The term expressivism has fallen out of favor with many composition scholars in the past few decades. As social constructivist approaches to composition studies become increasingly common, the old myths about expressivism (e.g. it's solipsistic; it privileges the self over the social; it's apolitical) persist. But are the two movements actually antithetical?
The Politics and Aesthetics of Global Waste
Panel Proposal | Ninth ASLE Biennial Conference
June 21-26, 2011 | Indiana University, Bloomington, Indiana
Updated Abstract Deadline: October 29th, 2010
Despite pressing concerns about diminishing resources, garbage continues to accumulate in landfills, oceans, and toxic sites. Although the international waste trade is booming, those peripheral to the world economy—slumdwellers, rural poor, refugees—find themselves reduced to the status of the detritus in which they often live and work.
Call for short critical and theoretical work on Art, Writing and Visual Cultures.
Rattle is a journal of art, writing, and thought. It offers a speculative space for the text-image relationship to develop, as well as representing those moments of thought and work not easily recuperated into the mainstreams of practice.
Work may include, but is by no means limited to, theoretical and critical writing, page based artworks, reviews, fictions and poetry. We encourage the submission of interesting and unusual work regardless of its form or subject.
Proposals are welcomed but publication cannot be guaranteed before receiving finished work.
This seminar seeks to examine world literature in the wake of German Romanticism. German Romanticism has often been seen as a response to a philosophical crisis that emerged from Kant's formulations of theoretical and practical reason. Because, from the standpoint of theoretical reason, phenomenal nature is always "contingent" and subordinated to the laws of causality, the world of nature is, by definition, not free. But Kant also maintains that freedom, in its resistance to phenomenal desires and causes, is the unique trait or mark of a humanity that is distinguished from animals and machines, though freedom itself cannot ever appear in nature, and thus cannot be theoretically known as such.
This seminar considers the production of narrative in post 1950 cinema as it relates to aesthetically and politically charged questions of globalization and the desires for Utopia.
CALL FOR PAPERS
15th annual Comparative Literature Intra-Student Faculty Forum (CLIFF)
March 24-26 2011
University of Michigan- Ann Arbor
Fun & Games
Professor of English & African and African American Studies
author of Laughing Fit to Kill: Black Humor in the Fictions of Slavery
he Department of French Studies 5th Annual Graduate Student Conference
Francophonies: The Living and the Dead
March 18-19th 2011
Louisiana State University, Baton Rouge, LA
The Projector is a peer-reviewed online journal dedicated to the study of the intersections between media and culture. We are currently seeking essays for our Spring 2011 and Fall 2011 issues. We are particularly interested in scholarship that engages in interdisciplinary analyses of media texts, including those that examine media from a cultural studies, political economy, qualitative audience research, industry analysis, feminist, queer theory, or critical race theory perspective. We invite essays that engage with theoretical debates in media and cultural studies, as well as those that engage in critical examinations of aesthetic practices. We are also interested in essays that examine alternatives to corporate media.
For the 20th Annual British Commonwealth and Postcolonial Conference, Savannah, Georgia US
The University of Bristol hosts the longest-running international medieval postgraduate conference in the UK. Each year we offer medievalists the opportunity to present their research, discuss ideas, and foster links bridging disciplinary and geographical boundaries. In 2011 the conference will be in its 17th year, and we are inviting proposals for papers from postgraduates and early career scholars on the theme of 'Shaping Narratives'.