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Call for Articles: Diesis: Footnotes on Literary Identities (Submission Deadline October 1st))

updated: 
Tuesday, June 7, 2011 - 8:46am
Diesis: Footnotes on Literary Identities

Diesis Volume 1, Issue 2: the Other Issue

Submission Deadline: October 1st, 2011

The Editorial Board of Diesis: Footnotes Literary Identities would like to welcome you to submit to its second issue. This second issue will continue the inaugural issue's study of identity, concentrating this time on the diesis, or double dagger, which indicates a footnote or point of reference.

[UPDATE] Extended deadline of Abstract Submission of the Fourth East Asian Conference on Comparative Literature

updated: 
Monday, June 6, 2011 - 11:45pm
English Department, Soochow University, Taipei, Taiwan

Conference Website: http://www.scu.edu.tw/english/complit

CALL FOR PAPERS

Obsession in Context

The Fourth East Asian Conference on Comparative Literature

Deadline of abstract submission has been extended to July 1, 2011

Soochow University,

Taipei, Taiwan

We take great pleasure in announcing that the Fourth East Asian Conference on Comparative Literature, sponsored by the Comparative Literature Association of the Republic of China (CLAROC), will be hosted by Soochow University in Taipei, Taiwan, on March 10, 2012. The theme for this conference is ¡§Obsession in Context.¡¨

[UPDATE

updated: 
Monday, June 6, 2011 - 7:16pm
University of California Comparative Literature Undergraduate Journal

To submit: http://ucb-cluj.org/submissions/

Call for Submissions!

The UC Berkeley Undergraduate Journal is currently accepting submissions for its inaugural Fall 2011 issue! We are looking for critical articles with subject matter that falls under the wide banner of Comparative Literature, from international literary trends to literary comparisons between two specific cultures to theoretical literary discourse. The (rolling) deadline to submit is June 15, 2011. Any undergraduate is encouraged to apply. Additional information for non-US students is at the bottom of the page.

Submission guidelines:

Crossings, Frictions, Fusions / Traversées, frictions, fusions [UPDATE]

updated: 
Monday, June 6, 2011 - 3:18pm
20th and 21st Century French and Francophone Studies International Colloquium California State University, Long Beach

ANNOUNCEMENT COLLOQUIUM 2012 / ANNONCE COLLOQUE 2012

20th and 21st Century French and Francophone Studies International Colloquium
California State University, Long Beach

Crossings, Frictions, Fusions / Traversées, frictions, fusions
Renaissance Long Beach Hotel, Long Beach, CA
29-31 March, 2012

CONFIRMED SPEAKERS (as of June 2011):

Alain MABANCKOU, UCLA, Prix Renaudot, 2006
Odile CAZENAVE, Boston University

Christopher Marlowe in Performance (15 - 18, March 2012, deadline Sep 30, 2011)

updated: 
Sunday, June 5, 2011 - 9:05pm
NeMLA

This panel seeks to examine the stage history of Christopher Marlowe's dramatic works, considering the literature as the product of a theatre artist. Papers will be asked to approach Marlowe's plays from a theatrical standpoint, in order to discuss what we might learn from by examining the force of performance as a shaping factor in the reception of Marlowe's small but vibrant body of work. Papers that discuss cinematic treatments of the plays, as well as considerations of Marlowe's place in Elizabethan stage history are also welcome. Please send abstracts of 250 words to Louise Geddes atLGeddes@adelphi.edu. Deadline for submissions is September 30, 2011.

Happiness and Sadness: Taiwan society and its emotional textures (8-9 December 2011)

updated: 
Thursday, June 2, 2011 - 7:06pm
The Asia Institute, the University of Melbourne

We invite submissions for papers for a workshop to be held at the University of Melbourne in December 2011 that explores the varying emotional textures of Taiwan life. It takes the dyad of Happiness and Sadness as its point of departure, but also examines other emotional registers and how these might relate to Taiwan's social and historical structures. These emotional textures can be seen as both products of particular kinds of social, political, cultural and economic structures and as ways in which those structures are experienced and interpreted. We hope that an exploration of Taiwan society through the paired themes of happiness and sadness (while not excluding other emotions) will offer new ways to approach the study of Taiwan.

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