In keeping with HERA's mission of promoting the study of the humanities across a wide range of disciplines, we invite presentations exploring any form of artistic representation---literature, the visual arts, music, theatre, opera, dance, film, photography, architecture et al---from any world culture, using an interdisciplinary "crossroads" approach to enrich and deepen our understanding of these cultural artifacts and the societies that produced them. Presentations on interdisciplinary approaches to teaching the humanities are also welcome. Proposals for papers, panels, or workshops must be submitted through the conference web portal on the HERA website at
Major Minors: Neglected and New Issues in Literary Studies
The 22nd Annual Graduate Student Mardi Gras Conference
at Louisiana State University
LSU Student Union
February 16th & 17th, 2012
Keynote Address by Meredith L. McGill, Rutgers University
SETC Theatre Symposium Volume 21:
Ritual, Religion, and Theatre
The Abydos Passion Play. The Dionysian festivals. Yaqui deer dances. Maypole dances. Mystery plays and Noh drama. Theatre of Cruelty, Poor Theatre, Total Theatre. Whether or not theatre arose from ritual and/or religion, from prehistory to the present there have been intriguing connections among these types of human activities. The 2012 Southeastern Theatre Conference (SETC) Theatre Symposium will focus on the varied connections, intersections, appropriations, and clashes between ritual, religion, and theatre. Possible topics:
The Association of English Graduate Students at NC State is pleased to announce the call for papers for our third annual graduate student conference, which will be held February 24-25, 2012.
In this conference, we wish presenters and participants to examine and explore the continued need for humanities studies, and the place of humanities studies in societies that increasingly value technological advances in communication.
The horrors of empire have left an indelible mark on the geopolitical space of the circum-Atlantic world and hemispheric America. And the aesthetic expressions of this imperial site bear the traces of a past devastated by despotic and hegemonic rule. Deeply imbricated in the mutually-constitutive battles of conquest and resistance, the aesthetic traditions of this textual terrain reflect an ongoing struggle between Anglo "colonizers" and "others." Often, aesthetic expressions of the Other participate within otherwise legitimated and established forms—articulated with a difference.
Come Together: Digital Collaboration in the Academy and Beyond seeks to explore the relationship between digital technology and academic, activist and artistic collaborations. Our focus is on how these collaborations come into being, what challenges they present, and how they are reshaping both the academy and the world at large. While we welcome all papers on the topic of digital collaboration, we are especially interested in those that examine the ways in which technology enables work across disciplinary, geographic, cultural and/or other boundaries, those that identify and/or propose solutions to the barriers that still need to be overcome, and those that offer frameworks for innovative forms of digital collaboration.
AMERICAN LITERATURE: A proposed panel for the American Literature Association Conference, May 24-27, 2012 in San Francisco.
A quick reminder that the deadline for submitting proposals to INCS 2012, "Picturing the Nineteenth Century," is October 17. To find out more about the conference and submit your proposal, visit our website: http://incs.as.uky.edu/.
On Exile and Its Variations, CEA-CC Spring 2012 Conference: 23-24 March 2012, University of Puerto Rico at Arecibo
PLEASE NOTE: A CORRECTION HAS BEEN MADE TO THE CALL'S ABSTRACT DEADLINE: PROPOSALS DUE DECEMBER 12, 2011.
The College English Association—Caribbean Chapter, a gathering of scholar-teachers in English, welcomes proposals for presentations (20-minute papers) for our 2012 annual conference.
Horror Studies serves the international academic community in the humanities and specifically those scholars interested in horror. Exclusively examining horror, this journal provides interested professionals with an opportunity to read outstanding scholarship from a variety of disciplinary perspectives, including work conceived as interdisciplinary. By expanding the conversation to include specialists concerned with diverse historical periods, varied geography, and a wide variety of expressive media, this journal will inform and stimulate anyone interested in a wider and deeper understanding of horror.