Papers (for twenty minute talks) may be on a wide range of topics and written from any critical perspective, but those who choose to speak on the conference topic should address Bernard Shaw's broad international interests as expressed in his novels, plays, prefaces, speeches, and travels; productions of Shaw's plays in different countries and languages; ''boundary-free'' internet Shaw; and ''copyright-free'' Shaw (in Canada since 2000, and in most other countries from 2020).
CALL FOR PAPERS
Sixth Annual Graduate Student Comparative Poetics Colloquium
Department of Comparative Literature, Princeton University
Saturday, May 7, 2011
On Saturday, May 7, 2011, the Department of Comparative Literature at Princeton University will host a colloquium in comparative poetics titled "Formal Measures." Graduate students at any stage in their work are welcome to submit proposals for a twenty-minute paper presentation.
Cette session qui aura lieu au prochain congrès du MLA à Seattle (3 au 6 janvier 2012) sera consacrée aux représentations contemporaines des femmes face à la loi au cinéma, en littérature et à la télévision. Plus précisément, on cherchera à penser la structure juridique et narrative du procès en tant que mise à mal d'une parole féminine qui ferait trembler la loi patriarcale. Comment revisiter la parole des femmes en procès à l'aune des réformes juridiques mises en œuvre tout au long de la seconde moitié du vingtième siècle ? Peut-on redéfinir le procès en tant que système culturel généralisé où les femmes opposent au discours de la Loi de nouvelles formes de « vivre ensemble » ?
Call for Contributions --
Concentric: Literary and Cultural Studies
September 2011 issue --
Deadline extended to March 20, 2011. Authors who wish to submis should turn in an abstract and a list of keywords prior to February 28.
In his "Theses on the Philosophy of History," Walter Benjamin famously reads the Paul Klee painting Angelus Novus, not as a "New Angel" in keeping with the original title of this watercolor, but as an "Angel of History." Benjamin describes the angel as flying backwards (and thus looking at the past) toward the future, blown by a huge storm. This storm, Benjamin says, is what we call progress.
AGSE Call For Papers— Upon A Precipice
The Associated Graduate Students in English (AGSE) at California State University Northridge is currently accepting proposals for its annual graduate conference to be held on April 16, 2011.
This electronic round-table will showcase different ways digital media and tools inform teaching, scholarship, publication, and collaboration within Hispanism. Each of 8 panelists will offer a five-minute demonstration of their digital project emphasizing how the medium has changed the way they approach their work. During the remaining 30 minutes, the audience will circulate around the panelists' stations to ask individual questions and get a closer look at the projects. Representation from Peninsularists, Latinamericanists, and specialists in US Latino is anticipated. Must be member of MLA by April 1, 2011.
Please send 250 word abstract including link to digital work, if available by 15 March 2011 to
Kyra A. Kietrys
CALL FOR PAPERS
Pacific Northwest Renaissance Conference: Reimagining Genre
October 20-22, 2011
Sponsored by the Pacific Northwest Renaissance Society and Gonzaga University.
Plenary speakers will be announced.
"The best actors in the world, either for tragedy, comedy, history, pastoral, pastoral-comical,
historical-pastoral, tragical-historical, tragical-comical-historical-pastoral, scene individable, or poem unlimited…"
The Samuel Beckett Society is seeking three presenters who will examine Samuel Beckett's prose, poetry, theatre, and/or criticism in relation to history, memory, archive and/or biography. Please send abstracts of no more than 250 words by September 1, 2011 to firstname.lastname@example.org and email@example.com. Presentations will be limited to 20 minutes.
The convention will be held on November 4-6, 2011 at Loews Atlanta Hotel, Atlanta, Georgia 30309.
Presenters must be (or become) members of SAMLA.
From carnival costumes to music, from paintings to folktales, from sculptures to spoken words, artists and storytellers have used the cultures of the Caribbean Basin to create unique expressions that critically filter our perceptions of socio-cultural identity. These artistic forms are historical or more contemporary forays into the region's politics and economies. In recent years, several artists have emerged to illustrate a shared heritage such as Laurent Valere in Martinique and Antonius Roberts in the Bahamas or have solidified their international standing such as Edouard Duval-Carrie. Artist-scholars such as Rex Nettleford and Leroy Clarke have interrogated the critical links and the constructions of identity realized through the artist's eye.
CfP deadline 31 May 2011
Strength, virtue and bravery have long characterised the subjects of narrative. If protagonists surmount threats, or survive danger, we are inclined to ascribe the triumph to their heroism. When stories veer into realism, antiheroes receive the attention formerly reserved for gods and heroes.
The gospels are an enquiry into the heroism of their subject. Their opening unstated question is whether there was anything heroic in one who walked open-eyed into an avoidable death? Soon resurrection and a new interpretation of Jesus' heroism was found, and it was seen that he fulfilled a hidden paradigm, Messiahship. A succession of martyrs would bear witness to the same interpretation.