Call for Papers:
"Science, Art, and Gender in the Global Rise of Indigenous Languages" (26-29 October 2011,
Higher Institute of Human Sciences of Jendouba, Jendouba University).
Deadline for proposals extended to July 10th 2011
Call for Papers:
Diesis Volume 1, Issue 2: the Other Issue
Submission Deadline: October 1st, 2011
The Editorial Board of Diesis: Footnotes Literary Identities would like to welcome you to submit to its second issue. This second issue will continue the inaugural issue's study of identity, concentrating this time on the diesis, or double dagger, which indicates a footnote or point of reference.
Conference Website: http://www.scu.edu.tw/english/complit
CALL FOR PAPERS
Obsession in Context
The Fourth East Asian Conference on Comparative Literature
Deadline of abstract submission has been extended to July 1, 2011
We take great pleasure in announcing that the Fourth East Asian Conference on Comparative Literature, sponsored by the Comparative Literature Association of the Republic of China (CLAROC), will be hosted by Soochow University in Taipei, Taiwan, on March 10, 2012. The theme for this conference is ¡§Obsession in Context.¡¨
To submit: http://ucb-cluj.org/submissions/
Call for Submissions!
The UC Berkeley Undergraduate Journal is currently accepting submissions for its inaugural Fall 2011 issue! We are looking for critical articles with subject matter that falls under the wide banner of Comparative Literature, from international literary trends to literary comparisons between two specific cultures to theoretical literary discourse. The (rolling) deadline to submit is June 15, 2011. Any undergraduate is encouraged to apply. Additional information for non-US students is at the bottom of the page.
ANNOUNCEMENT COLLOQUIUM 2012 / ANNONCE COLLOQUE 2012
20th and 21st Century French and Francophone Studies International Colloquium
California State University, Long Beach
Crossings, Frictions, Fusions / Traversées, frictions, fusions
Renaissance Long Beach Hotel, Long Beach, CA
29-31 March, 2012
CONFIRMED SPEAKERS (as of June 2011):
Alain MABANCKOU, UCLA, Prix Renaudot, 2006
Odile CAZENAVE, Boston University
In keeping with SAMLA's 2011 special focus, "The Power of Poetry in the Modern World," this special session seeks papers that address the ways in which poetry has derived, ceded, and wielded power in a modern world mediated by print. Possible topics include: the power of print to shape poetic form and meaning; the power of such print outlets as the anthology and modern magazine to popularize or restrict the audience for poetry; the bibliographical means by which poetry has expressed or challenged power; the ways in which poetry questions the power of modern print through an emphasis on orality or through an embrace of the digital.
We invite proposals for papers exploring literature pedagogy at the community college level and welcome critical/theoretical approaches to teaching literature. This is an interdisciplinary call extended to teachers and graduate students. Suggested topics include:
Critical / analytical / interpretive essays are invited from scholars across the world for an Anthology to be brought out on the GEETANJALI of the noted Indian Poet Nobel Laureate RABINDRANATH TAGORE. The anthology will be published by a reputed Publisher based in India and having its distribution network the world over.
The essay must be within 2500 and 4000 words, typeset with 1.5 paragraph space and must be according to the latest MLA Stylesheet.
An Abstract of the essay is desirable possibly before 15 July 2011.
The last date for submission of complete essay is August 31, 2011.
For further details, please write to Editor of the Anthology at email@example.com
AJAS Call for Papers
The Materials of American Studies, December 2012.
Bill Brown observes that by the end of the nineteenth century, "the invention, production, distribution and consumption of things rather suddenly came to define a national culture" [Sense of Things 4]. This issue of the Australasian Journal of American Studies, "The Materials of American Studies," explores the role of objects in understanding, representing, tracing and conceptualising America, its past and present. We invite essays that explore the material of American Studies: the production, reproduction, consumption and circulation of objects from the colonial period to the present.
The term "incorporated art" might be used to describe art that exists in the form of an institution, company, or other organization. In contrast with art that takes incorporation as its subject, incorporated art begins with the act of incorporation and exists only to the extent that the incorporated entity remains in operation.