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CFP: Josephine Preston Peabody and Amy Lowell (1/12/06; SSAWW, 11/8/06-11/11/06)

updated: 
Wednesday, April 27, 2005 - 3:00pm
Susan M. Stone

Turning the Century: Josephine Preston Peabody and Amy Lowell

Papers are invited for a panel at the 2006 Society for the Study of
American Women Writers Meeting. These essays should explore the plays,
criticism, or poetry of either or both authors, focusing on anti-war
sentiment, women's rights, social activism, lesbianism, imagism,
environmentalism, "Boston Marriages," etc. Submissions might also
examine their friendship, letters, and/or mutual mentoring. Please send
abstracts to Susan Stone, Loras College, (Susan.Stone_at_loras.edu), by
January 12th, 2006.

UPDATE: _Hedwig and the Angry Inch_ (5/9/05; collection)

updated: 
Wednesday, April 27, 2005 - 2:58pm
cozment_at_uark.edu

UPDATE: Deadline for abstracts extended to May 9, 2005.

We invite contributions for a projected essay collection on John Cameron Mitchell and Stephen Trask's rock opera _Hedwig and the Angry Inch_ (Hedwig). We welcome scholarly essays from different fields (literature, film, cultural studies, religious studies, classics, anthropology, biology, educational psychology, speech communication/rhetoric, and others) engaging with _Hedwig_ in a variety of cultural contexts. Topics might include but are not limited to:

UPDATE: Macbeth: New Critical Essays (5/31/05; collection)

updated: 
Wednesday, April 20, 2005 - 1:19pm
Nicholas Moschovakis

Up to five complete essays are currently sought by the editor of *Macbeth: New
Critical Essays,* an essay collection that is now under contract as a
forthcoming installment in Routledge's widely distributed Shakespeare Criticism
Series. Only previously unpublished essays are eligible for inclusion.
(However, essays that are included will be available for later republication.)

CFP: Queer Theatre in Britain (no deadline noted; collection)

updated: 
Thursday, April 14, 2005 - 9:26pm
DimpleGodiwala_at_aol.com

Alternatives Within the Mainstream II: Queer Theatre in Britain

Critics are invited to write chapters for a critical study of contemporary
British post-war queer theatre. The focus is on bi, trans, gay, lesbian
identities as represented on the British stage. Keeping in mind that queer
identities are fluid and always in a state of flux, defying definitions and
binary oppositions, articles are invited which examine these identities
as represented in British drama since 1950.

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