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American Identities on Stage: 20th Century American Drama International Postgraduate Conference

updated: 
Thursday, October 14, 2010 - 5:35pm
University of East Anglia, School of American Studies

University of East Anglia
School of American Studies

Celebrating 100 Years of Tennessee Williams (1911-2011)

American Identities on Stage:
20th Century American Drama International Postgraduate Conference

Call For Papers

To commemorate the Tennessee Williams's centennial, the School of American Studies at the University of East Anglia, will host a one-day international conference on 26 March 2011, focusing on theatrical representations of American identities. The invited keynote speaker is Professor Stephen Bottoms (University of Leeds).

Philippine Literature as World Literature (ACLA 2011, Vancouver, BC, 3/31/11 - 4/3/11)

updated: 
Thursday, October 14, 2010 - 10:33am
Will Arighi and Marites Mendoza

"Be an international writer, who happens to be Filipino, and learn to live with the criticisms of being a Twinkie. Anyway, your real home country will be that common ground your work plows between you and your reader. Truly, who wants to read about the angst of a remote tropical nation? Everyone's got enough of their own, thank you very much."

Boundaries (Un)Defined

updated: 
Thursday, October 14, 2010 - 12:24am
Sigma Tau Delta

The CSUN Sigma Tau Delta & Honors in English Colloquium invites you to take part in submitting abstracts on a wide range of literary topics related to the confines, limitations, or openness of space in world literatures, including, but not limited to:

• Public and Private Spaces
• Digital Space (including Computers)
• Ethnic, Language, or Literal Borders Websites, etc.
• The Space of Memory
• The Space of Genders and Sexualities
• Existential Boundaries
• Spiritual and Religious Spaces

CFP-"Decolonial Thinking in Latin American and Latina/o Literary Studies (ACLA March 31-April 3, 2011 Vancouver)

updated: 
Wednesday, October 13, 2010 - 5:02pm
Juan G. Ramos

In his introduction to <> (2010), Walter Mignolo invites us to consider decolonial thinking "as a particular kind of critical theory and the de-colonial option as a specific orientation of doing." As a type of critical theory, decolonial thinking becomes an option from which we can be critical of existing master/universal narratives that pervade in society and academia.

Comparative Melodrama (ACLA 2011, Vancouver, B.C., Mar. 31-Apr. 3)

updated: 
Wednesday, October 13, 2010 - 4:39pm
Sheetal Majithia

Cultural criticism and film history once approached melodrama as a failed and lowbrow form of tragedy characterized by excessive rhetoric, one-dimensional characterizations, and schematized moral polarizations. Subsequently, feminist studies re-framed debates about melodrama by studying it as a genre addressed to and about women. Moving from a focus on domestic and family dramas, scholarship of the last few decades now exhibits a newfound interest in melodrama as a mode representative of socio-cultural conditions, particularly in transcolonial and transnational contexts.

Luxuries of the Literary Mind: Readings of Commodity and Privilege - March4-6th, 2011

updated: 
Wednesday, October 13, 2010 - 9:41am
McGill University

Luxuries of the Literary Mind: Readings of Commodity and Privilege

"Literature is a luxury; fiction is a necessity." G. K. Chesterton, Defendant (1901)

The McGill English Department's Seventeenth Annual Graduate Conference on Language and Literature will take place in Montreal from March 4 to 6, 2011. The conference will centre on issues of luxury, commodity, and consumption in literature, and other texts and cultural artefacts.

Potential areas for study include, but are not limited to the following:

-class and social standing

-wealth and poverty, images of excess and need

-human rights (sexual freedoms, disability rights, etc.) versus social privilege

-the racialization of wealth and status

Narrative Scale and the Limits of the Sensible

updated: 
Tuesday, October 12, 2010 - 10:45pm
International Society for the Study of Narrative

We welcome paper proposals on narrative scale in late twentieth- and early twenty-first-century fiction, film, or visual media for the 2011 International Conference on Narrative. We are specifically interested in essays exploring the relationship between narrative representation and what the selection of scale brings to view or obscures. For example, what is made legible if we imagine literary history in terms of blunt dates (like the annular study) rather than in terms of broad conceptual markers (like modernity)? Or what is the relationship between evolution as metaphor bounded by narrative and scientific evolutionary theory? Particular areas of interest might include:

The Conference On The Conference - March 4th and 5th, 2011

updated: 
Tuesday, October 12, 2010 - 9:54pm
Simon Fraser University School for the Contemporary Arts The Conference On The Conference Organization Committee

THE CONFERENCE ON THE CONFERENCE

March 4th and 5th, 2011

Simon Fraser University,
A School for the Contemporary Arts
Graduate Candidate's Symposium/Exhibition, Vancouver, BC. Canada

Call for Papers: The Conference on The Conference

Reading Transcendentalism after Cavell (ALA: 5/26-5/29/2011)

updated: 
Tuesday, October 12, 2010 - 3:15pm
The Thoreau Society

A Session Sponsored by The Thoreau Society
American Literature Association--22nd Annual Conference, Boston, May 26-29, 2011
Kristen Case and Rochelle Johnson, Organizers

Reading Transcendentalism after Cavell: Anticipating the Fortieth Anniversary of The Senses of Walden (1972)

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