TINTA welcomes submissions for future issues at any time. Papers should be related to the literature, language, or culture of the Hispanic and Lusophone worlds. We publish once a year, in Fall. Articles received in November or after will be considered for publication in the next issue.
The AnaChronisT 15 (2011) invites research papers, interviews, and book reviews on literatures in English for its next issue, to be published in Winter 2011/2. Papers are to be sent to The AnaChronisT (Department of English Studies, Eötvös Loránd University, H–1088 Budapest, Rákóczi út 5.) by Tuesday, 26 April 2011.
The AnaChronisT http://anachronist.atw.hu/ welcomes submissions by graduate and doctoral students as well as academics. The requirements of application are as follows:
- one hard copy of the essay sent to the above address;
Chitrolekha International Magazine on Art and Design has been conceived of as an attempt at exploring the world of art and design, as a platform dedicated to the artists and designers, design lovers, dreamers and people from the industry to share new ideas and innovations.
For the inaugural issue we are seeking writings on the featured section, other regular sections and projects works from writers, designers and artists on the following topics:
* Traditional art: Alpona
* Architecture: Brihadeeswara Temple
* Feature: Stone Sculpture
This is a proposed special session for the 2012 MLA convention. Is Hamlet's modernity necessarily tied to the intellectual history of the inward-looking, discontented self? Are there other ways in which Hamlet can be understood as modern or as the product(ion) of modernity?
This panel aims to account for Hamlet's representative status with respect to the modern human condition in ways that do not ultimately rest on a particularly entrenched philosophical tradition, one that points to Hamlet's frustrated interiority as an opportunity to theorize modern selfhood (e.g., Freud, Lacan, Benjamin, Adorno, and Nietzche). How else might we read _Hamlet_ with an eye for its modernity?
This session poses photography as a formal inquiry, a provocation, and a "wound" for literary and cultural studies. What is a photograph, and how do we continue to read and write with it?
*Please note: This is a special session pending MLA approval*
REVISED CALL FOR PAPERS
Interacting with Immersive Worlds: Third Brock University Conference on the Interactive Arts & Sciences
BROCK UNIVERSITY, ST. CATHARINES, ONTARIO
JUNE 13th - 14th, 2011
DEADLINE FOR SUBMISSIONS EXTENDED NOW FEBRUARY 28th 2011
NEW CONFERENCE FEATURES:
Additional keynote address by Michael Schmaltz, President, Digital Extremes
Deadline for Applications: Saturday, 19 March 2011
With the intent of providing continued intelligent and entertaining content in the PopMatters' Columns section, we are looking to broaden our staff of columnists and the voice of our writers' community. We're particularly interested in writers who live and work outside of the US, but that is not a deciding factor; in all cases, no matter the writer's locale, we're looking for those who can approach an array of cultural subject matter from their patch of the world with an international sensibility; that is, contextualize the local with an awareness of its place, historical and current, in the broader world.
Call for Chapter Proposals: Collection on Environmental Performance
The Rest Is Silence
Sometimes silence is not golden – just yellow.
When they hold their tongues, they cry out.