Subscribe to RSS - theatre

theatre

CFP: Textual Empires & Discursive Dissent: Reimagining Aesthetic Traditions in Race and Ethnicity Studies

updated: 
Monday, October 3, 2011 - 1:49pm
American Studies Association 2012 Annual Conference--San Juan, Puerto Rico

The horrors of empire have left an indelible mark on the geopolitical space of the circum-Atlantic world and hemispheric America. And the aesthetic expressions of this imperial site bear the traces of a past devastated by despotic and hegemonic rule. Deeply imbricated in the mutually-constitutive battles of conquest and resistance, the aesthetic traditions of this textual terrain reflect an ongoing struggle between Anglo "colonizers" and "others." Often, aesthetic expressions of the Other participate within otherwise legitimated and established forms—articulated with a difference.

[UPDATE] Come Together: Digital Collaboration in the Academy and Beyond - Extended Deadline

updated: 
Monday, October 3, 2011 - 12:47pm
Jennifer Hardwick & Ian Maness / Queen's University Department of English

Come Together: Digital Collaboration in the Academy and Beyond seeks to explore the relationship between digital technology and academic, activist and artistic collaborations. Our focus is on how these collaborations come into being, what challenges they present, and how they are reshaping both the academy and the world at large. While we welcome all papers on the topic of digital collaboration, we are especially interested in those that examine the ways in which technology enables work across disciplinary, geographic, cultural and/or other boundaries, those that identify and/or propose solutions to the barriers that still need to be overcome, and those that offer frameworks for innovative forms of digital collaboration.

CORRECTION TO PROPOSAL DEADLINE: ON EXILE AND ITS VARIATIONS, CEA-CC SPRING 2012 CONFERENCE

updated: 
Sunday, October 2, 2011 - 1:58pm
COLLEGE ENGLISH ASSOCIATION-CARIBBEAN CHAPTER (CEA-CC)

On Exile and Its Variations, CEA-CC Spring 2012 Conference: 23-24 March 2012, University of Puerto Rico at Arecibo

PLEASE NOTE: A CORRECTION HAS BEEN MADE TO THE CALL'S ABSTRACT DEADLINE: PROPOSALS DUE DECEMBER 12, 2011.

The College English Association—Caribbean Chapter, a gathering of scholar-teachers in English, welcomes proposals for presentations (20-minute papers) for our 2012 annual conference.

Horror Studies

updated: 
Sunday, October 2, 2011 - 10:44am
Steven Bruhm, Managing Editor, Horror Studies

Horror Studies serves the international academic community in the humanities and specifically those scholars interested in horror. Exclusively examining horror, this journal provides interested professionals with an opportunity to read outstanding scholarship from a variety of disciplinary perspectives, including work conceived as interdisciplinary. By expanding the conversation to include specialists concerned with diverse historical periods, varied geography, and a wide variety of expressive media, this journal will inform and stimulate anyone interested in a wider and deeper understanding of horror.

Shakespeare at the Opera

updated: 
Saturday, October 1, 2011 - 4:03pm
Joshua Cohen, Massachusetts College of Art and Design

Shakespeare at the Opera
The panel examines operatic adaptations of Shakespeare plays. How do Shakespearean operas serve as 'readings' that illuminate facets of the plays on which they are based? How do different treatments of Shakespeare shed light on the historical and cultural conditions that produced the operas? How can studying Shakespeare as opera function as a miniature historical lens om Shakespearean reception across the centuries? Send 300 to 500-word abstract to Josh.Cohen@massart.edu.
Deadline extended to: October 10, 2011
Please include with your abstract:
Name and Affiliation
Email address
Postal address
Telephone number

Shakespeare at the Opera

updated: 
Saturday, October 1, 2011 - 3:59pm
Joshua Cohen, Massachusetts College of Art and Design

Shakespeare at the Opera
The panel examines operatic adaptations of Shakespeare plays. How do Shakespearean operas serve as 'readings' that illuminate facets of the plays on which they are based? How do different treatments of Shakespeare shed light on the historical and cultural conditions that produced the operas? How can studying Shakespeare as opera function as a miniature historical lens om Shakespearean reception across the centuries? Send 300 to 500-word abstract to Josh.Cohen@massart.edu.
Please include information on any media technology you may
need.

SW/TX PCA/ACA--Myth and Fairy Tales Area, Feb 8-11, 2012

updated: 
Saturday, October 1, 2011 - 10:19am
Southwest/Texas Popular Culture/American Culture Association

Myth and Fairy Tale Call for Papers

Abstract/Proposals Due: 1 December 2011

Southwest/Texas Popular Culture & American Culture Association's 33rd Annual Conference
Albuquerque, NM February 8-11 2012
http://swtxpca.org/index.html

Panels now forming on topics related to all areas of myth and fairy tale and their connections to popular culture. To participate in this area, you do not need to present on both myths and fairy tales (one or the other is perfectly fine), but we have seen that bringing both genre categories into conversation has led to extremely valuable and stimulating conversations.

Dada/Surrealism special journal issue: '"Wonderful Things": Surrealism and Egypt'

updated: 
Saturday, October 1, 2011 - 9:17am
Patricia Allmer and Donna Roberts

Call for Contributors:
Dada/Surrealism (http://ir.uiowa.edu/dadasur/) special journal issue: "Wonderful Things" - Surrealism and Egypt

In November 1922 Howard Carter opened the tomb of Tutankhamun in Egypt's Valley of the Kings, the greatest archaeological discovery of the 20th century. This discovery triggered an enormous Egyptomanic craze in Europe and America, evident across architecture, the arts and popular culture. This special issue will mark the 90th anniversary of the discovery of Tutankhamun's tomb by evaluating Egypt's significant and diverse impact on surrealism.

Pages