People and commodities from abroad played a vital role in Renaissance London's urban scene, and their influence made their way into the era's theaters as well. The panel aims to explore how early modern dramas played with the foreign. How are foreign people, texts, and commodities represented in the Renaissance theater? How do these dramas play with the notion of foreigness, and to what effect? Papers can explore playhouse invocations, appropriations, and exploitations of the foreign, as well as ways in which early modern drama invited audience members to lay claim to the foreign.
Alien invasion, viral outbreak, nuclear holocaust, the rise of the machines, the flood, the second coming, the second ice age—these are just a few of the ways human beings have imagined their "end of days." And someone's Armageddon clock is always ticking—we just dodged Harold Camping's rapture on May 21st of this year, and the Mayan-predicted doomsday of 2012 is just around the corner. In the end, what do we reveal about ourselves when we dream of the apocalypse? What are the social and political functions of these narratives in any given historical period? How do different cultures imagine the apocalypse, and what do these differences reveal? What is particular to the narratological design and content of apocalyptic texts?
The fifth issue of, guest edited by Dr Ella Dzelzainis (Newcastle University), is dedicated to a reassessment of nineteenth-century investments in concepts of productivity and consumption. Accelerating industrialisation, the growth of consumer culture, economic debates about the perils of overconsumption as well as emerging cultural discourses about industriousness, work ethic and the uses of free time radically altered the ways in which Victorians thought about practices of production and consumption. Literary authors intervened directly in these economic and social debates while also negotiating analogous developments within a literary marketplace transformed by new forms of writing, distributing and consuming literature.
Diesis Volume 1, Issue 2: the Other Issue
Submission Deadline: October 1st, 2011
The Editorial Board of Diesis: Footnotes Literary Identities would like to welcome you to submit to its second issue. This second issue will continue the inaugural issue's study of identity, concentrating this time on the diesis, or double dagger, which indicates a footnote or point of reference.
Call for Papers
The eighteenth biennial New College Conference on Medieval and Renaissance Studies will take place 8–10 March 2012 in Sarasota, Florida. The program committee invites 250-word abstracts of proposed twenty-minute papers on topics in European and Mediterranean history, literature, art, and religion from the fourth to the seventeenth centuries. Interdisciplinary work is particularly appropriate to the conference's broad historical and disciplinary scope. Planned sessions are welcome.
NEW DATES & EXTENDED DEADLINE
Concentric: Literary and Cultural Studies
Vol. 38 No. 2, September 2012
Deadline for Submissions: February 15, 2012
2012 is the bicentenary of the publication of the first volume of the Kinder- und Hausmärchen by Jacob and Wilhelm Grimm. To mark this occasion, the Department of English Literature and Creative Writing at Kingston University (U.K.) is planning a series of open lectures and a conference assessing the impact of the Grimms' collection upon literature and culture in the English speaking world. This will be a multi-disciplinary conference, and contributions from any disciplinary perspective will be welcome. We also welcome proposals to read creative work, screen films, mount performances and exhibit visual work.
Confirmed Keynote Speakers: Professor Donald Haase (Wayne State University) and Neil Philip (Author and Independent Scholar).
CALL FOR PAPERS
Shakespeare: Journal of British Shakespeare Association special issue
Deadline: September 30, 2011
CFP AWWE conference 2012
Performing Wales: Theatre, Art, Identities
The Association of Welsh Writing in English invites submissions for conference presentations and performances for its twenty-fourth annual conference, which is to be held at Gregynog Hall, Newtown, between 30 March and 1 April 2012.