Catwoman to Katniss is an interdisciplinary conference examining female images in electronic, graphic, and textual media within the science fiction and fantasy genres. Featured in this conference are keynote speakers C.S. Friedman and Dr. Rhonda Wilcox. Friedman is the bestselling science fiction and fantasy author of such works as In Conquest Born, and The Coldfire and Magister Trilogies as well as many other novels and short works. Dr. Wilcox is a professor of English at Gordon College, Founding Editor of Critical Studies in Television: Scholarly Studies in Small Screen Fiction, Editor of Studies in Popular Culture and Coeditor of Slayage: The Journal of the Whedon Studies Association.
Proposals are invited for our second, biannual interdisciplinary conference:
"Gender, Bodies and Technology: (Dis)Integrating Frames"
April 26-28, 2012 Roanoke, Virginia
Sponsored by Women's and Gender Studies at Virginia Tech
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June 6-9, 2012
John Jay College of Criminal Justice—CUNY (New York, NY)will be hosting an International Conference:
"Global Perspectives on Justice, Security and Human Rights"
For our third issue (Spring 2012) we look for articles on the topics: DREAD, GHOST, SPECTER and POSSESSION in Asian, African and Latin American Cinema. (Deadline for proposals 15/08/11).
Dread, Ghost, Specter, and Possession
in Asian, African and Latin American Cinema
Following the success of the previous eight international Irish Studies conferences, the University of Sunderland, in association with NEICN, invites papers for an interdisciplinary conference, which will run from 11th to 13th November 2011.
Alien invasion, viral outbreak, nuclear holocaust, the rise of the machines, the flood, the second coming, the second ice age—these are just a few of the ways human beings have imagined their "end of days." And someone's Armageddon clock is always ticking—we just dodged Harold Camping's rapture on May 21st of this year, and the Mayan-predicted doomsday of 2012 is just around the corner. In the end, what do we reveal about ourselves when we dream of the apocalypse? What are the social and political functions of these narratives in any given historical period? How do different cultures imagine the apocalypse, and what do these differences reveal? What is particular to the narratological design and content of apocalyptic texts?
An interdisciplinary graduate conference.
Keynote Speaker: Prof. Russ Castronovo, Jean Wall Bennet Professor of English and American Studies at University of Wisconsin-Madison.
Prof. Castronovo's publications include:
Beautiful Democracy: Aesthetics and Anarchy in a Global Era (Chicago: University of Chicago Press, 2007);
Necro Citizenship: Death, Eroticism, and the Public Sphere in the Nineteenth-Century United States (Durham: Duke University Press, 2001);
Fathering the Nation: American Genealogies of Slavery and Freedom (Berkeley: University of California Press, 1995)
Materializing Democracy: Toward a Revitalized Cultural Politics, co-edited with Dana Nelson (Durham: Duke University Press, 2002)
Though its title foregrounds art and visual culture, this conference will treat "picturing" in all its many senses: imagining, representing, framing, mapping. We invite papers and panels that consider how the nineteenth century represented itself to itself – through depictions of subjectivity, history, and culture; through emerging technologies and disciplines; through self-conscious "meta" attempts to understand methods of representation. We also encourage papers that consider how our own technologies and disciplines create multiple pictures of "the nineteenth century." Interdisciplinary papers and panels are especially welcome.
Paranoia and Pain (University of Liverpool, 2-4 April 2012) is an international cross-disciplinary conference, seeking to raise an awareness of various intersections of literature and science. The conference aims to explore overlapping paradigms of paranoia and pain in psychology, biological sciences, and literary texts/contexts.
For further information on the conference and events, please visit http://paranoiapain.liv.ac.uk
Jewish Music and Germany after the Holocaust
Edited by Tina Frühauf and Lily E. Hirsch