguistic, national, and/or cultural groups.

Sandstar Review seeks unpublished prose for second issue

updated: 
Monday, September 19, 2011 - 10:29am
Sandstar Review

The Sandstar Review is an online literary magazine that seeks unpublished prose for its second issue. (Note: prose may include scripts.) Poetry is also accepted, but will be deferred to the third issue. Send up to 6 poems or 15 pages of prose; cover letter and bio appreciated. Simultaneous submissions accepted upon notification of publication elsewhere.

Send all work in one document (poetry or prose; no combined submissions) to sandstar.review@gmail.com. Further guidelines may be found here.

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