The study of trauma, Judith Herman points out, has a history of “episodic amnesia.” Knowledge gained is periodically forgotten and must be persistently reclaimed. After almost 15 years of combat in the Middle East and of rising attention to a broad range of stressful events, American culture, its media, academics and clinicians have become increasingly responsive to the diverse nature and complexity of traumatic experience.
2016 marks the 500th anniversary of the first printing of Thomas More's Utopia, the text that created and provided the name for its own genre. Since the appearance of More's text, utopias have been imagined as unreal realities and worlds where people exist according to a specific vision of an author, whose aim might be justice, art, or an imagined reality with a specific agenda.
We request abstracts that address any aspect of early modern utopianism. Please submit 250-300 word abstracts along with a brief bio or a one page C.V. by May 15, 2016 to: Dr. Ruth McIntyre, email@example.com.
This section of the academic journal "Sinestesieonline" is open to contributions about theatre and performing arts in all historical ages, forms and variations, in English, Italian and foreign languages.
"Il Parlaggio" is the name created by Gabriele d'Annunzio for the amphitheatre in Vittoriale – a place of empathy, a cradle of emotions, a crossroads of cultures, a connection between antiquity and contemporaneity, an emblem of the "neverending show".
Call for papers
Planned Obsolescence: Texts, theory, technology
Université de Liège (Belgium) - December 8th and 9th, 2016
[Pour le français, voir plus bas.]
Film Adaptation: Theory, Practices, Reception
School of Film Studies and School of English
Aristotle University of Thessaloniki
May 25-27, 2017
Keynote Speaker: Deborah Cartmell
We are pleased to announce the call for papers for the next issue of 452oF: Journal of Literary Theory and Comparative Literature, which will focus on Imaginary of Open Space in Contemporary Culture. We would appreciate the dissemination of the attached document, in which further information can be found.
The journal has published fourteen issues so far and been included in several indexes. We would also like to point that one of its key features is that all accepted papers are translated into Spanish, English, Catalan and Euskera. If you are still not familiar with 452oF, we kindly invite you to have a look at its last issue at http://www.452f.com/.
Arts of Healing: Cultural Narratives of Trauma
Formes Poétiques Contemporaines
FPC 12 THE READERLY
Recently we have talked a great deal of unreadability, it seemed time to revisit the optimistic side of the question…
- Here we approach, I tell my teacher, a considerable objection that I want to put to you…Obscurity!
- It is, indeed, equally dangerous, he answers me, whether obscurity derives from the deficiencies of the reader, or those of the poet… but to elude the task altogether would be cheating.
--Stéphane Mallarmé, "An Interview with Jules Huret," 1891
CALL FOR PAPERS
Southern Humanities Council Conference
The Brown Hotel, Louisville, KY, January 26-January 29, 2017
Movements, Flow, Resistance
CALL FOR PAPERS FOR THE 31TH ANNUAL INTERDISCIPLINARY CONFERENCE IN THE HUMANITIES
The Department of Foreign Languages and Literatures, the College of Arts and Humanities, and the University of West Georgia (UWG) invite you to celebrate the 31th Annual Interdisciplinary Conference in the Humanities, September 22-September 24, 2016. We welcome submissions from across the Humanities, Fine Arts, and the Social and Natural Sciences, dealing with NATURE/CULTURE/COMMERCE and its many crossroads and intersections. Papers, exhibits, performances and screenings may be submitted by scholars, graduate students, writers, artists, and performers. Papers in French, German, or Spanish are welcome when part of a pre-organized panel.
DEADLINE EXTENDED (SEE BELOW)
Call for Papers
Urban Studies Area
2016 Midwest Popular Culture Association/Midwest American Culture Association Conference
Thursday-Sunday, 6-9 October 2016
Chicago, IL - Hilton Rosemont Chicago O'Hare
Extended Deadline: May 15, 2016
The Urban Studies Area of The Midwest Popular Culture Association/Midwest American Culture Association is now accepting proposals for its upcoming Conference in October 2016.
As a conscious and unconscious, sustained, even efficient effort at 'making and letting die' (Mbembe), necropolitics is systemic to capitalism. The grand-scale destruction of the earth's ecosystems, the overt and covert forms of genocide (the so-called 'war on terror' or the 'refugee crisis'), the feeding of dead poultry to genetically modified legless pigs, or the more recent 'ecological' inventions such as biocremation in which human remains are used to produce heat for leisure centres (Rumble) are only some of the familiar examples.
The recent refugee crisis in Europe has brought to the fore the pressing aspects of the precarious nature of human life. This is not a sudden crisis as scholars have traced its historical roots with the exploits of "Western" capitalism, imperialism, environment, and war on terror. Such engagement has also given us different politico-philosophical points of analysis of the condition: for instance, the rise of terms such as "precariat," "new subaltern," "precarity" (Guy Standing; Simon During), the debates on "Anthropocene" and "capitalocene" (Dipesh Chakraborty; Jason W Moore), or the interest in neuro-biological or communal human affects (Catherine Malabou; Judith Butler). Added to such is the challenge of the machines and objects in our daily life.
Babies perform a lot of narrative work. George Eliot's Middlemarch narrator playfully quips that "where there was a baby, things were right enough," and that "error, in general, was a mere lack of that central poising force," and this is often as true for narratives themselves as for the characters therein. Babies often serve as forces of disruption or normatization in literary texts, and this panel seeks to explore the narrative work that the (pro)creative and (pro)created bodies of mothers and babies perform. This panel seeks to situate the creative work of female reproduction in the context of its narrative creation, taking seriously the textual creation and performance of fertility in literary texts.