Postmodernism is clearly dead—its death and what follows it have been theorized in a myriad of different ways, most recently perhaps by the special edition of Twentieth Century Literature entitled Postmodern/Postwar—And After in the spring of 2016. The advancements of digital technology and the pressing need to look beyond the human and onto a planetary scale of existence are frequent explanations for recent shifts in literary and cultural production. But what explains the resurgence of novels written in the realist mode?
Over the last few decades, body modification in its many forms and guises has experienced an apparent visibility, appropriation, and revivalism in mainstream media and culture. Spanning centuries of history, body modification can range in intensity and craftsmanship from “normal” (such as earlobe piercings or bodybuilding) to “hardcore” (such as full bodysuit tattoos, surgical modifications, transdermal implants, and even amputations).
Recent populist movements in the U.S., U.K., and around the globe suggest that the practices and theories surrounding dissent and civil disobedience are now more relevant than ever. With the Women’s March reaching nearly five million people world-wide, sparking protests not only across the United States, but in Europe, Asia, Africa, North and South America, Australia, and even Antarctica, it is clear that the praxis of protest will be a hallmark of this period in the twenty-first century.
Call for Papers:
Coils of the Serpent: Journal for the Study of Contemporary Power
“The coils of a serpent are even more complex than the burrows of a molehill.”
(Gilles Deleuze, Postscript on the Societies of Control)
[Book] Planned Obsolescence: Texts, Theory, Technology
[Pour le français, voir plus bas.]
Call for Papers
Space for Fashion Thinking & Practice: Review, Reflect, Revise
An Interdisciplinary Fashion Research Network Symposium & Exhibition
Friday 8th September 2017 - Coventry University London
Venue: Coventry University London, University House, 109-117 Middlesex Street, London, E1 7JF
CFP: Issue 31: Technoaffect: Bodies, Machines, Media
Editors: Erika Kerruish and Rebecca Olive
Over a quarter of a century ago, Linda Williams’ groundbreaking “Film Bodies: Gender, Genre, and Excess” was published in Film Quarterly. Her seminal article not only brought together distinct areas of film studies (genre criticism, spectatorial response, taste cultures, gender and sexuality, emotion and sensation in cinema) that are still highly relevant today, but also theoretical frameworks that have traditionally been kept separate. Although grounded in a psychoanalytic model for understanding structures of desire, fantasy, and identification, Williams’ essay at the same time marked a turning point towards a corpus of scholarship that is more attuned to and engaged with the embodied film-viewing experience.
Double Helix: A Journal of Critical Thinking and Writing publishes work addressing linkages between critical thinking and writing, in and across the disciplines, and it is especially interested in pieces that explore and report on connections between pedagogical theory and classroom practice. The journal also invites proposals from potential guest editors for specially themed volumes that fall within its focus and scope.
Suzanne S. Hudd
Sally Elizabeth Mitchell
Robert A. Smart
Kathleen Blake Yancey
n. 19 – 5/2018
The ghost of the author and the author of the ghost
edited by Ana María González Luna and Paolo Caponi