theory

The RMA Music and Philosophy Study Group warmly invites session and paper  proposals for its 7th biennial  two-day  international conference, to be held in London on  11–12 July 2019.  The event will offer an opportunity for those with an interest in music and philosophy to share and discuss work, in the hope of furthering dialogue in this area.

We are inviting proposals for individual papers and associates sessions on any theme in the intersection between music and philosophy, broadly understood and spanning both analytic and continental traditions. We particularly welcome papers and session that bring together together disciplines and subdisciplines. Abstracts should be submitted via the website by December 15, 2018.

ANTAE (ISSN 2523-2126) invites original full-length article submissions for its upcoming general issues.

ANTAE is a refereed, interdisciplinary journal aimed at exploring current concerns and debates within literary studies, theory, and criticism. The journal welcomes submissions situated across the interdisciplinary spaces provided by diverse forms and expressions within narrative, poetry, theatre, literary theory, cultural criticism, philosophy, media studies, digital cultures, and language studies. Creative writing, translations, and book or conference reviews are also encouraged.

The University of Rhode Island

13th Annual Interdisciplinary Graduate Student Conference

April 13, 2019

Knowledge Across Borders: Conversations Among Disciplines

Keynote Speaker

Dr. Solomon Friedberg

Department of Mathematics, Boston College

CFP: “In Forms”

University of Toronto Graduate English Conference

April 26, 2019

Toronto, Ontario Canada 

 “All the forms of art come to us in their own ways and allow us to make more forms, and to make this exchange” – Muriel Rukeyser

This collection seeks to bring together some of the most recent international scholarship and developments in the interdisciplinary fields of digital and public humanities. Alongside a critical exploration of the production, distribution and scholarship of culture in relation to digital media and technologies, the collection will examine the possibilities and challenges of publicly engaged scholarship in the digital humanities and beyond. Working with a broad definition of ‘public humanities’, we wish to interrogate the multifaceted interface of arts and humanities scholarship and engagement with wider ‘publics’ beyond academia, from literary and cultural heritage to creative arts and performance.