Great Writing 2011
The UK's 14th Annual Great Writing International Creative Writing Conference
Imperial College London
Saturday June 18th - Sunday June 19th 2011
Critical or creative presentations are invited for this, the 14th Annual Great Writing International Creative Writing Conference, 18th – 19th June 2011. (Limited remaining space – presentations from the UK, USA, continental Europe, Australia, China, and more!)
To be held at one of the UK's great universities and great locations: Imperial College London, South Kensington, a cultural centre for the arts, sciences, music and museums, close to Royal Albert Hall and right next to the wonderful Natural History Museum.
Akademeia is an open-access peer-reviewed journal that publishes outstanding work from a wide range of disciplines and from scholars of all training levels. We are currently accepting submissions from the sciences and liberal arts. Prospective authors should consult the most recent Guide For Authors, available on our website, www.akademeia.ca. All submissions (either in the form of research articles, essays, literature, hypotheses, canvas, or reviews) are subjected to double-blinded peer review
Recently adaptation theorists have argued for a re-valuing of adaptations and of the dynamic between originary texts and their adaptation. Critics such as Brian McFarlane, Imelda Whelehan, and Deborah Cartmell have argued that adaptations carry "cultural capital" equal to the original's, and that putting a material, original text in dialogue with an adaptation provides an opportunity to revalue, perhaps increase the value of the original.
Call for Papers
Joint Meeting of CSECS/NEASECS/Aphra Behn Society
Hosted by McMaster University
Hamilton, ON, 27-29 October, 2011
"The Immaterial Eighteenth Century"
Community Connectivities/Temporal Belongings is a two day interdisciplinary workshop seeking to explore the interconnections between time and community, broadly conceived.
Broadly speaking, research on the problem of community has focused on the task of analysing, challenging and transforming how particular qualities or attributes (be it race, gender, sexuality, place, interest, affinity, history, class etc.) are constructed as being 'in common'. The interest of this workshop is to explore how time might be involved in the production of the 'in common' that defines who or what can be included in a community.
The mass popularity of science fiction (sf) has shaped the racial politics of popular culture. Through the art and science of governing the complex relationships of people in society in the context of authority, arbitrary, yet traditional, divisions of human beings along lines of color (Caucasian, Negro, Mongoloid, and Latino) have been mirrored in science fiction. In short, skin color matters in our visions of the future. Though W.E.B. DuBois articulates "the color line" as "the problem of the twentieth century" well over a hundred years ago (41), it still remains a fearsome and complicated twenty-first century problem. This problem challenges, compromises, if not corrupts, all endeavors to build a better, more progressive world.
'A Self-Conscious Voice' - an Exploration of Expatriation and Literature
A post-graduate conference at the University of Bristol on May 11th, 2011
Recent landmark works in imperial historiography by such noteworthy scholars as John Darwin, James Belich, and Simon Potter have noted how conceptions of the British Empire began to change over the last two decades of the nineteenth century. Where before overseas migration to the colonies had born an innate stigma, the development of faster communication technologies, the expansion of international finance capital, and the emergence of a cultural sense of pan-Britishness all contributed to a reevaluation of the role of settler colonies within the British Empire during the late nineteenth and early twentieth centuries.
Technology and Modernity