This special session will take place at the 47th International Congress on Medieval Studies at Western Michigan University in Kalamazoo, Michigan (May 10-13, 2012).
CALL FOR PAPERS
The Long Reach of Antiquity
April 27-28, 2012
Prof. Leonard Barkan (Princeton University, Comparative Literature)
Prof. Joseph Farrell (University of Pennsylvania, Classics)
CFP: Deadline Extension – September 30, 2011.
The final date for the submission of abstracts has been extended to September 30, 2011.
Pursuing the Trivial - Investigations into Popular Culture.
A Postgraduate Conference with Invited Guest Speakers, University of Vienna, June 1-2 2012
"The everyday is what we cannot but aspire to, since it appears to us as lost to us."
Stanley Cavell, In Quest of the Ordinary
The Third Asian Conference on Arts and Humanities in 2012 aims to build on the strengths and successes of the 2011 conference by offering a true celebration of interdisciplinary study in a stimulating scholarly environment, and in the wonderfully rich physical and cultural environment of Japan. This international conference will again bring together a number of university scholars working throughout Japan, Asia, and beyond to share ideas and forge working relationships with each other.
This year's conference's new theme is "Encounters and Exchanges", and the organizers hope for these topics to inspire and drive next year's event.
The deadline for abstracts/proposals is 01
This panel will explore "experience" as a constructed form of knowledge in American literature. Papers may focus on one text, on works by one author, or on multiple writers. I am also interested in essays centering on experience in connection with American literary historiography. Of particular interest are analyses of scholarly traditions that privilege experience as an epistemological category—often in the service of arguments that foreground the distinctiveness and/or the exceptional quality of American culture. Essays may address any American literary period(s), genre(s), and/or themes. Papers may also compare constructions of experience in American literature with the literatures of other linguistic, national, and/or cultural groups.
The Sandstar Review is an online literary magazine that seeks unpublished prose for its second issue. (Note: prose may include scripts.) Poetry is also accepted, but will be deferred to the third issue. Send up to 6 poems or 15 pages of prose; cover letter and bio appreciated. Simultaneous submissions accepted upon notification of publication elsewhere.
Send all work in one document (poetry or prose; no combined submissions) to firstname.lastname@example.org. Further guidelines may be found here.
Major Minors: Neglected and New Issues in Literary Studies
The 22nd Annual Mardi Gras Conference at Louisiana State
LSU Student Union
February 16th & 17th, 2012
Keynote Address by Meredith McGill, Rutgers University
Desire: From Eros to Eroticism
Keynote Speakers: Peter Brooks &David Konstan
The students of the Department of Comparative Literature at the City University of New York Graduate Center present an interdisciplinary graduate student conference on November 10-11, 2011.
New York Institute of Technology's 8th Annual Interdisciplinary Conference:
March 2, 2012
NYIT's Manhattan Campus
16 W. 61st St. (12th Floor Auditorium)
The confirmed plenary speaker for this conference will be Marshall Berman, Distinguished Professor of Political Science, CUNY.
Bryan Waterman, Associate Professor of English at New York University, will give an introductory presentation for the conference.
Shakespeare in Performance
University of Maine at Farmington May 4-6 2012
Deadline for proposals: 31 January 2012
Shakespeare and performance in all its expressions, with a focus on the tragedies. This includes stage and screen adaptations, but we are also especially interested in papers and proposals for workshops, demonstrations, and non-traditional presentations on previously under-examined Shakespearean performance (musical scores, ballet, puppetry, street theater, digitization, hybridization, and so forth). Papers engaging the intertextualities of play, performance, and reception, source and script, and that are sensitive to the multiplicity of competing interpretations are also encouraged.