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Changing the Language Game (Due: Dec 15, Conference: Jan 28)

updated: 
Monday, October 18, 2010 - 9:51am
UNC Charlotte English Graduate Student Association

UNC Charlotte's English Graduate Student Association (EGSA) is proud to announce its 11th annual conference and call for papers. Our conference is the largest and longest running student-led conference in the southeast. This year, come and see how the rules of the game are changing.

The UNC Charlotte English Graduate Student Association invites faculty, graduate students, and advanced undergraduates to submit an original essay or presentation for the annual spring semester conference.

ATHE's Music Theatre/Dance Focus Group: Bruce Kirle Memorial Emerging Scholarship Panel

updated: 
Monday, October 18, 2010 - 1:25am
ATHE’s Music Theatre/Dance Focus Group

The Music Theatre/Dance (MT/D) Focus Group of the Association for Theatre in Higher Education (ATHE) announces its call for papers for the "Bruce Kirle Memorial Emerging Scholarship Panel in Music Theatre/Dance" for the 2011 ATHE conference in Chicago, IL (August 11-14, 2011). This annual panel is held in memory of Dr. Bruce Kirle, a longtime member of the Music Theatre/Dance focus group. Dr. David Savran will serve as the respondent. Dr. Savran is the Vera Mowry Roberts Chair in American Theatre at the CUNY Graduate Center as well as the editor of The Journal of American Theatre and Drama. His most recent book, Highbrow/Lowdown: Theater, Jazz, and the Making of The New Middle Class, was published in 2009 by the University of Michigan Press.

Systematized Objects: the other "world" literature [systems theory, ANT, OOO, posthumanism, etc.]; ACLA April 1-3; due Nov 12

updated: 
Sunday, October 17, 2010 - 8:26pm
Meredith Farmer and David Baker

Currently, a number of analysts are thinking about what constitutes, assembles, or traces "objects." While Bruno Latour (2005), Manuel DeLanda (2006), Andy Clark (2008), Graham Harman (2009), Cary Wolfe (2010), et al. might not agree on what objects "are," they're all interested in shifting away from the transcendental ego in ways that evade the "modern constitution" or the "bifurcation of nature." And we're interested in how this move -- and all its concomitant effects -- might influence not literary theory, but literary criticism.

Assembling Among Assemblages: Corporate Forms and American Literature Before 1914

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Sunday, October 17, 2010 - 6:20pm
Brynnar Swenson, Butler University; Andrew Lyndon Knighton, California State University, Los Angeles


Gilles Deleuze defines an assemblage as a multiplicity that "is made up of many heterogeneous terms and which establishes liaisons, relations between them, across ages, sexes and reigns — different natures." Such a form of organization, he argues, is the product of the interactions between the various bodies — physical, psychical, social, economic, linguistic — that compose it. The inherent dynamism of the assemblage is mirrored in the work of those who have theorized it; the concept remains notoriously diffuse and unstable. Following Manuel DeLanda's recent work, we are eager to reconstruct and refine assemblage theory.

CFP: Adaptation as Process (2011 ACA/PCA Conference-San Antonio): 4/20/11-4/23/11

updated: 
Sunday, October 17, 2010 - 4:37pm
Southwest/Texas Popular Culture Association/American Culture Association Joint Conference

CALL FOR PAPERS in ADAPTATION

The Adaptation Section of the 2011 National Popular Culture & American Culture Associations Conference

Wednesday, April 20, through Saturday, April 23
Marriot Rivercenter San Antonio, and Marriot-San Antonio Riverwalk

Proposal deadline—December 8th, 2010

Adaptation as Process

Collective Identities: Policies and Poetics Feb. 18 2011

updated: 
Sunday, October 17, 2010 - 11:35am
CUNY Graduate Center PhD Program in French

"[A] mode of writing is an act of historical solidarity…it is the relationship between creation and society, the literary language transformed by its social finality, form considered as human intention and thus linked to the great crises of History." - Roland Barthes

Traffic in Translation: the Task of Derrida and Deleuze (ACLA, Vancouver, March 31-April 3, 2011)

updated: 
Saturday, October 16, 2010 - 11:37pm
Yen-Chen Chuang, Tamkang University

This seminar seeks papers focusing on the theory of translation from the perspectives of Derrida or Deleuze. Is translation an impossible task, an ethics that lends an ear to the other? Or is translation a matter of creative concepts? How do we develop the idea of (in)fidelity in terms of the strange friendship between the two philosophers? What is the relationship between linguistic signs and recognition/the unrecognizable? Possible paper topics may include but are not limited to:

Traffic in Translation: the Task of Derrida and Deleuze (ACLA, March 31-April 3, 2011)

updated: 
Saturday, October 16, 2010 - 10:42pm
Yen-Chen Chuang, Tamkang University

This seminar seeks papers focusing on the theory of translation from the perspectives of Derrida or Deleuze. Is translation an impossible task, an ethics that lends an ear to the other? Or is translation a matter of creative concepts? How do we develop the idea of (in)fidelity in terms of the strange friendship between the two philosophers? What is the relationship between linguistic signs and recognition/the unrecognizable? Possible paper topics may include but not limited to:

American Literature as World Literature: Making/Mapping New Worlds, ACLA 2011 Seminar, Vancouver, March 31-April 3

updated: 
Saturday, October 16, 2010 - 7:18pm
Lindsey Andrews, Duke University; Michelle Koerner, Duke University

How has American literature understood itself as "world literature"? This seminar is interested not only in the ways American literature "contains" the world (as a multi-national literature) but also in the ways American literature is in the world. We want to think of World Literature not only as a category that describes multi-national or global literatures, but also as a literary and political strategy: the making of new worlds.

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