In Colonizing Bodies: Aboriginal Health and Healing in British Columbia 1900-1950, a Nisga'a elder implores the historian Mary Ellen Kelm: "When we talk about the poor health of our people, remember it all began with the white man" (xv). This special issue of JLCDS invites scholars to consider two interrelated phenomena: on the one hand, colonialism has produced indigenous disability and illness—through the depletion of traditional sources of food and medicine, enforced containment in boarding schools and substandard reservation housing, trauma, poverty and so on. On the other hand, colonial discourse also pathologizes Native people—construing them as genetically prone to certain illnesses, for instance.
Poetry Studies and Creative Poetry
2011 Popular Culture Association/American Culture Association National Conference
San Antonio, Texas, April 20-23
NEW DEADLINE: 31 December 2009
The 2011 PCA/ACA Poetry Studies & Creative Poetry Area chair is seeking two kinds of panelists: those reading original poetry and those delivering short papers on some aspect of American poetry.
University of Wisconsin-Madison Conference in Language and Literature (MADLIT)
English Dept. Graduate Student Conference
February 24-26, 2011
The Graduate Student Association at the University of Wisconsin-Madison English Department is pleased to announce the 7th Annual MadLit Conference. Our keynote speaker for this year's conference, "Perpetual Crisis," is Professor Rita Felski. The focus encourages examination of the role of humanistic inquiry and the arts in moments of crisis, and also extends the opportunity to participants to explore broader questions about how "crisis" might appear, be defined, or be addressed in their own areas of study.
A One-Day Interdisciplinary Conference hosted by the University of Manchester
The International Anthony Burgess Foundation
Friday April 1st 2011
Confirmed plenary speakers:
Prof. Jeremy Tambling, English and American Studies, University of Manchester
Dr. Roger Pooley, English, Keele University
The University of Manchester invites scholars and early researchers to submit papers for the conference 'Why Allegory Now?', an interdisciplinary event which will allow a forum of discussion on the disparate ways in which allegory has been used throughout history, and consider how such an elusive yet prominent form can be interpreted today.
The Art History Association of the University of Oregon is hosting its 7th annual student symposium, Memory & Representation, on Thursday and Friday April 21st and 22nd, 2011, at the Jordan Schnitzer Museum of Art in Eugene, Oregon. The symposium will focus on the visual culture of commemoration, documentation, and memorialization and will examine the variant roles of the arts in the representation of memory. Likewise, it will investigate documentation in art practice, production, exhibition, reception, and methodology. These concepts may be applied to varying cultural and historical aspects of art history as well as a number of other academic disciplines, particularly those within the humanities.
Under the auspices of the Modernism Studies Centre in Australia, the School of English, Media, and Performing Arts at the University of New South Wales, Sydney, will host the 'Faulkner in the Media Ecology' conference, on November 24-26, 2011.
The Festivals & Faires Area of the Popular Culture Association welcomes submissions for the 2011 PCA/ACA conference in San Antonio, TX (April 20-23, 2011) on any festival or faire—modern or historical. Scholars of theatre / theater, drama, performance studies, American studies, popular culture, religion, history, and non-western traditions are encouraged to apply. Since the conference is in San Antonio, TX, any papers relating to festivals and faires in the city or state are greatly appreciated. Other specific areas of interest for this year's panels include, but are not limited to:
Cinema: Journal of Philosophy and Moving Image is now accepting submissions for the 2nd issue. Editors welcome articles that fall under the broad rubric of the relations between cinema and philosophy.
Submission deadline: March 1, 2011 (abstracts) and June 1, 2011 (completed papers)
Areas include, but are not limited to:
*philosophy of cinema today
*epistemology and ontology of cinema and of the moving image
*the relationship film studies and philosophy of cinema
* the analytic/continental divide within philosophy of cinema
* new approaches and trends within the philosophy of cinema
*historical approaches to philosophy of cinema and film theory
*cinema as philosophy
Life Writing and Human Rights: Genres of Testimony