Gilles Deleuze defines an assemblage as a multiplicity that "is made up of many heterogeneous terms and which establishes liaisons, relations between them, across ages, sexes and reigns — different natures." Such a form of organization, he argues, is the product of the interactions between the various bodies — physical, psychical, social, economic, linguistic — that compose it. The inherent dynamism of the assemblage is mirrored in the work of those who have theorized it; the concept remains notoriously diffuse and unstable. Following Manuel DeLanda's recent work, we are eager to reconstruct and refine assemblage theory.
CALL FOR PAPERS in ADAPTATION
The Adaptation Section of the 2011 National Popular Culture & American Culture Associations Conference
Wednesday, April 20, through Saturday, April 23
Marriot Rivercenter San Antonio, and Marriot-San Antonio Riverwalk
Proposal deadline—December 8th, 2010
Adaptation as Process
"[A] mode of writing is an act of historical solidarity…it is the relationship between creation and society, the literary language transformed by its social finality, form considered as human intention and thus linked to the great crises of History." - Roland Barthes
This seminar seeks papers focusing on the theory of translation from the perspectives of Derrida or Deleuze. Is translation an impossible task, an ethics that lends an ear to the other? Or is translation a matter of creative concepts? How do we develop the idea of (in)fidelity in terms of the strange friendship between the two philosophers? What is the relationship between linguistic signs and recognition/the unrecognizable? Possible paper topics may include but are not limited to:
This seminar seeks papers focusing on the theory of translation from the perspectives of Derrida or Deleuze. Is translation an impossible task, an ethics that lends an ear to the other? Or is translation a matter of creative concepts? How do we develop the idea of (in)fidelity in terms of the strange friendship between the two philosophers? What is the relationship between linguistic signs and recognition/the unrecognizable? Possible paper topics may include but not limited to:
How has American literature understood itself as "world literature"? This seminar is interested not only in the ways American literature "contains" the world (as a multi-national literature) but also in the ways American literature is in the world. We want to think of World Literature not only as a category that describes multi-national or global literatures, but also as a literary and political strategy: the making of new worlds.
The English Graduate Student Association (EGSA) at Oklahoma State University, an organization of English graduate students and faculty members committed to promoting student academic development and scholastic achievement, is currently accepting proposals for its annual graduate conference March 4-5 2011 in Stillwater, OK.
The Department of French Studies 5th Annual Graduate Student Conference
Francophonies: The Living and The Dead
March 18-19th 2011
Louisiana State University, Baton Rouge, LA
The term expressivism has fallen out of favor with many composition scholars in the past few decades. As social constructivist approaches to composition studies become increasingly common, the old myths about expressivism (e.g. it's solipsistic; it privileges the self over the social; it's apolitical) persist. But are the two movements actually antithetical?
The Politics and Aesthetics of Global Waste
Panel Proposal | Ninth ASLE Biennial Conference
June 21-26, 2011 | Indiana University, Bloomington, Indiana
Updated Abstract Deadline: October 29th, 2010
Despite pressing concerns about diminishing resources, garbage continues to accumulate in landfills, oceans, and toxic sites. Although the international waste trade is booming, those peripheral to the world economy—slumdwellers, rural poor, refugees—find themselves reduced to the status of the detritus in which they often live and work.