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Ezra Pound: A Century Later

updated: 
Thursday, January 3, 2019 - 3:49pm
Michael D. Sollars / Texas Southern University
deadline for submissions: 
Friday, March 1, 2019

Ezra Pound: A Century Later

World Literary Review: Call for Papers

Deadline for abstracts: March 1, 2019 

Deadline for mss submissions: June 30, 2019

contact email: Michael.sollars@tsu.edu

The World Literary Review has launched a series of publications entitled A Century Later.

Otukpa: A Journal of the Faculty of Humanities and Social Sciences, Federal University, Otuoke Volume 1 Numbers 1 and 2

updated: 
Thursday, January 10, 2019 - 3:25pm
Faculty of Humanities and Social Sciences, Federal University, Otuoke
deadline for submissions: 
Thursday, February 28, 2019

Otukpa: A Journal of the Faculty of Humanities and Social Sciences, Federal University, Otuoke.

Call for Papers.

Interested scholars, researchers and practitioners in the broad areas of the humanities and social sciences are hereby invited to submit articles for review and possible publication in Volume 1, Nos. 1&2 of Otukpa. The volume will be published in April,  2019.

EJOTMAS: Ekpoma Journal of Theatre & Media Arts Vol 7 Nos 1 and 2 2019 Call for Papers

updated: 
Tuesday, January 8, 2019 - 2:43pm
Department of Theatre and Media Arts, Faculty of Arts, Ambrose Alli University, Ekpoma, Nigeria
deadline for submissions: 
Tuesday, April 30, 2019

EJOTMAS: Ekpoma Journal of Theatre and Media Arts Call for Papers  Interested scholars and practitioners are hereby invited to submit articles for review and possible publication  in Volume 7, Nos. 1&2 of EJOTMAS.  The volume will be published in September,  2019.

URL: https://www.ajol.info/index.php/ejotmas

 

 

Guidelines for Contributors

 

DEADLINE EXTENDED: Religion and Theatre Focus Group--Emerging Scholars Panel

updated: 
Wednesday, March 20, 2019 - 6:15pm
American Theatre in Higher Education Conference 2019
deadline for submissions: 
Sunday, March 24, 2019

American Theater in Higher Education (ATHE) Conference 2019

Orlando, FL

August 7-11, 2019

 

The ATHE Religion and Theatre Focus groups invites current and recent graduate students and/or independent scholars who have not yet presented at a major national conference to submit papers for its 2019 Emerging Scholars Panel.

 

The New York Mets in Popular Culture

updated: 
Thursday, January 3, 2019 - 9:34am
McFarland and Company
deadline for submissions: 
Friday, February 15, 2019

The New York Mets in Popular Culture

 

McFarland and Company invites baseball writers to contribute abstracts for an essay collection presently titled The New York Mets in Popular Culture.

Writers are encouraged to submit abstracts on the following topics or choose their own. 

 

Neo-Victorian Collins

updated: 
Thursday, December 20, 2018 - 10:48am
Claire O'Callaghan and Jessica Cox, Loughborough University, Brunel University
deadline for submissions: 
Thursday, January 31, 2019

The Wilkie Collins Journal

 

Special issue: Neo-Victorian Collins

 

Guest editors: Jessica Cox (Brunel University) and Claire O’Callaghan (Loughborough University)

 

Scene on Sustainability

updated: 
Thursday, December 20, 2018 - 10:36am
Christine White
deadline for submissions: 
Tuesday, January 15, 2019

CFP for Special Issue — Deadline in January! 

Scene is dedicated to a critical examination of space and scenic production. This double-blind peer-reviewed journal provides an opportunity for dynamic debate, reflection and criticism. With a strong interdisciplinary focus, we welcome articles, interviews, visual essays, and reports from conferences and festivals. We want to explore new critical frameworks for the scholarship of creating a scene.

Grandiloquence And Desperation. Discourses About The Performing Arts In The 21st Century

updated: 
Thursday, December 13, 2018 - 9:48am
Studia Universitatis Babeș-Bolyai / Dramatica
deadline for submissions: 
Friday, March 15, 2019

From the Nāṭyaśāstra or Aristotle’s Poetics to social media posts or the new online review aggregators, discourses about theater have shaped the course of the art’s evolution, reflecting and influencing aesthetics, modes of production and models of social and political involvement.

The emergence and spread of “practice as”, “practice-led” or “practice-based” research paradigms, the growing interest for the performative function of arts archives, the fluidization and democratization of critical discourses, as well as the ripple effect of the performative turn define, nowadays, a climate in which theory and practice intermingle, seemingly re-bridging the gap between artists and scholars, between creators, historians and critics.

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