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Cinema: Journal of Philosophy and Moving Image []

Wednesday, December 15, 2010 - 7:03am
Cinema: Journal of Philosophy and Moving Image

Cinema: Journal of Philosophy and Moving Image is now accepting submissions for the 2nd issue. Editors welcome articles that fall under the broad rubric of the relations between cinema and philosophy.

Submission deadline: March 1, 2011 (abstracts) and June 1, 2011 (completed papers)

Areas include, but are not limited to:
*philosophy of cinema today
*epistemology and ontology of cinema and of the moving image
*the relationship film studies and philosophy of cinema
* the analytic/continental divide within philosophy of cinema
* new approaches and trends within the philosophy of cinema
*historical approaches to philosophy of cinema and film theory
*cinema as philosophy

Literature and Emotions

Wednesday, December 15, 2010 - 4:00am
Christian Dahl, Department of Arts and Cultural Studies, University of Copenhagen

Literature and Emotions Conference
March 24-25 2011, University of Copenhagen

Colloquium on the 'Legacy of the Will'

Tuesday, December 14, 2010 - 12:59pm
Organised by The Early Modern Seminar in Scotland (EMSIS) in conjunction with the School of Humanities at Strathclyde University.

Will's semantic slipperiness fascinated the Renaissance: in all manner of English and Scots texts of the period we find 'Will too boote, and Will in over-plus'. The structural conceit of the opening line of John Donne's poem, 'The Will' exemplifies a key thematic construct to be found in much early modern literature and a prevalent intellectual thread in the culture from which this literature emerges. Donne's poem - this willed enactment of the speaker's last will and testament to the world he will shortly leave behind in death - encapsulates the polyvocal qualities of the human 'will' and all that it signifies.

[UPDATE/Extension] Luxuries of the Literary Mind: Readings of Commodity and Privilege

Tuesday, December 14, 2010 - 11:39am
McGill Graduate Conference

The deadline for McGill's Graduate Conference has been extended to January 14, 2011. The theme is luxury, commodity, privilege, and consumption in literature, film, and other texts and cultural artefacts.

We are honoured to be hosting Dr. George Toles (University of Manitoba) as our keynote speaker and to have secured a faculty address from Dr. Allan Hepburn (McGill).

Please find the call for papers below.

McGill English Graduate Conference Call for Papers Luxuries of the Literary Mind: Readings of Commodity and Privilege

"Literature is a luxury; fiction is a necessity." G. K. Chesterton, Defendant (1901)

2nd CFP Transgression and the Sacred: Philosophy and Literature Conference, UCD, Dublin, 22-23 February 2011.

Tuesday, December 14, 2010 - 10:18am
University College Dublin

This conference will consider the relationship between transgression and the sacred from a broad historical perspective in philosophy, literature and literary theory.

Plenary speakers for this conference: Professor Richard Kearney (Charles B. Seelig Chair of Philosophy at Boston College), Professor Fred Botting (Professor of English Literature and Creative Writing, Kingston University London), and Professor Sean Hand (Professor of French and Head of the Department of French Studies at the University of Warwick).

We welcome papers from established academics, postgraduate students and independent scholars.

"The sacred world depends on limited acts of transgression" (Georges Bataille, Eroticism)

CFP: "Romance." Deadline extended to May 10, 2011 [UPDATE]

Tuesday, December 14, 2010 - 10:11am
Mosaic, a journal for the interdisciplinary study of literature

The OED has to give some three pages to defining the word ROMANCE that, with all of its rich history, is at the centre of this Mosaic call for papers. We invite innovative interdisciplinary literary and critical submissions for a special issue we are planning on this theme. For this issue, our interests include, but are not limited to, the following: "the Romantics," who have undergone a renascence of late; the French novel, the roman; romantic fiction; Romanticism; the state of the love story in literature and/or film; and the figure of the "romantic."