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RSAA 2017 - Transporting Romanticism: Mediation and Mobility

updated: 
Wednesday, April 6, 2016 - 12:25am
Romantic Studies Association of Australasia

RSAA 2017: Transporting Romanticism: Mediation and Mobility
16-18 February 2017
Wellington, New Zealand
Co-hosted by Massey University and Victoria University of Wellington

Proposals due: 20 August 2016

Minor Shakespeares: the politics and aesthetics of the margins - 23rd-24th September, 2016

updated: 
Tuesday, April 5, 2016 - 11:25am
University of Split, Croatia

Keynote lectures: Peter Greenaway and Prof. Richard Wilson

For Deleuze and Guattari there are modes of literature that offer themselves to the state, to official and institutional discourse, and thus to the hierarchically transcendent. These reactionary forms are to be contrasted with the resistant, revolutionary, and immanent 'lines-of-flight' of 'minor literature'.

[UPDATE - REMINDER] Risking the Future: Vulnerability, Resistance, Hope - 12-13 July 2016, Durham University, UK

updated: 
Tuesday, April 5, 2016 - 10:46am
Durham University

RISKING THE FUTURE: VULNERABILITY, RESISTANCE, HOPE
An International Conference on the Risk Humanities

Durham University, UK
12-13 July 2016

Keynote Speakers:

MICHAELINE CRICHLOW
(Professor of African and African American Studies, Duke University)
SIMON DURING
(Australian Research Professor, University of Queensland)
WALTER MIGNOLO
(William H. Wannamaker Professor of Romance Studies, Duke University)

Acting Out: The IV International Flann O'Brien Conference (Salzburg, 17–21 July 2017)

updated: 
Tuesday, April 5, 2016 - 10:40am
The International Flann O'Brien Society / Department of English Studies, Salzburg University

Acting Out: The IV International Flann O'Brien Conference
Department of English Studies, Salzburg University
July 17–21 2017

Keynote Speakers
Anne Fogarty (University College Dublin)
Stanley E. Gontarski (Florida State University)
Maebh Long (The University of the South Pacific)

[UPDATE] MMLA American Literature 1 Panel; abstracts due APRIL 10

updated: 
Tuesday, April 5, 2016 - 9:08am
Shawna Rushford-Spence/ Midwest Modern Language Association

With the theme of "Border States" in mind, we welcome papers exploring the intersections between stubborn divisions and promising coalitions across lines of race, class, region, and nation in American literary texts produced before 1870. Possible topics might include: representations of border-crossing, migration and mobility, and/or troubled immigration; explorations of the cultural effects of urbanization and suburbanization, expansion, and/or technological innovation; the influence of literary texts on the cultural imagination and/or states of being and mind; the influence of "progress" on the literary imagination; and migrants and/or immigrants as characters in literary texts.

[UPDATE] Works in Progress, 7th July

updated: 
Monday, April 4, 2016 - 4:13pm
GradCATS / De Montfort University

Keynote speakers: Professor Julie Sanders, Newcastle University, and Dr Adam Smyth,University of Oxford.
Abstract Deadline: 15th April 2016

All texts and artworks will have at one stage been a work in progress, despite the tendency to value them as cultural artefacts once they are deemed finished and made available for consumption. Redrafting and editing are processes which strive towards a "final" product, meaning their publication often results in the loss or occlusion of multiple ancillary versions. Such materials are important to our understanding of how texts and works are shaped and reshaped, and by whom.

Second CFP for Akda: The Asian Journal of Literature, Culture, Performance

updated: 
Sunday, April 3, 2016 - 10:52pm
De La Salle University, Department of Literature

Akda: The Asian Journal of Literature, Culture, Performance is an international peer-reviewed journal that seeks to publish cutting-edge articles in the areas and intersections of Literary, Cultural, and Performance Studies. We especially welcome articles that will inaugurate new and dynamic directions for scholarly inquiry on the literary and cultural production of the Asian region. Further, in our commitment to diversity and to multicultural dialogue, we welcome contributions that may potentially be relevant to the concerns of the region from various national and cultural backgrounds. The journal is supported by a distinguished editorial board that represents the journal's scholarly depth and geographic scope.

[UPDATE] MMLA Permanent Section - Collectives, Communities, and Print Culture

updated: 
Sunday, April 3, 2016 - 2:26pm
MMLA 2016

This permanent MMLA panel invites abstracts that engage with collectives, communities, and print culture, widely conceived. In line with the conference theme, "border states," how does print culture give us a sense of community boundaries? How are collective identities formed, altered, or dismantled? What role does print culture play in shaping collectives or communities? How can we (re)conceive solidarity or community through the literary? This panel can engage with but is not limited to the following topics: literary criticism, critical theory (including theories of affect), aesthetics, propaganda, literary texts, and print culture more broadly.

CFP: 9/11 Popular Culture (Panels for MPCA,Oct 6-9, 2016); April 30 deadline

updated: 
Sunday, April 3, 2016 - 10:50am
Paul Petrovic / Midwest Popular Culture Associatio

The 9/11 and Popular Culture area is looking for abstract proposals for the MPCA conference in Chicago, IL, at the Hilton Rosemont/Chicago O'Hare from Thursday-Sunday, October 6-9.

The 9/11 Popular Culture area seeks essays that explore the convergence of post-9/11 themes in contemporary television, film, fiction, poetry, comics, and other artistic expression. I am especially interested in essays that approach issues of trauma theory and Islamophobia, as well as critiques of American exceptionalism and politics across artistic expression.

I welcome papers that analyze

the immediate American literary responses and considerations of the 9/11 terrorist attack (Extremely Loud and Incredibly Close, The Writing on the Wall);

The SOCIAL

updated: 
Friday, April 1, 2016 - 1:41pm
Arts Administration @ Boston University

THE SOCIAL is the International Association for Visual Culture biennial conference that will take place at Boston University. IAVC2016@Boston invites papers, presentations, interventions, collaborations, and events from researchers, artists, academics, curators, and activists on post- democracy, post-society, anger, violence, future visions, crisis, zombie democracies, social media, neo-slavery, post-capitalism, post-data, social evolution, revolution, actionism, post-state, interventionism, cannibalizing corporativism, post- colonialism, economic vampirism, neo-serfs, globalized thievery, art activism, red art, insurrectional art and social exploitation.

Cultural Intertexts issue 5/ 2016

updated: 
Friday, April 1, 2016 - 1:57am
Cultural Intertexts - Academic Journal of Literature and Cultural Studies

CULTURAL INTERTEXTS, academic journal of Literature and Cultural Studies, ISSN 2393-0624, E-ISSN 2393-1078, edited by the Department of English, Faculty of Letters, "Dunarea de Jos" University of Galati, Romania, with the support of the Doctoral School of Socio-Humanities and the Research Centre Interface Research of the Original and Translated Text – Cognitive and Communicative Dimensions of the Message, invites proposals of original articles, related to the general theme of the journal.
This year's issue focuses on Textual Representations of Cultural Politics
The editors will consider for publication papers which tackle, among others:
- (literary) text, pretext and context;
- history and his story;
- women's voices;

Performing Precarity: Refugee Representation, Determination and Discourses

updated: 
Thursday, March 31, 2016 - 11:06pm
Performance of the Real Research Theme / University of Otago

Performing Precarity: Refugee Representation, Determination
and Discourses

An interdisciplinary conference hosted by The Performance of the Real Research Theme,
The University of Otago, Dunedin, New Zealand, 21-23 November 2016

Keynotes:
Professor Suvendrini Perera (Curtin University, Perth, Australia)
Professor Nikos Papastergiadis (University of Melbourne, Australia)

[UPDATE] Performance of the Real Postgraduate and Early Career Researcher Symposium [Extended CFP]

updated: 
Thursday, March 31, 2016 - 11:03pm
Performance of the Real Research Theme / University of Otago

CFP: Performance of the Real Postgraduate and Early Career Researcher Symposium

An international symposium hosted by the 'Performance of the Real Research Theme' at the University of Otago, Dunedin, New Zealand
June 8th – 10th 2016

Keynote speaker: Dr Bree Hadley (Queensland University of Technology)

PEER REVIEWERS NEEDED

updated: 
Thursday, March 31, 2016 - 4:01pm
Layman Poupard Publishing

Layman Poupard Publishing seeks peer reviewers for forthcoming entries in volumes of the Literature Criticism Series published by Gale Cengage. Reviewers will be asked to vet an 1800-word background essay and a primary works checklist. They will also be asked to recommend published critical essays to be reprinted in the entry. Reviewers will be credited in print and paid an honorarium. Academic affiliation is required.

To apply, please send a short vita with cover letter describing your research interests to info@lpppub.com.

Current needs are:

CONTEMPORARY LITERATURE CRITICISM

Author Entries:
Charles Baxter
Virginie Despentes
Saul A. Kripke
Marie Redonnet

Early Modern Women Writers

updated: 
Thursday, March 31, 2016 - 3:25am
Professor James Fitzmaurice, University of Northern Arizona

Early Modern Women Writers (approx. 1550-1700)
at Othello's Island CVAR, Nicosia, Cyprus
5 to 9 April 2017

Early Modern Women Writers is a semi-autonomous conference strand within the annual interdisciplinary conference on medieval, renaissance and early modern studies, held annually since 2013, in Cyprus, called Othello's Island.

As a whole, Othello's Island attracts approximately 100 delegates, whose topics include archaeology, art history, history, and literary studies, to name but a few. Since its inception a significant section of the conference has covered early modern women writers, such as Mary Wroth, Aphra Behn and Margaret Cavendish.

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